‘Grey’s Anatomy’ Fans Are Obsessed With Burgeoning Romance Between Two Favorites – PopCulture.com

The crossover event between Station 19 and Grey's Anatomy brought tons of heartbreak, but fans did notice a small but growing bright spot. on Grey's Anatomy. Viewers have been devastated since Amelia Shepherd (Caterina Scorsone) and Atticus Lincoln (Chris Carmack) broke up at the beginning of the season, but a new relationship possibility for Amelia has fans very interested.

Amelia has been working alongside Meredith Grey (Ellen Pompeo) in the new Minnesota lab, and she has been growing closer to Dr. Kai Bartley (E.R. Fightmaster). Up until this point, Amelia has strictly been In relationships with men, but her connection with Kai, who uses they/them pronouns, has been undeniable since their first meeting. Those lingering glances and flirty exchanges became more apparent in tonight's episode when they got respective their relationship statuses out on the table. Is another Grey's Anatomyhookup on the horizon?

Fans are all in on the chemistry between Amelia and Kai and hope that it is a sign of sexy things to come. "Can you feel the Chemistry.... Because I do," tweeted one thrilled viewer.

Grey's Anatomy has led the way in terms of mainstream representation of queer relationships, and fans are excited to see the show explore this side of Amelia. "I will ship Kai and Amelia forever this is so gay I am living for it," tweeted one fan.

While viewers are desperate for Kai and Amelia to just kiss already, the show seems determined to drag it out for at least a few more episodes. "Okay but the flirting between amelia and kai, like i'm all for this," tweeted one viewer. In classic Grey's fashion, fans are in love with the "tension."

Fans might be mourning the loss of Link and Amelia, but this new romance has a lot of potential. "When Kai said they're married.... to the lab.... Amelia's reaction was relief? delight? excitement? I'm soooooooooo ready for this!!!!" tweeted one excited viewer.

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'Grey's Anatomy' Fans Are Obsessed With Burgeoning Romance Between Two Favorites - PopCulture.com

Anatomy of spin: how UK is trying to frame Cop26 as a success – The Guardian

The first week of Cop26 was a packed affair, with world leaders of the G20 group of the worlds biggest economies first meeting in Rome, then moving on to meet more than 100 other leaders in Glasgow for the initial stage of a fortnight of intensive talks.

Antnio Guterres, the UN secretary general, warned that recent optimistic assessments were an illusion, exhorting leaders to make stronger efforts to cut greenhouse gases. The biggest country to respond was India, the worlds third biggest emitter, which set out a target of net zero by 2070, which most regard as too late for the Cop26 goal of limiting temperature rises to 1.5C above pre-industrial levels but some said would be met sooner.

Joe Biden used his final words to take a swipe at China. The Chinese delegation seemed less perturbed, having its own issues with marshalling smaller developing countries, which are concerned that the 1.5C goal is slipping out of reach.

Boris Johnson was alternately hopeful and despairing, and viewed with puzzlement at best and as clownish at worst by the rest of the world, before hopping on a private jet on Tuesday for dinner with the arch-climate denier and former Telegraph editor Charles Moore to discuss the Owen Paterson scandal (and look how that went).

Meanwhile, Saudi Arabia has been working behind the scenes to stymie progress on ratcheting up ambition on emissions cuts.

But by far the biggest flurry of activity in week one came from the UK hosts, who orchestrated a series of major announcements and deals on forests, finance and coal, to keep up a stream of positive news and momentum, buoying the talks while the negotiators worked on the tricky details.

One particular missive, sent by the Department for Business, Energy and Industrial Strategy at 4.14pm on Wednesday but embargoed until 10.30pm that evening, tells the story of the week in microcosm.

END OF COAL IN SIGHT AS UK SECURES AMBITIOUS COMMITMENTS AT COP26 SUMMIT

Cash, coal, cars and trees to keep the world to 1.5C was the catchy mantra set out earlier this year by Johnsons spokesperson Allegra Stratton. Coal is a key element of this: the dirtiest fossil fuel, still in widespread use and still expanding in some countries. If coal use continues, the International Energy Agency chief Fatih Birol has made clear, the world has no hope of remaining within 1.5C.

Taking aim at coal is thus essential to any successful outcome at Cop26. But within the UN process, countries are asked for their own nationally determined contributions (NDCs). In these, their use of particular energy forms can be obscured or not recorded at all. So separating out coal from other sources of energy is a key way for the UK to highlight the problem and set countries on the clean energy track needed.

Thanks to a package of support from the UK and our international partners, a 190-strong coalition has today agreed to both phase out coal power and end support for new coal power plants.

But here is where the UK runs into trouble. There are just over 190 countries at Cop26. Can all of them be planning to phase out coal? Or is this too good to be true?

The UKs campaign sees major banks commit to end financing coal, on top of China, Japan, Korea and the G20 commitments to end overseas finance for coal generation by the end of 2021, effectively ending all public financing of new unabated coal power.

Again, this is a key goal of Cop26 earlier this year, the G7, under the UKs presidency, agreed to halt the overseas financing of coal, after stiff opposition from Japan. China later announced that it would follow suit, a major achievement that means all the biggest state financiers of coal in the developing world will stop funding new plants in developing countries.

But it does not say anything about these countries setting up new coal plants in their own countries they can still do so. And it does not say anything about the private sector banks can still fund coal even if they have signed up the UK governments other major finance initiative of the week, the Glasgow Financial Alliance for Net Zero (GFANZ), supposedly a $130tn (96tn) pact by 450 banks to move their portfolios to net zero by 2050.

Agreed under the UKs Cop26 presidency, countries pledge to accelerate coal phase-out and rapidly scale up deployment of clean power generation, marking a momentous turning point in the global clean energy transition.

This stream of announcements reflects the approach the UK has taken to Cop26, which has essentially two strands: the tough UN negotiations, which centre on getting countries to come forward with NDCs to reduce emissions and sorting out the complexities of the 2015 Paris agreement; and a series of deals and initiatives that are outside the technical part of the UN process but will provide a means of cutting emissions.

These two strands are nothing new there has been broad acknowledgement for years that not everything needed to cut emissions will be achieved through the UN framework convention on climate change, not least because the cumbersome processin which decisions can only be made by consensus, can easily be halted by unfriendly governments. In the US, Republican administrations with presidents hostile to climate action have been in power for 12 out of the last 22 years, and could soon be again. While Donald Trump was in the White House, withdrawing the US from the Paris agreement, initiatives from businesses and non-state actors, such as individual US states and cities in the US and around the world, were essential to keeping progress alive.

So at Cop26 there has been a broad variety of side deals (though UK officials bridle at the term) including a US-EU led pact to cut methane emissions by 30% by 2030, which if successful would reduce warming by 0.2C; an agreement by more than 130 countries to halt deforestation by 2030; and the Glasgow emissions-cutting deals among global businesses involved in cement and steel production, which experts said would be vital to reducing emissions from those hard-to-decarbonise industries.

The end of coal the single biggest contributor to climate change is in sight thanks to the UK securing a 190-strong coalition of countries and organisations at Cop26, with countries such as Poland, Vietnam, Egypt, Chile and Morocco announcing clear commitments to phase out coal power.

That 190-strong coalition again but this time it is referred to as countries and organisations. And we get a hint that the announcement may be less powerful than it first seemed: Poland and Vietnam are big users of coal, but Egypt, Chile and Morocco are minor users. Egypt, for example, uses just 0.1% of the worlds coal.

Todays commitments, brought together through UK-led efforts including the new Global Coal to Clean Power Transition Statement, encompass developed and developing countries, major coal users and climate vulnerable countries. This includes 18 countries committing for the first time to phase out and not build or invest in new coal power, including Poland, Vietnam, and Chile, marking a milestone moment at Cop26 in the global clean energy transition.

So here is the actual point: only 18 countries are actually agreeing to phase out coal power, and they do not include 15 of the worlds biggest coal users.

This statement, launched today, commits nations across the world to:

End all investment in new coal power generation domestically and internationally

Rapidly scale up deployment of clean power generation

Phase out coal power in economies in the 2030s for major economies and 2040s for the rest of the world

Make a just transition away from coal power in a way that benefits workers and communities.

Take careful note of the dates for phase-out here. The 2030s for major economies is too late they should be phasing out coal in the next decade for a 1.5C target to be possible. Germany, for instance, is targeting 2038 for its coal phaseout much too late, experts say. And the 2040s may be just about tenable for some developing countries, but who are developing countries?

Well, it turns out that Poland considers itself a developing country, despite being the worlds 21st biggest economy by GDP. And Poland will phase out coal by 2049. Technically, that means it can reach net-zero emissions by 2050. But if all countries did that, the 1.5C target would be well out of reach. Thats because of the area under the curve. The climate responds to the accumulation of carbon in the atmosphere. Every year of emissions adds to the stock of carbon. Scientists say we must reach net zero emissions by 2050 to have a a hope of sticking to 1.5C. But unless we also cut emissions in the short term, on the way to 2050, the cumulative emissions up to mid-century the area under the curve if you plot annual emissions from now to 2050 could be so high that we bust through the 1.5C target anyway.

This is on top of China, Japan and Korea, the three largest public financiers of coal, committing to end overseas finance for coal generation by the end of 2021, announced in the last year during the UKs incoming Cop26 presidency. Agreements at the G7, G20 and OECD to end public international coal finance send a strong signal that the world economy is shifting to renewables. This could end over 40GW of coal across 20 countries, equivalent to over half of the UKs electricity generating capacity.

The business and energy secretary, Kwasi Kwarteng, said:

Today marks a milestone moment in our global efforts to tackle climate change as nations from all corners of the world unite in Glasgow to declare that coal has no part to play in our future power generation.

Spearheaded by the UKs Cop26 presidency, todays ambitious commitments made by our international partners demonstrate that the end of coal is in sight. The world is moving in the right direction, standing ready to seal coals fate and embrace the environmental and economic benefits of building a future that is powered by clean energy.

To meet the goals of the Paris agreement to limit global temperature rises to 1.5 degrees, the global transition to clean power needs to progress four to six times faster than at present. With coal being the single largest contributor to climate change, phasing it out and delivering a rapid, inclusive transition to clean energy is essential if we are to keep 1.5 degrees alive.

28 new members have today signed up to the worlds largest alliance on phasing out coal, the Powering Past Coal Alliance launched and co-chaired by the UK. Chile, Singapore and Durban have today joined over 150 countries, subnationals and businesses, including finance partners NatWest, Lloyds Banking, HSBC and Export Development Canada. This accounts for over $17tn assets now committed to PPCA coal phase out goals.

The Powering Past Coal Alliance, set up in 2017 by the UK and Canada, has been heavily criticised by NGOs for the weakness of its rules, which allow countries huge latitude in continuing to use coal. HSBC has also come under fire at Cop26 for having poured $15.2bn into coal from 2018 to 2020.

Patrick McCully, senior analyst at the campaign group Reclaim Finance, said: We do need to make coal history, and fast. But sadly, this new coalition replicates the failings of the Powering Past Coal Alliance. Put bluntly, the PPCA doesnt do what it says on the tin, given that its global coal exit date of 2050 comes 10 years too late [and] the question of coal mining is simply omitted.

There has also been a 76% cut in the number of new coal plants planned globally over the last six years, which means the cancellation of 1,000GW of new coal plants since the Paris agreement, roughly equivalent to 10 times the UKs total peak generating capacity.

Todays global agreement to move away from coal to clean power has been made possible thanks to a number of other UK-convened initiatives, including:

No new coal power: The end of new coal power construction is in sight. The launch of the No New Coal Power compact by six countries at the UN high level dialogue in September was followed by the commitments in the Global Coal to Clean Power Transition Statement. This means that by the end of this year, all new public finance for unabated coal power plants will have stopped, with investments increasingly focused instead on accelerating the transition to clean energy sources such as wind and solar power, now cheaper than coal generation in most countries. This accelerates the growing global momentum to end new coal power, demonstrated by the 76% collapse in the global pipeline of proposed coal power plants since the Paris agreement in 2015.

Supporting emerging economies: In addition, major emerging economies have announced plans to accelerate a just transition from coal to clean power. This includes a South Africa Just Energy Transition Partnership worth $8.5bn, as well as Indonesia and the Philippines agreeing a ground-breaking new partnership with the Asian Development Bank to support the early retirement of existing coal plants. Further financing announcements are expected today at Cop26.

Supporting coal-intensive economies: Countries with significant coal power generation and mining face large social and financial challenges in the transition from coal. The UKs Cop26 energy transition council (ETC) mobilises and coordinates the assistance required to enable coal intensive economies to equitably transition from coal, bringing together 20 governments and over 15 international institutions to accelerate the transition from coal to clean power as part of a green economic recovery. For example, the energy transition councils rapid response facility delivers fast-acting technical, regulatory and commercial assistance to countries and has already responded to 24 requests in a range of areas, including energy efficiency in the Philippines and grid management in Egypt.

Ensuring a just transition: Today the UK government has also launched a new International Just Transition Declaration, ensuring the move away from coal-high carbon industries results in a sustainable, green and fair future, and one that creates high-quality new jobs and champions local social dialogue in developing and emerging economies. Coordinated by the UK government, so far, 12 countries have signed, as well as the UK and EU Commission, covering a broad spectrum of the worlds donor funding, now driving towards a just transition for communities around the world.

The UKs announcements on coal came very late in the day for newspaper deadlines, so there was little time for fact-checking. That meant some media reported on them, only to have to backtrack later leading to suggestions that the deals were flawed or contained loopholes.

Some queries submitted by the Guardian, asking for the full list of countries involved and what exactly they were signing up to, were only answered at 7pm, which is close to our first print deadlines. Further queries were answered at 10pm, just before the embargoed story could go live online, and at 5am the next day there were still more clarifications.

Some of this mess is inevitable because at a live and busy conference some countries will only ever sign up at the last minute, and the UK cannot be faulted for trying to get as many on board as possible. But it also means that if anything is unclear in the announcement, accusations of flaws and backtracking will inevitably follow.

It also shows the difficulty for the UK of coordinating its Cop26 strategy across government these announcements came from BEIS, but the Cop26 unit is the one leading in Glasgow.

The coal announcements were not the only controversial news last week. The UKs forestry announcement, of 130 countries agreeing to halt deforestation, was also criticised when Indonesia appeared to deny that it intended to enforce the goal, and critics pointed out that previous forestry agreements had failed to deliver. The GFANZ alliance was also criticised for allowing the 450 participating financial institutions which the UK announcement noted had a combined value of $130tn but failed to note were only likely to use a small slice of that for green ends in the short term to carry on investing in fossil fuels.

Mohamed Adow, director of the Nairobi-based thinktank Power Shift Africa, summed up the frustration of many: This week has seen a blitz of announcements from the UK [that] may generate headlines, but assessing their true worth is hugely difficult, especially at speed during a Cop meeting. Boris Johnson has been criticised for government by press release, and it now seems to extend to their management of a UN climate summit. These announcements are eye candy, but the sugar rush they provide are empty calories.

The UKs first week as Cop26 president although the government has been preparing for this moment for more than two years has been lively and has marked important progress as well as some reversals and rows. The second week, when negotiators have to come up with the full text of an agreement, will be much harder.

But despite the difficulties above, the problems over queueing and access to negotiating rooms, most countries spoken to by the Guardian have felt that the UK was doing a creditable job.

Whether that will still be the case by next weekend will depend on the UK resolving key outstanding elements: provisions in the Paris agreement governing how countries account for their emissions; whether carbon trading should play a role in helping countries meet their emissions targets; whether countries should have to return to the negotiating table every year with better NDCs if their current plans are inadequate; and above all, persuading countries that limiting global heating to 1.5C is still genuinely possible, rather than an illusion or hypothesis.

A Cop26 spokesperson said: Weve seen genuine progress in the first week with a number of commitments that are key to accelerating global climate action and keeping 1.5 alive.

Were looking forward to productive negotiations this week to push hard and make further progress for a positive outcome for the planet.

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Anatomy of spin: how UK is trying to frame Cop26 as a success - The Guardian

Grey’s Anatomy season 18 UK release time: What time is it out? – Daily Express

Episodes will be available to watch as part of NOWs Entertainment Package, which includes all its TV output.

This is available for 9.99 per month, with a one-week free trial period available for new subscribers.

Episodes will air weekly following episode one, so viewers will still need to be careful to avoid spoilers coming out of the USA.

For viewers that are new to the show and looking to catch up on the series, there are two alternatives to catch the back-catalogue of the series.

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Grey's Anatomy season 18 UK release time: What time is it out? - Daily Express

Anatomy of an Inflation Mess – National Review

Policy-makers risk a doom loop whereby inflation today begets more inflation tomorrow. Here's how we got here.

NRPLUS MEMBER ARTICLEOctobers inflation numbers, released this week, notched the highest level since the 1990s. Policy-makers have spent the past year dismissing inflation as a transitory concern, but the 6.2 percent increase in prices is enough to alarm the most dovish economists. For decades, economists have voiced more concern about deflation in the U.S. than inflation. Indeed, inflation has been below the Federal Reserves 2 percent target for decades. How, then, did inflation rear its head so quickly?

Since the start of the pandemic, Congress has passed a total of $5 trillion in stimulus spending, totaling more than 20 percent of GDP. Thanks

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Anatomy of an Inflation Mess - National Review

Anatomy of a Game Changing Turnover – Revenge of the Birds

Some NFL fans are wondering why and how the Arizona Cardinals are 8-1 and why they are so much improved from years past.

The 2021 Arizona Cardinals are a brotherhood of ballers - in all three phases.

Today, lets take a close look at one key improvement the Cardinals have been making on defense. The improvement is manifested in this momentum swinging turnover that the Cardinals forced on their first series at Santa Clara. Here, have a look:

In pass coverage the Cardinals, on the whole, are playing a clever mixture of man-to-man, zones and combos (man to one side, zone on the other, with occasionally a double team assignment).

On this play, they are playing man-to-man under with a single high safety over the top in Budda Baker.

As seen on the great hustle play by the Cardinals secondary, when opponents complete passes anywhere on the field and especially over the middle, the Cardinals defenders - all 11 of them - do everything they can to converge on the ball, much the way a school of piranhas converge on a slab of chub.

For years, not every Cardinals defender heeded the memo. Some Cardinals defenders never quite embraced the notion of help defense.

That was then, but this is now.

What we see in this outstanding hustle play by four Cardinals defenders.

What opposing WRs, TEs and RBs are aware of more than ever, is the Cardinals school of piranhas, fiercely captained by Budda Baker.

Budda Baker is the main reason why All Pro TE George Kittle elected to leap on this play, because, for the past couple of years, Kittle has learned the hard way why Budda Baker is an All Pro heat seeking piranha who has repeatedly taken him out at the shins and ankles - which, if you watch Buddas pad level on this play is precisely what Kittle was trying to avoid.

Isaiah Simmons began his coverage with outside leverage on Kittle, knowing that he had Buddas help on Kittle over the middle. While Kittle makes an excellent burst over the middle to gain a step on Simmons, Simmons chases Kittle as hard as he can and winds up in a position to help make the tackle.

After administering blanket man coverage on WR Brandon Aiyuk, as soon as Byron Murphy saw Kittle catch the ball over the middle, Byron leaves Aiyuk to chase the play from behind as quickly as he can to where he is able to perfectly time his ball punch.

Kudos to Jordan Hicks for hopping on the loose ball as quickly as he did. Hicks was chasing the play the way Vance Joseph has coached him to do.

The Cardinals had 4 Johnnies on the spot on this play: Budda Baker, Isaiah Simmons, Byron Murphy and Jordan Hicks.

Notice too how quickly Marco Wilson and Tanner Vallejo arrive on the scene when the fumble is recovered by Hicks.

This Cardinals defense plays full bore from the snap to the whistle.

Eso fue un robo de baln - that was a steal of the ball!

Original post:
Anatomy of a Game Changing Turnover - Revenge of the Birds

Anatomy of a Crowd Surge: Analyzing factors that played role in Astroworld tragedy – Yahoo News

EXCLUSIVE: TheGrio spoke with body performance and injury expert Dr. Rami Hashish to discuss what may have led to the Astroworld Festival deaths.

The aftermath of the tragedy at the Astroworld Festival on Nov. 5 has been mounting exponentially with chaos and controversy. Following the deaths of nine attendees during headliner and festival founder Travis Scotts Saturday night set, numerous dominoes swiftly began to drop.

The festivals second day was immediately canceled. Rapper Roddy Rich pledged to donate his net earnings for appearing to the families of the deceased. Scott has offered to pay for the funeral costs of the dead, refund all Astroworld ticket buyers, and has withdrawn from his forthcoming appearance at the Day N Vegas Festival.

A memorial to those who died at the Astroworld festival is displayed outside of NRG Park on November 09, 2021 in Houston, Texas. (Photo by Brandon Bell/Getty Images)

As video accounts of the concerts from bystanders began going viral, finger-pointing has been unrelenting in the direction of Scott, first on social media and now in the form of legal action. No less than18 lawsuits have been filed against Scott, festival organizers, and even Drake, who was a surprise guest during Scotts set.

Twitter, Instagram, and TikTok are being flooded with disturbing real-time clips of concertgoers being trampled, bodies being carted off as CPR is administered on them, fans pleading with camera operators to stop the concert because of dead bodies in the crowd, and so on.

So, who is to blame for the deaths and injuries? What led the victims to die? Houston Fire Chief Samuel Pena described it as The crowd began to compress towards the front of the stage, and that caused some panic, and it started causing some injuries, as previously reported by the Associated Press.

The term being used by multiple publications has been a crowd surge. Now, exactly what is a crowd surge? Is it the same as a stampede, a mosh pit? What incited this so-called crowd surge? Many are blaming Scott, saying that he encouraged the aggressive atmosphere, or even that he saw the chaos and chose to carry on with the show?

Story continues

Travis Scott performs at Day 1 of the Astroworld Music Festival at NRG Park on Friday, Nov. 5, 2021, in Houston. (Photo by Amy Harris/Invision/AP)

Dr. Rami Hashish, a body performance and injury expert, explained to theGrio, that there are more than one contributing factors that may have led to what Pena deemed a mass casualty incident.

Dr. Hashish is the founder of the National Biomechanics Institute, a Los Angeles consulting company that examines injuries and injury prevention. He confirms that a crowd surge is a sudden and rapid movement in a large crowd of people, particularly during a concert as a surge of people moving forward trying to get in close proximity to the artists. And obviously, the problem with that is that when you have a mass of people moving together, a lot of people unfortunately get left behind. In this case, some people got obviously trampled, he said.

The attendance of the festival at the time of Scotts set on Saturday had reached upwards of 50,000 people. Hashish explains that once you have that many people grouped together in a tight space, the main risk is just the fundamental lack of control over your environment, not to mention a bit of copycat syndrome.

What happens and what they found in these corners and in these mosh pits, in particular, is that theres this concept of group-think where essentially somebody comes up with an idea such as the surge of the stage and then people kind of just lose themselves in the moment and they act on that and they kind of fall into the pressure of doing so even against probably their best judgment, right? And then that results, and this kind of potentially catastrophic event like what happened in this situation.

Hashish explained that in such situations, more than half of the injuries sustained are head injuries. It was followed by lower extremities, and when coupled with being in a large crowd and being off-balance, you get this mass collection of dangerous calamities.

Dr. Rami Hashish (Credit: Dr. Hashish/Twitter)

As people are jumping around and and doing actions, its kind of unpredictable, Hashish said. How theyre going to move is unpredictable. But what is predictable is that its more likely than not theyre going to leave with a head injury if theyre doing it in kind of a forceful fashion.

Scott has a history of having hyper shows. In fact, hes publicly encouraged fans to get rowdy for his performances. In 2019, when video surfaced of his fans breaking through a barricade at one of his shows, he reacted in his Instagram stories, DA YOUTH DEM CONTROL THE FREQUENCY, adding EVERYONE HAVE FUN. RAGERS SET TONE WHEN I COME OUT TONIGHT. BE SAFE RAGE HARD. AHHHHHHHHHHH, as reported by The LA Times.

At that years Astroworld Fest, three people were hospitalized after a crowd stormed over security barriers.

Prior to Saturdays events, Houston Police Chief Troy Finner visited Scott in his trailer, expressing concerns over possible injuries that may occur during his set, as previously reported by theGrio. Finner, whos known Scott personally for years, reportedly warned him about the energy of his fanbase might pose a problem, especially considering the aforementioned 2019 Astroworld Fest injuries.

So is Scott to blame? Fans seem to think so, as videos of Scott supposedly seeing audience members in disarray during a portion of his show when hes on a cherry picker. Hashish says you cant just blame the headliner. Other factors may have led to the crowd surge besides any supposed instigating from Scott, be it directly or indirectly.

What also happens is that you have these people or if you have people who may be under a bit of influence of alcohol, they may be a bit intoxicated, so their actions may be a little bit irrational or sporadic, Hashish said. They are responding to the songs and the music and the lights and the and the increased sound, and theyre also now responding to the people in whom are around them, right, all doing this kind of action.

Travis Scott performs at Day 1 of the Astroworld Music Festival at NRG Park on Friday, Nov. 5, 2021, in Houston. (Photo by Amy Harris/Invision/AP)

A lack of preparation from the security staff is also contributing factor to the tragedy. One such security guard, Darius Williams, came forward and stated that training for security staff was brief, instructions upon arrival were vague and they were severely understaffed, as previously reported by theGrio.

From what I saw, there was probably one security guard for everyone, 500 to 1,000 people, Williams said. There were 505 event security staffers, 91 armed private security officers, and 76 uniformed Houston police officers to patrol the 50,000.

Also, mosh pits and crowd surges are not new in hip-hop. Rapper/actor Ice-T once spoke during an interview on The Combat Jack Show podcast about how he noticed as far back as the 1990s while on tour with Public Enemy that fans in Europe would mosh and slam dance to Public Enemys songs. In 2016, Kanye West made history during his Saint Pablo Tour by performing from a levitating stage. Thousands of fans each night would notoriously mosh and slam dance underneath the stage in the general admission areas.

But none of those shows ended in a mass of people dying. Hashish said that the combination of poor security and organizer planning, the presence of small children and the visceral reaction to Scotts music, and the group-think atmosphere among 50,000 were all contributing factors. However, he says that ultimately, the onus ultimately by and large lies on the human being, otherwise, the concertgoers must understand what theyre getting into, understand their surroundings and much preventative work must happen prior to the event.

What can be done is that we educate ourselves and we understand right and have a little bit of compassion and empathy and understanding, Hashish said.

I want to keep going to concerts, but I also dont want to expose myself and others to injury. So there has to be just a little bit of better wherewithal of whats happening, right? So not to act in an irrational manner and surge the stage not to kind of get so extreme and moshing. Where could potentially cause injury? Sure, you could jump around and dance, but obviously, theres extremes of things, right? So its just theres a contact between toeing the line and passing it.

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The post Anatomy of a Crowd Surge: Analyzing factors that played role in Astroworld tragedy appeared first on TheGrio.

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Anatomy of a Crowd Surge: Analyzing factors that played role in Astroworld tragedy - Yahoo News

eMarketer Podcast: Brand Anatomy: Siemens, Levi’s, and thredUP on digital transformation and sustainability – eMarketer

Rethink. Performance

Its time to stop thinking about brand & performance separately. With an hour between click & doorstep, the funnel has collapsed. You need to brand as you sell and sell as you brand.

Find out how with Tinuiti, the largest independent performance marketing firm across Streaming TV and the Triopoly of Google, Facebook, Amazon.

Learn more

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eMarketer Podcast: Brand Anatomy: Siemens, Levi's, and thredUP on digital transformation and sustainability - eMarketer

‘Spencer’ | Anatomy of a Scene – The New York Times

Hello, my name is Pablo Larran and I am the director of Spencer. This scene is very important in the movie and its in the first third of the film. And we see Diana walking into a dinner where all the royal family is there. Diana, of course, is played by Kristen Stewart. And its the very first scene where we start to see what she sees and feel what shes feeling. And how do we do that? That was the question. How do we invite the audience to her point of view of the situation? And some of the things arent really happening and they are just happening in her imagination, in her perception, in her own fantasy of the reality. And that reality somehow interfere with a conflict that have already happened to her with the family. So we are really seeing the consequences of that conflict. The main consequence is her mental distress and how she could eventually start seeing things that arent really there. We did a lot of shots. Its one of the scenes of this film that has more coverage, like pretty much everyone there got a single shot and then we cover it from different angles. Because I thought that we needed that material for later in the editing room, we could find the right rhythm in order to cut it properly. So its really a scene that have a very precise ascension where we started with a slow kind of like minimalistic rhythm. And then as it goes by, it creates more and more intensity up to the point that its almost unbearable. And I wanted to hit that limit, I wanted to go as far as we could in terms of intensity, volume. And obviously, Jonny Greenwoods music is very relevant for the operation of the scene. I also felt that it was important for Kristen to feel the pressure of the family. So what I did, is that I asked Kristen to stay away from the set up until everything was very ready, and she never walked in and never saw them up until we shot that arrival. And she has this necklace that we know that Charles gave that necklace to Camilla Parker Bowles. And the audience knows that that necklace is not just a necklace, its the representation of a broken marriage, a representation of a very painful gift. So we discussed this with Jonny Greenwood, our composer, in terms of how this should be played. And I remember asking him to create something that could have a progression from something, from music that could be played in that context, that is music that is sort of designed to disappear, just to be in the background, and then eventually becomes very relevant and very intense and helps you define what shes going through. [CLATTERING] So its a very beautiful and strange work, because the composition evolves into a state of panic. That was very important for the process of making the scene and for the result of the scene. [MUSIC INTENSIFIES] And we feel for her, we feel with her, and I think Kristen does an incredible work to sort of handle the physicality, the emotions. Its a scene with no dialogue, its just music and sort of the cinematic progression and the dramatic progression and the interaction between her, the Queen, Anne Boleyn, and of course, Charles.

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'Spencer' | Anatomy of a Scene - The New York Times