Tag Archives: media

Podcast: The future of cancer careHow genomics is transforming research and treatment for all – Genetic Literacy Project

Geneticist Dr Kat Arney takes a look at how genomic technologies are transforming cancer careand the importance of making sure these advances are available to all, on the latest episode of the Genetics Societys Genetics Unzipped podcast, sponsored by Thermo Fisher Scientific.

Arney looks at the progress weve made and what the future looks like for cancers that afflict both adults and children, as well as exploring how important fast genetic testing is to patients and how new technology could help make genetic data more accessible. Joining her on this episode of the show:

Full show notes, transcript, music credits and references online at GeneticsUnzipped.com.

Genetics Unzipped is the podcast from the UK Genetics Society, presented by award-winning science communicator and biologist Kat Arney and produced by First Create the Media. Follow Kat on Twitter @Kat_Arney, Genetics Unzipped @geneticsunzip, and the Genetics Society at @GenSocUK

Subscribe from Apple podcasts, Spotify, or wherever you get your podcasts.

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Podcast: The future of cancer careHow genomics is transforming research and treatment for all - Genetic Literacy Project

Known Unknowns: The Pros, Cons and Consequences of Known Donation – BioNews

21 September 2020

Donor conception was the focus of the event 'Known Unknowns: The Pros, Cons and Consequences of Known Donation', held online by the Progress Educational Trust (PET), the charity that publishes BioNews, in partnership with the University of Manchester.

Sarah Norcross, director of PET, beganby explaining how the introduction of releasing a sperm, egg or embryo donor's identity to the donor-conceived child when they reach 18 (so-called identity release donation), thewide availability of genetic tests, and therise in known donor arrangements are eroding donor anonymity. Norcross then opened the discussion by asking what level of connection should exist between donor and recipient and donor and donor-conceived child.

The first speaker Dr Petra Nordqvist, researcher and senior lecturer at the University of Manchester, spoke about her team's project Curious Connections which has been exploring the impact of donation on the lives of donors. Using in-depth interviews, Dr Nordqvist discovered that the degree of relationship between donor and recipient varies greatly. It was interesting to learn that although donors do not see themselves as parents, they feel a 'sense of connection', signifying that the relationship carries an 'emotional charge' that needs to be carefully managed. Dr Nordqvist also raised some valid concerns regarding identity release, asking 'how will they [donor-conceived people] make sense of it and how will relationships change?'.

The second speaker, Natasha Fox, gave a moving account of her experience growing up as the daughter of the first person in Scotland to access IVF treatment as a single woman. Fox spoke passionately about the challenges her mother faced as a single parent in the 1990s and how her interest in her family history sharpened over time, along with her curiosity about her donor. It was both fascinating and heart-breaking to hear Fox recall writing letters to her unknown donor, counting down the days to her 18th birthday and meeting her half-sister whom she discovered by taking a DNA test. Fox's resilience also came across as she criticised the media's treatment of donor-conceived people and the Human Fertilisation and Embryology Authority's (HFEA) lack of action and low re-registration rates.

The third speaker Nina Barnsley, director of the Donor Conception Network, continued the discussion by outlining the pros and cons of known donor arrangements. Based on anecdotal evidence, she said the majority of experiences were positive. However, Barnsley noted that difficulties can arise, for example, when the donor wants to take on more of a parental role or the donor-conceived child has stronger opinions later in life such as wanting more or less contact with the donor or wanting to call the donor dad 'blurring the lines'. Barnsley emphasised the need to set boundaries and be mindful of our terminology. She concluded by saying 'things are going fine but occasionally a spanner can come into the works.'

The next speaker was Erika Tranfield, the founder and director of Pride Angel, a website that connects donors and co-parents online. Tranfield began by presenting data which showed how the demand for gamete donation has increased over the last ten years, together with a rise in the online fertility industry. She then shared her personal journey of becoming a mother to a donor-conceived child, which gave a more intimate perspective on how the process works, and shed a more positive light on online connection services. Tranfield also balanced this resounding positivity by highlighting some of the hurdles she faced and stressing the importance of understanding intentions and expectations from the outset.

The final speaker of the evening was Natalie Gamble, solicitor at NGA law, which specialises in fertility and family law. Gamble briefly described the spectrum of known donor arrangements and explained how difficulties can arise when roles are poorly defined and expectations are mismatched. She emphasised the complexity and inflexibility of UK law, urging recipients and donors to take more time to understand the law, ensure their expectations are aligned and written agreements are put in place. After a whistle-stop tour of the law, it was encouraging to hear Gamble end on a positive note saying that known donation was 'a good thing' as it offers transparency and an opportunity for a donor-conceived child to have more people in the world who love them.

During the Q&A session, the most popular questions centred on Dr Nordqvist's research, Fox's experience as a donor-conceived person, and navigating complex relationships.

Dr Nordqvist spoke about the lack of consistency in the reasons why relationships break down, the possible tensions between generations, and the importance of using the right language although there are exceptions, as a rule neither donors nor recipients think it appropriate to refer to donors as parents. Dr Nordqvist also said that some donors prefer to stay anonymous, and that different routes can be equally successful.

Gamble agreed that we should not assume donors want to be involved. She also spoke about the redundancy of the UK's legal framework and recommended donors and recipients seek legal advice early on, as there can be a great deal of emotional vulnerability when relationships break down.

Barnsley echoed this by emphasising the value of good communication, preparation and long-term planning. She also stressed the importance of focusing on the child's needs and allowing them to find their own language. Fox agreed that it's about finding words that 'feel right' and being aware that feelings change.

Norcross concluded that people and families are complicated, and there is a great deal to take forward from this event and discussion regarding pre-planning, communication and terminology.

I would recommend this event to anyone interested in understanding the very real impact donor conception has on people's everyday lives. I was fascinated by Dr Nordqvist's research, the work of Barnsley's organisation and Gamble's legal perspective, which helped build a wider picture of how we navigate connectedness. I was also completely captivated by Fox and Tranfield's moving and thought-provoking stories. As Fox noted in her final thoughts, it's encouraging that events such as this are becoming more common.

The Progress Educational Trust (PET) is grateful to the University of Manchester's Morgan Centre for Research into Everyday Lives, and to the European Sperm Bank, for supporting this event.

Register now for PET's next free-to-attend online event ,'Donate, Destroy or Delay? When IVF Embryos Are No Longer Needed for Treatment', taking place place from 5pm-6.30pm (BST) on Tuesday 29 September 2020. All are welcome find out more here, and register to attend here.

Continued here:
Known Unknowns: The Pros, Cons and Consequences of Known Donation - BioNews

Never mind the Metabolix: Prof Luke O’Neill – the popular scientist who moonlights as rock star – Independent.ie

When it comes to immunologists, Prof Luke O'Neill is something of a rock star.

irstly, he is the lead singer of a band called The Metabolix, which has performed for colleagues and students at the Trinity Ball.

He already had a high profile before Covid-19 hit, but now he is a household name.

O'Neill is one of a number of medical professionals who have become regulars on our TV screens and airwaves since the advent of Covid-19. Broadcasters are increasingly calling on medical experts to discuss and advise as Ireland, like other countries, tries to navigate the global pandemic.

Prof O'Neill told the Irish Independent he had been talking to the public about immunology for years "but nobody was listening".

"Covid-19 has been an opportunity to tell people about science, and I think it's a great privilege.

"Some of us [the medical professionals] have tried to be a reassuring presence. The more science you have out there, the better," he said.

He believes scientists, who are often paid by the taxpayer through State funding or grants, have a responsibility to talk to people through the media. - particularly when they have expertise that can benefit or help inform public health measures.

He has been steadily building a media profile as an accessible and entertaining science commentator for almost a decade.

The professor is a popular choice for broadcasters who want to present science in a plain-speaking or even humorous way.

He has had a regular slot answering questions about science on the Pat Kenny show on Newstalk for seven years. Kenny has described O'Neill as "as rare a creature and exotic a discovery as the Galapagos Islands". He regularly writes for the Sunday Independent, and Virgin Media's Six O'Clock Show has Prof O'Neill on regularly enough to describe him as the "resident boffin".

His ability for simply and effectively explaining science has also led to him regularly appearing on RT Junior to help talk about Covid-19 to children.

In 2016, he appeared on Eureka! The Big Bang Query - a comedy science quiz for RT.

Prof O'Neill was raised in Bray, Co Wicklow, and earned a degree in biochemistry at Trinity College in 1985, followed by a PhD in pharmacology from the University of London in 1988.

He now lives in Dublin with his wife Margaret Worrall, who is also a scientist. He has two children.

In 2007, Prof O'Neill was appointed chair of biochemistry at Trinity College Dublin. In 2011, he became the founder director at the Trinity Biomedical Sciences Institute.

Prof O'Neill has been listed among the top 1pc of most-cited researchers in his field, and is recognised as a top immunologist internationally.

In 2016, he was made a Fellow of the prestigious Royal Society for his immunology research. He helped found Inflazome in 2016, and the company's research into a drug that could stop a gene called NLRP3 - which is very active in inflammatory brain diseases - has attracted international attention.

He is also listed as a co-founder of Sitryx - a bio-pharmaceutical company that was set up in 2018 following Trinity College research into disease therapy.

His third book, Never Mind the B#ll*cks, Here's the Science, will be published next month.

It follows the publication of his first book Humanology in 2018 and a children's book, The Great Irish Science Book, in 2019.

Irish Independent

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Never mind the Metabolix: Prof Luke O'Neill - the popular scientist who moonlights as rock star - Independent.ie

Good News on Climate Change: Most Americans Agree It’s Real, Even in the Midwest – Flatland

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Published September 16th, 2020 at 6:00 AM

Rising sea levels. An extraordinary inland hurricane ripping through the Corn Belt. Uncontrolled wildfires scorching the West Coast. Shrinking glaciers in the Arctic.

We are already seeing the effects of climate change.

The National Oceanic and Atmospheric Administration has found that the average yearly temperatures in both Missouri and Kansas have been steadily increasing since 1950. Last year was the second hottest on record.

According to the United Nations Environment Programme, if global temperatures increase 2.7 degrees fahrenheit, (a number that scientists believe will be reached between 2030 and 2052 unless unprecedented action is taken) more than 70% of coral reefs will die, disrupting the food chain and livelihood of over 500 million people. Millions of people living on the coasts could be forced to flee inward due to rising sea levels. In the Midwest, flooding and extreme rain will impact infrastructure, and heat waves will affect agriculture.

All of this may be scary, but there is a silver lining. Most Americans agree its real.

According to the new 2020 Yale Climate Opinion Map, the majority of Americans (72%) believe global warming is happening. The study found that in Missouri and Kansas 67% of people now believe in global warming. The Kansas City area matched the national average at 72%.

The study surveyed more than 25,000 Americans, asking them several questions related to climate change. The questions ranged from belief in climate change, to whether human behavior influences climate outcomes, and support of climate-related public policies. The model has a margin of error of 7% at the state level, and 8% at the county level.

While the study did find that an overwhelming majority believe in climate change, a majority doesnt believe it will personally affect them.

There is essentially an optimism bias, said Jennifer Marlon, a Ph.D. Research Scientist at Yales School of Forestry and Environmental Studies. We tend to acknowledge that people in our community, or places farther away, or even in other countries are going to get impacted. But we tend to think that we personally are somehow protected, and so we often underestimate the risk.

In this region, 37% of Missourians and Kansans believe they will be harmed personally by global warming, 6 percentage points below the national average. In contrast, 69% of Missourians, and 67% of Kansans believe global warming will harm future generations.

That could be the symptom of a lack of understanding of how imminent the threat of climate change may be.

Its not taken seriously enough. Were not really understanding that were talking about a really severe threat, Marlon said. Were talking about the extreme weather were seeing just being the tip of the iceberg. The heat we are seeing this summer, dont think of this as the hottest year on record, think of this as the coolest summer you are going to have for the next 20 or 30 years.

When the Climate Disruption Index recently ranked the cities that would feel the effects of climate change the most, Kansas City was 5th on the list.

Roeland Park Mayor Mike Kelly, a member of the executive board for Climate Action KC, says the effects of climate change are already showing in Kansas City.

Were going to see increased heating degree days, Kelly said. Weve seen increased extreme weather and flooding on the Kaw (Kansas River) thats affecting various communities.

Kelly also noted that vulnerable populations that live on low income, rely on government assistance, live in older housing, lack access to transportation or live in food deserts will feel the impacts worse than others.

Climate change is also currently affecting health issues. According to the Asthma and Allergy Foundation of America, rising temperatures caused by climate change lead to a longer allergy season. They estimate rising temperatures have caused the pollen season to be 11 to 27 days longer.

The Yale study asked Americans whether they supported a number of climate change related policies.

Funding research into renewable energy sources, regulating CO2 as a pollutant, providing tax rebates for energy-efficient vehicles and solar panels and teaching about climate change in schools all have more than 70% approval in Missouri and Kansas.

Kelly said that Climate Action KC has seen an increase in support for green policies around the KC metro. Half a dozen cities are participating in Evergys Renewable Direct Program, which allows a city to acquire 100% of its metered electricity from renewable sources in this case, a wind farm.

When you look at these solutions for their own sake, you realize that a lot of them have a great fiscal impact outside of their emissions reduction, Kelly said. What were seeing is that weve shown people the long-term plan to the dollars and cents, and the improvement in quality of life for things like making your building more energy efficient, or providing walking and biking trails, or multimodal transportation options. People like those solutions.

Despite the large support for climate policies, there is less demand for elected officials to address the issue of climate change.

A narrower majority of 56% of Missourians and 54% of Kansans believe the president should be doing more to address climate change. Those numbers drop to 49% and 48%, respectively, when asked the same question about their states governor. And 44% in both states think global warming should be a high priority for the next president and Congress.

Its fascinating. So what this says (is) in theory people do support these policies, they do support action, but they somehow dont want the government to do it, Marlon said. That really gets at this anti-government sentiment that really runs deep.

Marlon said that while market-based policies, and buy-in from citizens and corporations will definitely help, the government must play a role in mitigating the effects of climate change.

Climate Action KCs executive board is made up of several elected officials in the area, including Kelly, Shawnee Councilwoman Lindsey Constance, Gladstone Mayor Carol Suter and Smithville Mayor Damien Boley. The organization is currently working on their 2020 Climate Action Playbook that will give officials and organization concrete steps they can take towards helping the environment. The playbook is slated to release in December of this year.

One of the findings of the Yale study is that less than 35% of Missourians and Kansans say they rarely or never talk about global warming. Even less see stories about climate change. Both states reported less than 25% of people hear about climate change in the media.

Yale Climate Connections is dedicated to increasing the accessibility to these stories by telling real, science-based stories about the effects of climate change throughout the country.

We have to be able to have a productive dialogue about the solutions, Marlon said. There are many things we can do (to fight climate change), but we need the public first to understand this threat, and then be willing to talk about these solutions and decide which ones to support.

Another big hurdle is convincing the human race to admit fault. While the study found that most people believe in climate change, it found far less people who believe humans are to blame (53% in Missouri, 52% in Kansas).

According to a study of scientific consensus on climate change, 97% of scientists believe that climate change is a result of human emissions such as the burning of fossil fuels and some agricultural practices.

Marlon says the problem is two-fold. One, the false balance of pitting climate scientists against climate change deniers in debate formats in the media. Two, the nature of science, and its inherent embrace of debate, and constant craving for progress.

I mean we get rewarded when we find something new, Marlon said. We have publications from the 1920s and 30s documenting how burning coal and oil and gas can warm the climate, so thats nothing new. We dont emphasize whats already solid and agreed upon.

Last year Climate Action KC held their 2019 Metro KC Climate Action Summit, where more than 750 people came together to talk about the issues facing our planet. They had more than 500 people sign up for their 2020 summit, which was cancelled due to COVID-19.

Both Kelly and Marlon agree public education is essential to saving the Earth.

Forty-three percent (of people) dont understand it (human impact on climate change), Marlon said. I mean if you dont understand that, then why would you think that we can actually fix it?

Jacob Douglas covers rural affairs for Kansas City PBS in cooperation with Report for America.

Discover more unheard stories about Kansas City, every Thursday.

Check your inbox, you should see something from us.

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Good News on Climate Change: Most Americans Agree It's Real, Even in the Midwest - Flatland

A cell culture master class: What your cells wish they could tell you – Science Magazine

Cell culturethe controlled growing of cells outside their natural environmentmay be commonplace in molecular biology laboratories, but one thing that strikes fear in both novices and experts using these techniques is contamination. Whether it occurs via chemicals (impurities in media, sera, and water) or biological components (bacteria, viruses, and mycoplasma), contamination can bring research to a halt, wasting both time and money and possibly raising doubts about the validity of a laboratorys findings. Studies have shown that up to 30% of animal cell cultures are contaminated by either microorganisms or other cells.While no researcher is immune to this common problem, an introduction to and/or refresher on good aseptic techniques can help reduce the occurrence of contamination and possibly its severity. This webinar will be a master class for all those who perform primary and immortalized cell culture. It will discuss best practices and common pitfalls, with a special section dedicated to the dangers of contamination and ways to avoid it. An additional section will be devoted to protein expression in suspension. This webinar should be equally beneficial to both novices and experts in cell culture.

During the webinar, the speakers will:

This webinar will last for approximately 60 minutes.

Johns Hopkins School of MedicineBaltimore, MD

Stowers Medical InstituteKansas City, MO

Dr. Zhao, originally from Henan Province, China, graduated from Zhengzhou University with an M.D. degree. She earned her Ph.D. in veterinary pathobiology from the University of Missouri-Columbia, then completed a 2-year certification in science management at the University of Kansas. In 2012 she joined the Stowers Institute of Medical Research in Kansas City, Missouri, as a research coordinator. In 2019, she was promoted to head of Tissue Culture at Stowers and in 2020 was named head of Tissue Culture and Media Prep. With 15 years of experience in cell culture, including 3D organoid culture, primary cell culture, virus work, and gene editing, Dr. Zhao collaborates with Stowers researchers to develop new products and technologies in the cell-culture field.

Science/AAASWashington, DC

Dr. Oberst did her undergraduate training at the University of Maryland, College Park, and her Ph.D. in Tumor Biology at Georgetown University, Washington D.C. She combined her interests in science and writing by pursuing an M.A. in Journalism from the Philip Merrill College of Journalism at the University of Maryland, College Park. Dr. Oberst joined Science/AAAS in 2016 as the Assistant Editor for Custom Publishing. Before then she worked at Nature magazine, the Howard Hughes Medical Institute, The Endocrine Society, and the National Institutes of Mental Health.

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A cell culture master class: What your cells wish they could tell you - Science Magazine

Opinion: Be it resolved human nature is not violent – The Appalachian Online

We are not born violent. Outside factors depict who we become. Like John Locke theorized, we are born with a blank slate. Some scientists propose that humans are innately violent. For example, David Carrier hypothesized that human hands evolved for us to be better fighters. However, there is evidence from other anthropologists, like Douglas Fry, proving that humans can make peace without resorting to violence.

Chimpanzees and bonobos are our closest relatives. Some scientists argue that humans, especially males, are inherently violent like chimpanzees. While male chimps fight for territory and females, bonobos tend to be more peaceful and share meat. Bonobos are female-dominated troops, so males may be less violent due to reduced competition for mating. It seems most violence from chimps stems from competition for limited resources. One study showed that bonobos are kind and generous to those outside of their groups. Behavior like this is not typically seen in chimps, who are aggressive to outsiders, while bonobos are usually not. Humans are more like bonobos than chimps: they want to collaborate and make peace with one another. In society today, most developed countries no longer need to fight for resources. Instead, we work together through trade and peace treaties.

The environment shapes our nature. For example, Brad Bushman and L. Huesmann studied how violence in mass media affects adults and children. They found that children will experience long-term effects of aggression because they mimic their environment. They explained that through classical conditioning, a child may then react with inappropriate fear or anger in a novel situation that is similar to one that the child has observed in the media. Adults may experience long-term effects of violence depending on their past exposure to aggression.

Viewing violence in mass media desensitizes us to it. We become less sympathetic to others and more antisocial. People are not innately violent: what we learn and observe can make us violent.

What we experience and learn makes us who we are. People become violent, angry, and fearful because of what they see in mass media and real situations. One literature review on how child abuse affects a childs behavior revealed that physically abused children have structural brain changes proving that outside factors shape our minds. Children who were abused tend to show the following signs: fighting with others, suicidal thoughts, poor grades, anxiety, depression, high probability to commit crimes such as underage drinking, drug use, etc. This means that our experiences help determine our behavior. Children who were abused may be more violent or rebellious because of their upbringing, not because they were born with a violent nature.

Some scientists also argue that genetics help determine our behavior. For example, genetics shape our personalities, and in some cases, affect our behaviors and attitudes. However, as we have different experiences over time, our personalities may change. Why? Because outside influences affect our behavior. Brent Roberts and Daniel Mroczek studied the changes in personalities from youth to adulthood. They explained that our personalities usually change as we grow older. For instance, someone who was an introverted teen may become more extroverted as they get older depending on their experiences.

In one experiment, scientists studied 3-month-old infants reactions to two different scenarios: one with a Climber trying to reach the top of a hill where a Helper pushed them up or a Hinderer pushed them down the hill, and the other control scenario with inanimate objects. Results showed that 10 out of 12 children valued the Helper while five out of 12 liked the Pusher-Upper inanimate object. The research proved that infants can interpret positive social cues and motivations, such as the Helper guiding the Climber up the hill.

The way we are raised and what we experience shapes us. We mimic our environment; if we see violence, we may become violent and reflect negative emotions.

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Opinion: Be it resolved human nature is not violent - The Appalachian Online

Anatomy of an anti-Catholicism complaint against the CBC – The B.C. Catholic

For years, I have read comments in the CBC websites discussion sections routinely calling Christians simple-minded fools and describing God as a mythical figure who, if he exists, is bloodthirsty, hateful, and vengeful.

As a proponent of free speech, I am fine with people saying whatever they want about my Roman Catholic faith and Christianity in general. Only by allowing free speech can we exchange ideas and undertake true evangelization. I have always been confident that truth will win out.

But the CBCs moderators seem uninterested in allowing that same freedom of speech when it comes to Catholics. I recently posted a comment under a story about rioting in the United States and the COVID-19 pandemic, suggesting the time was right for every Canadian to repent of their sins, pick up a rosary, and pray to God for peace and healing.

That post resulted in several individuals asking about the Christian faith and challenging my religious beliefs. All my replies were respectful. There were no personal attacks or insults from me. Yet the CBC chose to ban me for that call to prayer. When I attempted to log onto the website again, this is what popped up:

The CBCs claims are false. There were no personal attacks toward anyone on my part, nor were there uncivil comments. During a time of riotous behaviour and illness sweeping the entire planet, any comment calling for peace and healing is most definitely on topic.

The only conceivable reason for this ban is that the CBC moderator discriminated against me because my post expressed a religious sentiment that of belief in God and the efficacy of prayer.

This is discrimination contrary to the Canadian Charter of Rights and Freedoms, which in Section 15 (1) says, Every individual is equal before and under the law and has the right to the equal protection and equal benefit of the law without discrimination and, in particular, without discrimination based on race, national or ethnic origin, colour, religion, sex, age or mental or physical disability.

Since the taxpayer-funded CBC is breaking our countrys laws and displaying anti-religious bigotry, I filed complaints with the Canadian Broadcast Standards Council, the Canadian Human Rights Commission, and the CBC Ombudsman, asking for a formal apology and assurances that steps will be taken to prevent this type of discrimination. I specified that these assurances should come with a plan of action with specific goals that are measurable and observable so they are not just platitudes but concrete steps that will lead to significant changes.

The response from CBC Ombudsman Jack Nagler was instantaneous the same day and anything but reassuring. He claimed that as ombudsman he doesnt have any say on commenting or the moderation of comments in stories. My responsibility is to assess the content generated by CBC journalists, not the content generated by readers. Comments do not fall under my mandate.

He offered to share my complaint with programmers to make them aware of my concerns but there was no apology, no condemnation of bias against Catholics and other Christians, and no assurance that anti-Christian bias will be curbed at the CBC.

I received a reply from the broadcast standards council washing its hands of the matter, and saying it does not have jurisdiction over the public broadcaster, only private broadcasters. They forwarded my complaint to the Canadian Radio-television and telecommunications Commission, who replied the next day claiming they did not have authority over broadcasters websites and so could not look into this complaint.

About two weeks later, I finally got a reply from the Canadian Human Rights Commission, who tried to pass the buck, saying We have carefully reviewed your correspondence and it appears that your complaint is regarding content and moderating by CBC. The Canadian Radio-television and Telecommunications Commission is the more appropriate organization to address this matter.

I answered them, saying the CRTC does not handle this type of complaint and that Id contacted them first and have them on record as stating as much. I said Id also contacted the CBC Ombudsman, who told me he has no authority over the moderation of the comments section of the CBC website.

I closed by saying that if the human rights commission refuses to look into my complaint, it will mean Christians can be actively discriminated against by Canadas national, taxpayer-funded broadcaster with complete impunity.

Is that the message you want me to take to the media? I asked. Do you want me to let them know that the Canadian Human Rights Commission does not care about the rights of Christians?

Within hours the commission got back to me, saying, Upon further review of your correspondence with the Canadian Human Rights Commission, it appears that your inquiry might be within the jurisdiction of the Commission.

I cant help but wonder how seriously my complaint will be taken by a human rights commission that didnt want to investigate it in the first place.

More than two-thirds of Canadians are Christian, not an insignificant amount. We are the backbone of our country. We pay taxes and certainly the lions share of the funding the CBC relies on to operate. Without Christian taxpayers, there would be no CBC as we know it.

I ask for prayers that this complaint will not fall on deaf ears and that the rights of Catholics will be protected in Canada.

James Risdon is a New Brunswick writer and former B.C. Catholic contributor. He lives in Bathurst.

The rest is here:
Anatomy of an anti-Catholicism complaint against the CBC - The B.C. Catholic

Anatomy of a Showtune: ‘Summertime’ from PORGY AND BESS – Broadway World

Go inside the long and record-setting life of George Gershwin and DuBose Heyward's iconic aria.

Since the 1935 world premiere production of the classic folk opera, Porgy and Bess, much of the score of George Gershwin's first opera has become musical canon.

Leaping off of the operatic stage and into the mainstream, songs like 'My Man's Gone Now', 'It Ain't Necessarily So', and 'I Got Plenty o' Nothin'' have established themselves as standards of the great American songbook. Though the reach of Gershwin's classic tunes has proved vast, no other song from the opera has quite matched the monumental success of the show's opening aria, "Summertime."

In the 85 years since its debut, this soulful lullaby has taken on a unique and unprecedented life of its own. In its long life, the song has proven its staying power and versatility, conforming to countless musical styles and settings and ultimately becoming the most covered song of all-time.

The story of how and why the song reached this pinnacle begins in 1925 when DuBose Heyward, released his novel Porgy, which ultimately gave way to a 1927 play of the same name by Heyward and his wife, Dorothy. Deeply inspired by the story, Broadway composer George Gershwin went to work on an adaptation. This time, however, the show would not be created for the musical stage- for the first time ever, Gershwin had set his sights on the opera.

To bring his Porgy to life, Gershwin enlisted novelist and playwright, DuBose Heyward and his brother, lyricist Ira Gershwin. In order to craft the world of the show, the Gershwins and DuBose spent several weeks in Charleston, South Carolina to study the lives and vernacular of the African American community there. Gershwin specifically drew inspiration from the coastal James Island Gullah community, citing their preservation of authentic African musical traditions as a jumping off point for the sound of the score.

Though the work itself is an opera and contains the traditional forms of arias and recitatives throughout, Gershwin drew inspiration from numerous musical styles, employing his roots in New York jazz, along with Black folk music, blues, street cries, spirituals, and hymns to enrich the musical world and community of Porgy and Bess.

"Summertime" specifically points to the diverse array of musical styles contained in the opera, utilizing the melancholy minor keys of jazz music, but written to be performed by a classically trained opera singer.

Musicologist K. J. McElrath wrote of the song, "Gershwin was remarkably successful in his intent to have this sound like a folk song. This is reinforced by his extensive use of the pentatonic scale (C-D-E-G-A) in the context of the A minor tonality and a slow-moving harmonic progression that suggests a "blues". Because of these factors, this tune has been a favorite of jazz performers for decades and can be done in a variety of tempos and styles."

Though Gershwin said that he did not draw inspiration for the song from any pre-existing spirituals, many scholars have pointed to similar melodies Gershwin may have adapted the song from, most notably the spiritual, "Sometimes I Feel Like a Motherless Child", which was featured at the end of the source play. After the opera's debut, many were quick to pick up on the similarities between the two. The songs sounded so similar that jazz legend Mahalia Jackson eventually went on to record them as a medley.

Others have pointed to some Ukranian musical traditions as inspiration for the song. The Ukrainian Yiddish lullaby "Pipi-pipipe" has been the subject of speculation as Summertime's inspiration as well as another the Ukrainian lullaby "Oi Khodyt Son Kolo Vikon" ("A Dream Passes by the Windows").

Despite lingering questions behind Gershwin's melody, DuBose Heyward took inspiration for the song's lyrics from southern folk spiritual-lullaby "All My Trials", which had also been used in his play Porgy.

Stephen Sondheim, a well-known super fan of the opera, has praised Heyward's choice of words to the opening line of the song in setting the tone for the rest of the song and score.

"That 'and' is worth a great deal of attention. I would write "Summertime when" but that 'and' sets up a tone, a whole poetic tone, not to mention a whole kind of diction that is going to be used in the play; an informal, uneducated diction and a stream of consciousness, as in many of the songs like 'My Man's Gone Now'."

He continues, "It's the exact right word, and that word is worth its weight in gold. "Summertime when the livin' is easy" is a boring line compared to "Summertime and". The choices of "ands" [and] "buts" become almost traumatic as you are writing a lyric - or should, anyway - because each one weighs so much."

Gershwin began composing the song in December 1933 and had the completed melody set to Heyward's poem by February 1934. It took Gershwin and Heyward the next 20 months to deliver the full, orchestrated score.

The first ever recorded performance of Summertime was sung by American soprano Abbie Mitchell (who originated the role of Clara on Broadway) on July 19, 1935, with George Gershwin playing the piano and conducting the orchestra.

Though the show began its life as Porgy, everything changed when Gershwin received a letter from opera student Ann Brown, then 20 years old and the first African-American vocalist admitted to Julliard. In the letter, Brown expressed interest in the project and requested an audience with the composer to sing for him. Gershwin's secretary received the letter and set up the meeting. Gershwin was so impressed by Brown he expanded the role of Bess, then a secondary character, and cast her.

In the period between rehearsals and previews, Gershwin invited Brown to lunch. At that meeting, he told her, "I want you to know, Miss Brown, that henceforth and forever after, George Gershwin's opera will be known as Porgy and Bess."

Porgy and Bess had its world premiere at Boston's Colonial Theatre on September 30, 1935 and debuted on Broadway at the Alvin Theatre on October 10, 1935.

The song is utilized several times throughout the opera. It opens act one, sung by Clara to her baby as a lullaby. She then reprises the melody as counterpoint to the act two craps game scene. It is sung again in act three, this time by Bess, singing to Clara's now-orphaned baby following the storm that devastates Catfish Row.

The long recording history of "Summertime" began just days after the opera's Broadway opening when two white opera singers Lawrence Tibbett and Helen Jepson, of the Metropolitan Opera recorded a handful highlights from the show. Less than a year later, in September 1936, Billie Holiday's recording of the song was the first to hit the US pop charts, reaching no. 12.

The show's original stars, Todd Duncan and Ann Brown, were not given the opportunity to immortalize their work in the same fashion until 1940, when they recorded their own highlights, "Summertime" among them.

From there, the veritable floodgates opened for recordings of the song. Over the years, it has amassed tens of thousands of covers and recordings, spanning an astounding number of musical genres and nearly every conceivable instrument.

The Summertime Connection is a website whose sole purpose is to collect recordings of the aria in an effort to keep track of its incredible life all over the globe. At last count (August 2020) the website claims to have accounted for at least 98,400 public performances, of which 82,723 have been recorded. The Summertime Connection currently boasts 70,820 full recordings in its collection.

The song remains the Most Recorded Song in History according to the Guinness Book of World records, beating out The Beatles' 'Yesterday' and even Christmas standards that are routinely recorded each year.

Despite the ubiquity of recordings of the song, there are a handful that have etched their place in history as stand out covers. Former national tour Bess, opera singer, Leontyne Price, recorded what is considered one of, if not the, definitive operatic version of the song as part of a performance at the White House in 1978.

Other highly notable versions include a duet between Louis Armstrong and Ella Fitzgerald, Miles Davis' jazz instrumental, blues versions recorded by Janis Joplin and Big Brother and the Holding Company and Al Green, a folk cover by Willie Nelson, a reggae rendition by B.B. Seaton, a stripped-down cover by British Invasion band The Zombies, and a bluegrass version from Doc Watson. The song has also been adapted into other tunes such as 'Doin' Time' from the ska band, Sublime, which incorporates elements of Gershwin's original.

In 1959, the song made its way to the big screen in the film adaptation of Porgy and Bess, starring Sidney Poitier and Dorothy Dandridge. Though Dandridge performed the song onscreen, Adele Addison did vocal dubbing for Bess. Diahann Carroll's Clara was also dubbed for the film. Though Dandridge and Carroll were both singers, their voices were deemed not operatic enough for the film.

There have been at least eight revivals of the musical on Broadway and in Broadway adjacent venues (Radio City Music Hall, City Center) since its debut, most recently Diane Paulus' 2012 re-imagining of the opera, starring Norm Lewis and Audra McDonald. This staging caused some controversy for Porgy and Bess superfan, Stephen Sondheim, who wrote a scathing open letter to The New York Times deriding changes made to the show, specifically the omission of DuBose Heyward's credit from the show's altered title, The Gershwins' Porgy and Bess.

In addition to its life on Broadway, the opera has been performed countless times around the world. It returned to the New York stage most recently in a September 2019 production from The Metropolitan Opera. Singers Angel Blue, Elizabeth Llewellyn, Golda Schulz, Janai Brugger, and Brandie Sutton, who performed Bess and Clara throughout the run, are the latest to add their name to the long list of incredible opera singers who have brought this indelible tune to life.

Despite Porgy and Bess' place as a groundbreaking work for classically trained Black singers, it would be impossible to discuss the show's long life without acknowledging its long-debated history of racial controversy. Since its debut, the opera has faced criticisms of racism and outdated stereotypical depictions of Black Americans, as well as what critics view as a whitewashed version of Black people as created by three Caucasian artists. Some of the vernacular within its lyrics has been criticized as a form of minstrelsy, hearkening back to offensive blackface stereotypes and the 'Negro dialect' used to mock Black Americans.

With a life as controversial as it is long, it is a testament to the power of the compositions contained therein that Porgy and Bess has flourished for as long as it has. Though there is no telling what the future holds for the show as we continue our rigorous and long overdue examination of cultural representation in our media, its opening aria appears to have no such shelf life.

In the past 85 years, "Summertime" has become an institution unto itself; an affecting and lasting tribute to the lazy days of summer, when the livin' is easy and contentment abounds. With a legacy longer than any song in history, "Summertime" has proven its worth as a song for every season.

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Anatomy of a Showtune: 'Summertime' from PORGY AND BESS - Broadway World

I’m a Body Language Expert. Here’s What I Saw During the Conventions. – POLITICO

At the beginning of Joe Bidens speech, we see the tension of the moment when he does whats called a hard swallow. Even for a gifted speaker who is used to public speaking, this is still a tense moment, as he accepts the nomination. And, for a split second, in spite of his broad, friendly smile, it shows in that one small facial distortion. He compresses his lips after saying, Ill be proud to carry the banner of our party into the general election. With the audio on, you can hear his voice crack slightly, again a result of the natural tension one would expect from such an event. Its obvious that he takes seriously the gravity of whats happening. Hes been preparing all his life for this moment. Its not a stutter or age-related thing, just a subconscious behavior that speakers use to deal with a little bit of stress when we say something of emotional magnitude.

Notice here the squinting of his eyes and the finger pointing. He does this for emphasis, to demonstrate that what he is saying is important, it has gravitas. The furrowing of his glabella, the area between the eyes, conveys that what he is saying should be troubling. Even without sound, you know hes serious about something. When I turn the sound on to see what he said, its: The president still does not have a plan. Well I do. He says these last three words with a firm, assertive voice that makes us pay attention.

We are trained to look at the glabella even as babies. You can do this as an experiment to see it in action: If you furrow your glabella and squint your eyes at a baby, theyll react negatively, probably with crying. From a very young age, were primed to look at this section of the face to gauge whether everything is okay, and when we see this particular look, we recognize it as a serious face.

Notice how Senator Kamala Harris is compressing the lips on each corner of her mouth. This is indicative of disdain and, in this case, as I listened then to the video, for those who would harbor racists views. This is the moment where she says, there is no vaccine for racism. We pinch the corner of the mouth to say nonverbally, Im not satisfied. The moment I saw it, I knew she was saying she was not happy with something. And it turned out I was right. When she talks about racism, shes saying that its just not okay the same way a parent might convey a similar message to a misbehaved child.

When Nancy Pelosi is speaking, notice she arches her eyebrows. This is what I like to call the human exclamation point. Its a gravity defying behavior: We only expend energy when we are passionate about something, and in this case, shes describing how proud she is of the size of her caucus and how many women are in it. She wants the viewer to pay attention to her confidence, and by repeatedly arching her eyebrows, she says: Dont just listen to my words, listen to my body language as well. She finishes her speech with a steeple, the finger points together, which is another sign of confidence.

Rep. Alexandria Ocasio-Cortez was only given a very short segment in the DNC, but when it came to her nonverbal presentation, she was very effective. Without listening to what shes saying, you can see that shes a good speaker. Unlike Biden, her eyes are wide open and relaxed. What this tells the viewer is that she is confident and comfortable with what she is saying, and thats really important in public speaking. What we look for as viewers without even knowing were looking for it is whether the speaker makes us comfortable. Thats often conveyed through body language. Ocasio-Cortez is clearly adept with this medium, and it shows in her body language.

Most importantly, shes not overly dramatic; shes not raising her voiceand you can tell even without the sound. Her comfort here should make viewers comfortableand perhaps opponents uncomfortable.

As the camera follows Jill Biden in a classroom, we notice how comfortable she is in this setting, how fluidly she moves and speaks, as if she has done this all her life. Our brains react to movement with an orientation reflex that basically follows any movement, so her walking makes us pay attention to her. We can also appreciate that she comes from a working background, by the environment she has chosen. It humanizes her.

With the wave of a hand, she communicates this is my realm. Its a welcoming gesture. In this particular moment, we also see that her thumbs are in the up position, which we do to let others know that we are speaking with confidence. Shes letting people know that she is confident that she fits right in and that we should be confident with her as a public figure.

Michelle Obama uses a number of hand gestures to emphasize, to demark, to point, to chop effectively, all of which add to the message she is sending. Because its on a Zoom-like medium and not on a stage, these behaviors are elevated to be in frame, but it doesnt look contrived. Whatever she is saying, you know it is important. It made her deliverysaying that we have got to vote like our lives depend on itmore impactful.

Here we see a very powerful gesture with Kimberly Guilfoyles hands spread out wide away from the body, fingers spreading apart for emphasis. These kinds of gestures scream for attention and contribute to understanding the intensity of sentiment expressed. One cannot look away.

However, a very expansive gesture is great if youre in an auditorium, but here you have a small screen. Even the cameraman or director noticed that and switched to a wider shot. Similarly, you can tell even with the sound off that shes talking in a very loud voice. It feels discordant in this setting. This manner of presentation is too theatrical. Performances need to meet the audience, and if theres no audience there, you should shape your performance around that. Most people dont remember what politicians say, but we remember the presentation. Its interesting to me that a woman who has always taken care of how she presents herself, including as a TV host, didnt register that her message would be better conveyed if it were more suited to the format. Viewers register the disconnect, and thats what sticks with them.

During his convention speech, Don Jr. tilts his head, cocking it slightly and squinting his eyes while at the same time making a wide gesture with his hands. Together, it conveys that hes incredulous or suspicious about something. His body language communicates something to the effect of saying sarcastically, Can you believe that? In reality, at this particular moment, he says: People of faith are under attack. Youre not allowed to go to church. But mass chaos in the streets gets a pass. Some of these behaviors, like his slight twitch of the head and askance facial expression, are so fast that theyre whats called tachykinesic. We dont consciously realize that we notice it, but it registers subconsciously.

Senator Tim Scott is clearly a very dynamic speaker. Here we see two behaviors of interest: the furrowing of the glabella that communicates that he is troubled by something (even before he emphasizes that again with the shake of his head), and the pinched thumb and index finger, which is called a precision grip. This is usually used to indicate we are thinking about or articulating something very precisely. Both behaviors add to the message making it more powerful. He also emphasizes his message by leaning in slightly, and he punctuates it by arching his eyebrows, like Pelosi did. The viewer understands without even hearing his speech that he is an important figure with an important message.

What was most noticeable about Melania Trumps speech was that she appeared to be someone who is not used to public speaking. We have to keep in mind that maybe this is not a role she would have wished for, but she is obviously willing to give it her best. Shes clearly reading from a teleprompter, and you see some tension in her face and neck that conveys some nervousness and straining. If you were to show this to an audience unfamiliar with who she is, they might say that she looks a little stressed. I dont want to speculate too much, but the question our brains ask is: Do we see a high degree of comfort? And, politics aside, I dont think we do. We dont see a relaxed face.

What does that ultimately mean? Politics will still dictate how people felt about this, but as an ethologist, someone who studies behavior, I dont think her tension depends on what she had to say but rather on the fact that she had to do this at all. She may not be uncomfortable with the message, but she appears very uncomfortable with the setting.

Kellyanne Conways speech struck me as really strange, because we know she is used to speaking to the public. Here, her arms were stuck to the side of her body, which is not normal for her. She knows how to convey effective messaging, but this is not that. The energy and emphasis that we would normally see is lacking. The human brain seeks to see the hands, and public speakers usually use that to communicate effectively. Ive seen her talk to the media at the White House, but here we see a much more restrained face, and, most noticeably, her arms dont leave her side. You can speculate all you want about what psychological forces might have been acting on her, but what matters to me is that the presentation was unusual and the audience registers that, even if they cant articulate it.

Rep. Dan Crenshaws segment was another that was very effective in terms of nonverbal communication. On mute, his gestures are very relaxed and comforting, and when you turn the sound on, his tone of voice affirms that. His cadence simultaneously puts the viewer at ease and commands their attention. He comes across as cool, calm and collected. The stagecraft also evokes patriotism in a way that makes a lapel flag pin that nearly everyone else feels compelled to wear unnecessary. You understand that he served his country.

As a speaker, it is clear he is confident, and his gesturesopen palms in the vertical receptive positionare consistent with his message. All of whats communicated nonverbally here says: Listen to me because Im important. He does it really well, and without knowing anything about him or his politics, I can tell that hes a leader.

Rudy Giuliani pinches the corners of his mouth slightly, which is a signal of disdain or contempt. When I listened back, I saw that he was talking about progressive Democrats. Anytime you see air quotes, you know someones introducing something theyre going to ridicule, and then you see that reaffirmed with the pinching of his lips. You also can tell that he turns his head a little bit askance, like Don. Jr. did.

While there was no shortage of commentary about Melania Trumps facial expression when Ivanka Trump joined the stage at the White House before Donald Trumps speech, I think many people were reading too much into the moment. It may have appeared like she was betraying some deeper feelings about her daughter-in-law. But in this case, I believe the simplest explanation is likely the right one: that Melanias smile momentarily lapsed as she turned her head. Its certainly awkward on camera, but overall, the First Lady appears much more relaxed and comfortable standing alongside her husband in front of a crowd than she did earlier when she had to speak on his behalf.

You can also see the contempt conveyed during President Donald Trumps speech with the pinching of his lips. When you turn the sound on, you hear that hes talking about mayhem in Democratic cities. But what stands out the most from his performance is the way he leans against the podium. It conveys that this is a very comfortable kind of space for Trump, and you dont really see it in this kind of public speaking. Normally, a president isnt this relaxed. Its more common with smaller groupsfor example, a professor speaking to a class might take on this position. Hes not just holding the podium but putting his weight on it, which you can see by the angle of his shoulders. For viewers, the White House is something almost reverent, and we are primed to want to see nonverbal communication consistent with the highest office. When we see behavior like this, it feels discordant and not very presidential.

Obviously, there are people who like that about Trump, who like that he doesnt adhere to traditional notions of respectability but rather conveys open disdain for Democrats. Is he too cavalier? Thats up to the politics of the viewer. Theres no disagreement that all people are clearly receiving the message hes giving off.

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I'm a Body Language Expert. Here's What I Saw During the Conventions. - POLITICO

The extremes of human behavior Mondoweiss – Mondoweiss

Of late I keep being reminded of my age. Fortunately, the impinging frailties are emotional, not physical. Emotional lability is common among octogenarians. I shudder to think of other more psychopathological explanations for the infirmity. Whatever the cause, in my rural Palestinian culture crying is not for strong men. But nowadays reading the news seems always to bring tears to my eyes.

The cases of near random brutalizing of civilians in the occupied Palestinian territories, often multiple and often to death, is a near daily occurrence. Last weeks episode in Haaretz apparently is a case of mistaken identity, a border cop shooting a man from Jenin in the back seat of a car on sight. The Israeli heroic soldiers quick finger on the trigger is in line with the a priori Talmudic license of Ifsomeonecomes tokill you,rise up andkill him first. I cried for the injured mans father visiting him in the hospital. Not only that one of his sons is in critical condition with a pointblank shot to the head but also that there is a death sentence for the other son, the intended subject of the attack. And the same newsfeed has this item as well as this, one of a mother and the other of a child, the second such incident in three months. A weekly inclusive summary of such abuses, deadly and otherwise, is the JVP Health Advisory Committee weekly report.

Then Haaretz (English print version) carried a report about the rush of so many Palestinian families including parents, children and some elderly to the shore of the Mediterranean, mostly at Jaffas beach, many of them for the first time in their lives. Not only that they had no permits but also that most of them crossed the so called Security Barrier through illegal passages and breaks in the fence with the Israeli security officials looking the other way. This surprising event and the pleasure the Palestinian children derived from wading into the sea for the first time, as is shown in one of the pictures in the report, nearly made me cry with pleasure. But what really made me cry to where I was gulping for breath is a video that a search about the topic of Israels borders eventually led me to. It shows a football game between two teams of Palestinian amputees in Gaza. Those young men didnt even touch the fence of their open-air prison, much less crossed it. Just as the unwritten permit to cross the Apartheid wall to reach the sea, shooting with intent to mutilate demonstrating youth in Gaza must have been a well-considered decision of security and political higher-ups. War crimes usually start at the top.

My home in Galilee is nearly equidistant from Jenin and Beirut. For the last five days the scenes of death, destruction and wide spread misery in the Lebanese capitals port area is shocking. For many of us, natives of the region, the shock is in proportion to Beiruts romantic place in our hearts as Paris of the Levant. The tragic scenes in the media, especially on Lebanese TV stations, are sufficient to shock the most stoic amongst us. The account of one touching human tragedy that I have seen on TV is also reported in the New York Times international edition. It is of a heroic young woman from a village in north Lebanon, a medic who had joined Beiruts fire department and died while talking to her fianc. She was buried in a typical village wedding procession with the standard wedding music and singing and with her coffin draped in white and her fianc dressed in a wedding suit and carried on his friends shoulders as befits a groom.

But the one report that brought tears to my eyes the most was a two-line sketch in Arabic on a dear friends Facebook account which went as follows (My translation):

You should be Careful. I have Corona! an injured woman in Beirut told the man trying to rescue her.

I am not letting you die, the man answered as he carried her in his arms.

The humanity of both! I just cant stop crying. I cant breathe.

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The extremes of human behavior Mondoweiss - Mondoweiss