Jake Borelli Talks Checking In To Grey’s Anatomy – Haute Living

You know Jake Borelli best as Dr. Levi Schmitt on ABCs award-winning, medical drama Greys Anatomy, but now, its time to get to know the man behind the scrubs.

But first, a bit about Borelli himself.Originally introduced during the 14th season of Shonda Rhimes hit series, Borelli instantly became a fan favorite as one of the newest interns to join Grey Sloan Memorial Hospital. Fans tuned in weekly to watch Dr. Schmitts historic storyline unfold, as they witnessed the first kiss between two male doctors and the first major gay (male) romance in the shows history.In film, Jake was most recently seen starring in Freeforms The Thing About Harry. The film marked the networks first ever gay romantic comedy.

Born in Columbus, Ohio, Borelli knew at a young age that he wanted to be an actor. He got his start acting with the Columbus Childrens Theater when he was just 10 years old, going from the stage he went on to work in local commercials and radio in Ohio. In 2009, a few weeks after he graduated from high school, he decided to make the move to Los Angeles to pursue his dream of being a full-time actor. He has been working ever since. Here, he discusses his journey to Grey Sloan Memorial Hospital.

As weve done in the past, weve brought in a whole new group of interns this year, and we get to see how they fair at Grey-Sloan. Seeing new classes break in and climb the ladder at the hospital has always been one of my favorite parts about the show.

Theres a big shift for Levi this season. Hes no longer just the student anymore, hes both a student and a teacher. Its been so wonderful getting to play opposite these five new interns and its been an exciting experience seeing how Levi deals with new responsibilities. Hes slowly figuring out his own unique teaching method, and even though I think hes over compensating a little bit, I really believe he will find his way.

I honestly just think his stressors have changed. In the beginning he was thrust into one of the most iconic hospitals in the country and I think a lot of his neuroses came from his eagerness to try to prove himself at Grey-Sloan. Although, during the pandemic season, things definitely changed for him. The stakes got way higher and he started realizing just how stressful and emotionally taxing the life of a surgeon can be, which, as we know, culminated in him losing his first patient, Devin, which took a huge toll on his mental health. In spite of all of that, I do think all of these challenges are going to make Levi the incredible surgeon I know he can be.

Its wild how on such a long running show, six years can feel like the blink eye, but it truly has been quite the ride. I have learned so much as an actor. Getting to work with some of the best television actors there is has truly been one of the highlights of this job. Levi and I have also gone through a lot of similar personal growth together. We both came out of the closet hand in hand and I truly am so grateful to play him.

Jaicy Elliot who plays Taryn Helm has been a best friend of mine since we started together in season fourteen, and its really been so great to have this new crop of interns to hang out with. Not to mention, Niko Terho and I go way back from our THE THING ABOUT HARRY days, so its been a blast having him in Los Angeles finally.

I hope this show goes forever! Maybe one day Levi can be chief, ha ha!

Honestly, no matter how many times you drill a monologue filled with medical jargon, the second you get a scalpel in your hand, and the fake blood starts gushing, everything seems to go out of the window. But phonetically memorizing while washing dishes is a life saver.

Im an avid knitter and one day I hope to become the grandma I know I truly can be.

Trader Joes Orange Chicken and not having to tie my shoes anymore because of Kiziks.

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Jake Borelli Talks Checking In To Grey's Anatomy - Haute Living

Patrick Lawrence: The Disinformation Complex: An Anatomy – Scheerpost.com

Protest Trump and Protect the Mueller Investigation Rally and March Downtown Chicago Illinois 11-8-18. Charles Edward Miller from Chicago, United States, CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons

By Patrick Lawrence / Original to ScheerPost

Sometime in the midRussiagate years, when it became clear that America was on a swoon back into the collective neuroses of the 1950s, I began to think we would have to wait for future historians to retrieve the truth buried alive in the cesspit of lies and cynical propaganda operations the deep stateand I am fine with this terminflicted upon us in response to Donald Trumps rise in national politics. There seemed no sorting out the godawful mess amid the incessant waves of mis and disinformation to which our corporate media subjected us.

The task, if you were in the scribbling trade, was to write truthfully for readers, of course, but also to contribute, however modestly, to a record that tore a hole in mainstream medias faade so that later historians looking back on our time could peer through it to see things as they were. It is not an exotic thought: America has had alternative histories of this kind for nearly as long as it has been called America, and they often reflect revisionist readings of contemporary accounts.

Jacob Seigel has just done all of us and all the historians to come an immense service in this way. He published A Guide to Understanding the Hoax of the Century last week in Tablet magazine, where he is a senior editor. His subtitle, Thirteen Ways of Looking at Disinformation, is literate, gutsy, and suggestive of the gloves-off essay underneath it.

This is the most powerful, sustained rip into the Russiagate disaster I have yet readand certainly the best work published to date on the destruction of American democracy at the hands of a ruling elite that invented (1) the figment of a disinformation crisis and (2) the frightening apparatus that now drowns us in disinformation in the name of combating it. Disinformation is both the name of the crime and the means of covering it up, Seigel writes pithily, a weapon that doubles as a disguise.

Seigel has been piling into orthodox narratives for years in the pages of Tablet, a lively Jewish-affairs magazine that has published since 2009 and seems to have a place for iconoclasts and breakers of taboos. Seigel is reliably excellent on mis and disinformation, which is apparently among his favorite themes. A year ago he published Invasion of thee FactCheckers, in which he dismembered the fact-checking phenomenon as the Democratic Partys new official-unofficial, public-private monopoly tech platform censorship brigade.

If you want an argument in favor of independent journalists as the source of the crafts dynamism, Jacob Seigel will give you one. His pieces are more than mere reporting. I value them for the intellectual framework he builds into them so that we finish with understanding as well as knowledge.

In this case, Seigel does more, much more, than part the curtain on the atrocious fiasco we call Russiagate and what he sees as its most profound consequencethe rise of a disinformation industry whose intent is to control public discourse so thoroughly as to control what we think as well as what we say. He puts those years into historical context, identifies those responsible for this malign project, and explores the highly disturbing implications of the disinformation enterprise for the way we live now and the way those who come after us will live.

If the underlying philosophy of the war against disinformation can be expressed in a single term, it is this, Seigel writes in one of his better lines. You cannot be trusted with your own mind.

I have waited for years for a piece this penetrating, comprehensive, and intellectually honest. Anyone who was disgusted by the appalling corruptions of the Russiagate years and longed for a writer to identify its overarching realities will admire this lengthy essay and the controlled anger that suffuses itevery word of which earns its place. Anyone who was fired, canceled, driven to bankruptcy, censored, denounced, hounded out of town, or otherwise silenced will feel the subtle pleasure that comes of vindication. I do, certainly.

I also recall thinking, as Trump ran his 2016 campaign and won the election that November, that most people who found him objectionable had it upside down. Trump will come and Trump will go, I figured: It was the emerging illiberality of American liberals that most threatened the polity. These seemed the people on the way to destroying what remained of our democracy, and they would be with us long after Donald Trump was gone. Liberal totalitarianism was the term a late friend had for what we watched together. I saw his point but found that too strong.

Having read Jacob Seigels exceptionally perspicacious piece, I no longer do.

Seigel makes a critical discrimination between the deep stateunelected government functionaries who have administrative power to override the official, legal procedures of a governmentand the rise of a liberal ruling class. Although the two overlap at numerous points, this is an essential distinction if we are to understand what happened during the Russiagate years, when this class emerged as a hegemonic force:

A ruling class describes a social group whose members are bound together by something deeper than institutional position: their shared values and instincts. It is made up of people who belong to a homogeneous national oligarchy, with the same accent, manners, values, and educational backgrounds from Boston to Austin and San Francisco to New York and Atlanta.

Only other members of your class can be allowed to lead the country. That is to say, members of the ruling class refuse to submit to the authority of anyone outside the group, whom they disqualify from eligibility by casting them as in some way illegitimate.

What do the members of the ruling class believe? They believe in informational and management solutions to existential problems and in their own providential destiny and that of people like them to rule, regardless of their failures. As a class, their highest principle is that they alone can wield power.

Now you know why liberals frighten me more than Donald Trump ever has. Trump is at bottom a passing bimbo. These people are malign and deadly serious and not going anywhere.

Hillary Clintons victory in 2016 was intended to consolidate the liberal ruling classs preeminence. It was her unexpected defeat that prompted liberals to lunge in defense of their hegemony by fusing the U.S. national security infrastructure with the social media platforms, where the war was being fought, as Seigel puts it. This meant harnessing every sector of society under a single technocratic rule.

Liberal totalitarianism, anyone?

Wallace Stevens Thirteen Ways of Looking at a Blackbird, written early in the modernist poets career and published in his first book, Harmonium, is Seigels reference. It is a useful allusion. Stevens was often after the ways our minds and imaginations can turn reality this way and that and as we do see it altogether differentlyinvent it, indeed. This is Seigels starting point. He considers the disinformation phenomenon from 13 angles with the aim that the composite of these partial views will provide a useful impression of disinformations true shape and ultimate design.

This is what I value most in Seigels essayhis discerning chronology of the genesis and development of the counter-disinformation complex.

Seigel begins in 2014, when Moscow responded to the U.S.cultivated coup in Ukraine, when it later reincorporated Crimea into the Russian Federation, and when the Islamic State declared Mosul the capital of its newly declared caliphate. In three separate conflicts, Seigel writes, an enemy or rival power of the United States was seen to have successfully used not just military might but also social media messaging campaigns designed to confuse and demoralize its enemies.

Two years later the national security state and the Democratic Party determined to bring counterinsurgency and counterterrorism techniques home to turn them on the new enemy within, the insurgents and terrorists being Donald Trump and his 70 million supportersthe deplorables, as Hillary Cliton usefully called them.

Then came the key man and the key moment.

In his last days in office, President Barack Obama made the decision to set the country on a new course, Seigel writes. On December 16, 2016, he signed into law the Countering Foreign Propaganda and Disinformation Act, which used the language of defending the homeland to launch an open-ended, offensive information war.

This was to be not merely a whole-of-government undertaking: It was whole-of-society, meaning all lines between the public and private sectors would be erased and control of the hearts and minds of every American was made the objective.

Now we can understand how easily our public institutions enlisted in this good cause. These included Big Tech and the national security apparatus, of course, as well as law enforcementthe Justice Department and the Federal Bureau of Investigationthe think tanks, the universities, the NGOs, and media. The American press, Seigel writes, was hollowed out to the point that it could be worn like a hand puppet by the U.S. security agencies and party operatives.

There were also various self-proclaimed guardians of internet freedom, whose shared objective was to suppress all forms of dissent by making sure no such thing survived their efforts. Notorious among these guardians and typical of them is Hamilton 68, which worked closely with Twitter to identify and suppress millions of social media accounts supposedly spreading Russian-inspired disinformation. Hamilton 68 is now exposed as a high-level hoax perpetrated against the American people by government operatives colluding with corrupt Twitter executives. Here, I have to say, I know of no other writer who uses the term bullshit with more grace. Hamilton 68, he writes is a purveyor of industrial-grade bullshitthe old-fashioned term for disinformation.

Did these bastards create a diabolic universe or what?

It is cold comfort indeed, but what the disinformation complex took to inflicting on Americans a half-dozen years ago is what the rest of the world has been forced to put up with since the national security state took shape and began operating in the 1940s.

Seigels 13 chaptershis essay reads like a book and I hope he turns it into onetake his theme is all sorts of directions. There are sections on data collection, the evolution of the internetform darling to demonthe indefinite extension of the war on terror, the emergence of the domestic terrorists theme, the manipulation of the Covid19 discourse, the Hunter Biden laptop affair, The NGO Borg (a wonderful title), artificial intelligence as the next diabolic mode of suppression, and America as a one-party state.

What are we going to call the beast of the disinformation complex and the polity it has forced upon us? Seigel does not care for the term Fascism in this context, and neither do I: It overstates the malady afflicting America, and, as Seigel astutely notes, it faces us backward when we ought to face forward into something that has no name.

Something monstrous is taking shape in America, Seigel writes. Formally, it exhibits the synergy of state and corporate power in service of a tribal zeal that is the hallmark of Fascism. Yet anyone who spends time in America and is not a brainwashed zealot can tell that it is not a Fascist country:

What is coming into being is a new form of government and social organization that is as different from mid-twentieth century liberal democracy as the early American republic was from the British monarchism that it grew out of andeventuallysupplanted. A state organized on the principle that it exists to protect the sovereign rights of individuals, is being replaced by a digital leviathan that wields power through opaque algorithms and the manipulation of digital swarms.It resembles the Chinese system of social credit and one-party state control, and yet that, too, misses the distinctively American and providential character of the control system.

Seigels 13th way of looking at his blackbird is called After Democracy, and it makes for reading as grim as its headline sounds. Were now in the land where defending the Bill of Rights is a parochial attachment and an extensive regime of censorship is naturalized as common sense:

So the problem of disinformation is also a problem of democracy itselfspecifically, that theres too much of it. To save liberal democracy, the experts prescribed two critical steps: America must become less free and less democratic. This necessary evolution will mean shutting out the voices of certain rabble-rousers in the online crowd who have forfeited the privilege of speaking freely. It will require following the wisdom of disinformation experts.

I have one thing to say to Jacob Seigelwho is now Joltin Jake in my household: Keep writing. So long as you do, youll show us all that all is not quite lost and that hope is more than a four-letter word. The better historians will love you, too.

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Patrick Lawrence, a correspondent abroad for many years, chiefly for theInternational Herald Tribune, is a media critic, essayist, author and lecturer. His most recent book isTime No Longer: Americans After the American Century.His web site isPatrickLawrence. Support his work viahis Patreon site.His Twitter account, @thefloutist, has been permanently censored without explanation.

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URI Biomechanics and Wearables Lab, women’s basketball team … – University of Rhode Island

KINGSTON, R.I. April 18, 2023 The University of Rhode Island womens basketball team recently completed a historic season, winning 26 games enroute to a regular season Atlantic 10 championship and a run to the Super 16 of the WNIT national tournament.

While the Rams were stomping their opponents on the court this season, they were also stomping around for science. Throughout the season, the team was participating in a biomechanics study in the Ryan Center and the Kinesiology Departments Biomechanics and Wearables Laboratory to examine foot anatomy, and whether that anatomy affects movement, performance and a propensity for injuries.

The study is the brainchild of Professor Ryan Chapman and Catherine Dolly Cairns, former shooting guard and co-captain of the URI Womens basketball team. In the spring of 2022, Cairns took Chapmans Introductory Biomechanics course and became interested enough in the discipline to join him in a research study.

Dolly and I recognized significant anatomic variability on the basketball team, Chapman said about developing the research plan, prompting the pair to approach Head Coach Tammi Reiss, who immediately supported the project.

The overarching goal is to determine whether differences in the anatomy of the foot impact performance and contribute to injury. I have a really high arch and have had a ton of nagging injuries like ankle rolls, Cairns said. So, Im really interested in how arch height affects basketball players and how they move. I think if you have a higher arch, youre more prone to ankle rolls. Were trying to validate through research.

On the court, Chapman and Cairns have been running the student-athletes through typical basketball movesrunning, jumping, pivoting, shooting. They attached wearable sensors to each player to measure joint angles, acceleration and velocity. The players also wore force measuring insoles in their shoes to measure how much force the foot exerts during those typical basketball movements. Back in the kinesiology laboratory in Independence Square, the players were equipped with wearable sensors, EMG to monitor muscle activity and motion capture sensors to analyze their movements during similar activities.

Chapman and Cairns use sensing modalities to measure how joints move in space and how much load is applied through the feet during different movements. The force insoles in sneakers break down where pressure is applied on the forefoot, midfoot and rear-foot.

Is there a connection with how a foot is built its anatomy and how they move, specifically with the womens basketball team? Chapman said. Dolly has been collecting data all season long, looking at the foot anthropometrics and seeing if it has any connection to how they move.

Preliminary findings of the study indicate that there in fact does seem to be some connection between how high the foot arch is and performance. Specifically, individuals with higher arches tended to have lower vertical jump performance, a standard metric used to evaluate basketball players.

Although the correlation was moderate in this cohort, for every one-centimeter increase in arch height, we saw a reduction of around six centimeters in vertical jump performance. Thats greater than a two-inch reduction in vertical, Chapman said. We hope this type of information can give coaches, trainers and athletes a better idea of how to evaluate, train and keep athletes injury-free.

Cairns has been conducting six data collection sessions with most players on the team at various times throughout the season. She continues to gather the data, and plans to continue the study going forward. With Chapman as a mentor, she will graduate this summer with a bachelors degree in kinesiology from URI and will be pursuing a graduate degree after commencement.

Chapman directs the Biomechanics and Wearables Laboratory, where the focus of his research efforts is on developing and utilizing novel wearable technology to evaluate a variety of populations (such as patients with arthritis, expectant mothers, and athletes). He co-teaches all biomechanics curriculum with Professor Susan DAndrea and has worked actively to increase access to STEM opportunities for individuals typically under-represented in biomechanics.

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URI Biomechanics and Wearables Lab, women's basketball team ... - University of Rhode Island

Grey’s Anatomy boss’s Netflix show The Residence casts Kylie Minogue – Yahoo Eurosport UK

Grey's Anatomy boss's Netflix show casts KylieDarren Gerrish - Getty Images

Netflix screwball murder-mystery The Residence has snagged Kylie Minogue for a cameo.

Executive produced by Grey's Anatomy boss Shonda Rhimes, this eight-episode series is inspired by Kate Andersen Brower's 2015 book The Residence: Inside the Private World of the White House, taking viewers to the "upstairs, downstairs and back stairs of the White House" as a murder occurs.

Deadline broke the news of Aussie popstar Minogue's casting, and just like Nicolas Cage in The Unbearable Weight of Massive Talent, she's playing herself here.

Related: Brooklyn Nine-Nine and This Is Us stars join Grey's Anatomy boss's comedy series

Jane Curtin (Saturday Night Live), Eliza Coupe (Scrubs), Julieth Restrepo (Griselda), Sumalee Montano (The Lost Symbol), James Babson (For the People), Izzy Diaz (Good Trouble) and Paul Fitzgerald (Dare Me) are also new recruits.

Additionally, Chris Grace (Superstore), Juliette Jeffers (Tulsa King), Nathan Lovejoy (The Good Place) and Rebecca Field (Shameless), Roslyn Gentle (Nightbitch), EL Losada (Los Frikis), Mel Rodriguez (Last Man on Earth) and Brett Tucker (Big Leap) have joined.

Orange is the New Black's Uzo Aduba headlines as the kooky detective Cordelia Cupp, described as an astute observer of human behaviour and characterised by a slightly unsettling conversational style.

Other eye-catching names on the roster include Brooklyn Nine-Nine's Andre Braugher and Ken Marino, Ant-Man's Randall Park, This Is Us's Susan Kelechi Watson, The Power's Edwina Findley and My Name is Earl's Jason Lee.

Jesse Grant / Stringer - Getty Images

Related: Grey's Anatomy writer Shonda Rhimes reveals "room full of old men" told her the show would fail

The murder-mystery genre has enjoyed a seismic resurgence since the arrival of Murder on the Orient Express six years ago, with Knives Out, Amsterdam, See How They Run, Glass Onion, Murder Mystery, The Staircase and even The Traitors all doing their bit to extend its popularity on big and small screens.

The Residence is officially now in production and will stream on Netflix.

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Grey's Anatomy boss's Netflix show The Residence casts Kylie Minogue - Yahoo Eurosport UK

Grey’s Anatomy: The Series’ Best Chief Of Surgery, According To Fans – Looper

In a different threadon essentially the same topic,u/Erbearlee experienced an internal battle over favorite Chief, weighing the pros and cons of Owen, Richard, Derek, and Miranda Bailey (Chandra Wilson). "My gut says Webber or Hunt," they wrote. "They both handled the pressure better than Derek, although obviously we were supposed to see Derek's struggle because it caused tension between him and Meredith. I don't want to say Hunt, because well I just don't like him, but also he had a part in the plane crash. I don't like Bailey as Chief, but I think that has to do with the way she took over and pushed too far on her very first day. I think that colored my whole view of her as Chief." Ultimately, they decided to go with Webber, the most popular choice among "Grey's Anatomy" fans.

Another popular dark horse in the thread was Alex Karev (Justin Chambers), who served as Chief of Surgery when Bailey found she needed to temporarily step away from the job. That feels like a technicality since he was neverofficially Chief, but at least he left a mark. Bailey also left the role behind, ultimately handing it over to Meredith Grey (Ellen Pompeo) before she "moved to Boston" and departed the series, and Derek's time was short but impactful, considering it ended with him getting shot by the disgruntled husband of a former patient.

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Anatomy of monster storm: how Cyclone Ilsa is shaping up to devastate the WA coast – The Conversation

Residents along Western Australias northwest coast are bracing for Tropical Cyclone Ilsa, which is expected to be one of the most destructive storms to strike the region in more than a decade.

The Bureau of Meteorology says Cyclone Ilsa will intensify into a category-five storm when it hits the WA coast between Port Hedland and Bidyadanga Thursday night or Friday morning.

Tropical cyclones are huge low-pressure systems that form in tropical waters. They can bring extreme winds, heavy rain and damaging waves, destroying infrastructure and the environment and causing injury and death.

Lets take a look at how Cyclone Ilsa developed, and what we can expect from cyclones in this region in future.

Tropical Cyclone Ilsa is the first system of category-four or higher to cross Australian shores since Cyclone Trevor crossed the coast of the Gulf of Carpentaria in 2019.

Ilsa formed off the Northern Territory coast before tracking southwest towards Western Australias Kimberley region. It developed quickly on Tuesday into a category-two system, which involves wind gusts between 125 km/h and 164 km/h.

The cyclone on Thursday intensified to a category-five storm, which involves winds gusts above 279 km/h. This was due to two main factors: high sea-surface temperatures and favourable conditions in the upper atmosphere.

Tropical cyclones require sea-surface temperatures above 27. This provides warm, moist air that generates a massive amount of energy and fuels the cyclone.

Upper atmospheric conditions influence wind speed. Air is drawn in toward the centre of a tropical cyclone. In the Southern Hemisphere, the air spirals upwards in a clockwise direction then moves outwards to the upper troposphere, away from the storm. This air is known as outflow.

Cyclone Ilsas path led it into a region where the upper level wind was relatively light, which enhanced outflow.

As air moved outwards, more wind or inflow was drawn toward the centre of the system from the sea surface, bringing warmth and moisture. This enabled Cyclone Ilsa to rapidly intensify.

Northwest WA is Australias most cyclone-prone region. Records since 1970 show about 75% of severe cylones to make landfall in Australia occur in this region.

But why? It comes down to two things: the high sea surface temperatures in this part of the Indian Ocean, and the orientation of the coast.

Tropical cyclones tend to move polewards and, in the Southern Hemisphere, often curve southeast. The coast of northwest WA is oriented northeast/southwest, and so perfectly aligned to intercept these cyclones.

Several intense tropical cyclones have developed in the warm waters off northwest WA in recent years. However, the number to reach land in this region has been lower than average. Thats because mid- to higher-level atmospheric winds that steer tropical cyclones have directed many of them away from the WA coast.

Climate change is expected to change tropical cyclone patterns. The overall number is expected to decrease, but their intensity will likely increase, bringing stronger wind and heavier rain.

More intense tropical cyclones are expected because higher sea-surface temperatures will make the atmosphere more warm and moist. Cyclones thrive in such conditions.

But the general frequency of tropical cyclones is expected to reduce under climate change in most ocean basins, including the Indian Ocean.

Tropical cyclones usually form when theres a large difference between temperatures at Earths surface and the upper atmosphere. As the climate warms, this temperature difference is likely to narrow.

Research last year showed the annual number of tropical cyclones forming globally decreased by about 13% during the 20th century compared to the 19th.

The activity of tropical cyclones in any one ocean basin over a year is measured by whats known as the Accumulated Cyclone Energy or ACE Index.

The index is calculated by measuring the cyclones wind speed every six hours squaring it, then adding these values together.

A study has shown the index values for cyclone activity in the Southern Indian Ocean have decreased significantly since 1990.

I specialise in reconstructing long-term natural records of extreme events. Research by myself and colleagues has shown tropical cyclone activity along the WA coast is at its lowest level since approximately 500 CE about 1,500 years ago.

Tropical cyclones maintain energy over warm water, and lose energy once they move over land or cooler oceans.

Cyclone Ilsa is expected to weaken overnight on Friday as it moves east into the Northern Territory.

Climate change will lead to fewer tropical cyclones overall. But those that do occur will be more intense and damaging. So unfortunately, WA can expect regular cyclone impacts even as the climate warms.

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Anatomy of monster storm: how Cyclone Ilsa is shaping up to devastate the WA coast - The Conversation

It Still Stings: Grey’s Anatomy Gave Alex Karev a Fate Worse Than … – Paste Magazine

Editors Note: TV moves on, but we havent. In our feature series It Still Stings, we relive emotional TV moments that we just cant get over. You know the ones, where months, years, or even decades later, it still provokes a reaction? Were here for you. We rant because we love. Or, once loved. And obviously, when discussing finales in particular, there will be spoilers:

Few shows stay on the air long enough to outlast their entire first spinoff series, earn a second spinoff series, and then ultimately soft-reboot the original series itself by transplanting in a new young cast into the same spots where the old guard once stoodbut of course, few shows are Greys Anatomy. Created by Shonda Rhimes in 2005, the medical drama is now on its nineteenth season and just survived the departure of its titular character, Meredith Grey (Ellen Pompeo), without missing a beat. In fact, before Meredith made her (weirdly anticlimactic) exit, the series shifted its focus to a new crop of interns, several of whom bear remarkable similarities to Meredith and her original class of five.

Taking Merediths place as the legacy hire is Dr. Lucas Adams (Niko Terho), the nephew of rockstar neurosurgeons Derek (Patrick Dempsey) and Amelia Shepherd (Caterina Scorsone). Filling Cristina Yangs (Sandra Oh) place as the brilliant and ambitious no-nonsense overachiever is Dr. Benson Kwan (Harry Shum Jr.). Dr. Jules Millin (Adelaide Kane) comes from a working-class background just like Izzie Stevens (Katherine Heigl). And while neither Dr. Simone Griffith (Alexis Floyd) or Dr. Mika Yasuda (Midori Francis) are precise analogues for George OMalley (T.R. Knight) or Alex Karev (Justin Chambers), there are definite echoes of the original cast members spread throughout the group.

I just wish those echoes didnt make me so cranky. Because by reminding me of the halcyon days of Meredith, Cristina, George, Izzie, and Alex, Im also forced to recall just how awful Alexs exit was.

As far as terrible Greys Anatomy send-off storylines go, it would take a lot to top the final episode of George OMalley, who was hit by a bus and rendered unrecognizable for most of his swan song, until he finally managed to communicate his identity to Meredith right before dying in surgery. But Georges exit was arguably preferable to that of Alex Karev, whose bizarre reasons for his abrupt departure bore even less resemblance to his character than John Does mutilated face did to George.

Of course, the reason behind Alexs sudden exit is because series original cast member Justin Chambers decided to leave Greys Anatomy for personal reasons in the middle of its 16th season. I dont know the reasons behind Chambers decision and dont want to speculate, since its none of my business. I hope he felt (and still feels) good about his departure, and I wish him well.

I acknowledge that the unplanned departure of a character who had nearly reached the pinnacle of his series-long trajectory undoubtedly threw the Greys Anatomy writers for a major loop. Alex was clearly being set up for success: being hired as Chief of Staff and Chief of Surgery for Grey Sloan Memorials rival Pacific Northwest General Hospital, blissfully happy with his wife Jo (Camilla Luddington), best friend and right-hand-Person to Meredith Grey, and almost definitely poised to soon become a father. Whats more, at the time of his departure, Chambers was one of only four remaining original cast members, along with Pompeo, James Pickens Jr., and Chandra Wilson. How does one simply write off a character that has been so integral to the fabric of the series for a decade and a half, especially with no notice and without the actor even available to film his final episode?

Not. Like. This.

Before we get into what Alex didor rather, what was done to Alex, since I still refuse to believe Alex himself would have willingly done any of thislets go back and quickly recap his impressive journey since we first met him in the pilot episode.

Alex Karev was introduced as a cocky, misogynist jerk known mostly for giving nurses STDs, objectifying and condescending to his fellow interns, and freezing up during surgery. He was, to put it mildly, The Worst, and remained that way for much of Greys Anatomys early days.

Eventually, though, he started to grow up. He fell in love with fellow intern Izzie Stevens, and even when she broke things off with him, she carried a soft spot for him. He developed a surprising aptitude for pediatrics, and an even more surprising gentle rapport with his young patients. And as he was continually challenged professionally and emotionally, he found that he was capable of rising to those challenges. Over time, healthy confidence began to replace machismo and arrogance, and his best characteristics were finally able to shine through.

At the end of Season 5, while Izzie was undergoing cancer treatment, Alex and Izzie decided to get married. But soon after, Izzie decided that she didnt want to be with Alex anymore, and she took off, exiting the series (off-screen, Heigl asked to be released from her contract to spend more time with her family), abandoning the embryos theyd had frozen during her cancer treatments (or so we thoughtmore on that in a minute), and mailing him divorce papers.

Alex was understandably devastated, and still had a lot of growing up to do, but ultimately found his footing. He specialized in pediatrics and rose through the ranks to become an attending surgeon. He put his selfishness aside and invested in his friendships, to the point where he became Merediths local Person after Cristina departed at the end of Season 10. Several years (and many short-lived flings) later, he found himself falling for then-resident Jo Wilson, and after dating for a few years, decided to propose. They got married at the end of Season 14 in a ceremony officiated by Meredith Grey herself, and spent the next season and a half settling into married life. And although marriage came with its hardships, especially when Jo suffered a mental breakdown after discovering she was conceived as the result of sexual assault, he rose to meet them.

At the beginning of Season 16, when Jo fears that she is now too broken to be loved and offers Alex the opportunity to leave, he instead gets down on one knee and proposes to her all over again, promising that I want to grow old with you, no matter what.

Which would be a lot more meaningful if he did not leave her completely out of the blue just a couple short months later.

The writers of Greys Anatomy would have us believe that after everything he went through, including a relationship with Jo that lasted years longer than hed even known Izzie, Alex Karev would abruptly abandon his life partner for the woman who abandoned him a decade before. And who, apparently, secretly had his kids using frozen embryos he thought no longer existed. When he told Jo he was going to care for his sick mother, and subsequently sent a series of weirdly disinterested text messages to his wife and friends in Seattle, he was really going to visit Izzie and their kids on her farm. Where he then decided to remain, permanently.

No. I think not.

Right before he disappeared from the show, Alex also managed to snag the job of Chief of Surgery and Chief of Staff for the struggling Pacific Northwest Hospital, a huge accomplishment for the guy who once froze up during elevator surgery. But now hes tossing that away too, giving up the career hes worked so hard for.

I believe that the Alex Karev wed come to know by Season 16 would put his family before his career if he had to choose. I just dont believe hed choose Izzie over the family he was making with Jo. And since Jo would never have kept him from his kids with Izzie, he could have been a father, and kept his vows to his wife, and achieved professional success.

The Alex who would throw all of that away for Izzie isnt the Alex of Season 16. Its the Alex of Season 6, whose whole world revolved around Izzie, who didnt think much of himself as a doctor or as a friend, and who was frankly too immature to realize when he was making bad decisions. Perhaps the problem is that the show switched hands a couple times between, from Shonda Rhimes to Krista Vernoff, who took over for Rhimes as showrunner from 2007 to 2011. Vernoffs time on the series spanned Alex and Izzies marriage and Izzies subsequent departure, and she then returned as showrunner for Season 14. Maybe thats why it felt like Alexs Dear Jo exit was written for a character we havent seen in a decade. Maybe thats why it crumpled up 16 years worth of character development and tossed them in the garbage.

I think there could have been a scenario in which the writers wrote Alex off the show in a satisfying way, extenuating logistical circumstances and all. Maybe he died in an accident while visiting his mother, or even sacrificed himself saving a child. Maybe his mother, who hed already established was unwell, got confused and accidentally poisoned him, then panicked and faked his text messages to his wife and friends in Seattle, unable to deal with the trauma of his death. Maybe a thousand different scenarios (most, if not all, probably ending in death), none of which are living on a farm with Izzie.

But since we didnt get any of those endings, the best I can do for Alex is believe that the ending we did get is all a ruse. Maybe it wasnt Alex who wrote those letters and sent those uncharacteristic text messages at all. Maybe it was Izzie, seeing ghosts again, who somehow lured Alex to her farm, killed him, and buried him in the backyard. Maybe shes been impersonating him all along, writing the fictitious happy ending she wishes shed had.

It would suck. But given a choice between the death of Alex Karev and the assassination of his character, Ive got to go with death. At least it would be better than what we got.

Lauren Thoman is a Nashville-based freelance pop culture writer whose writing has appeared in numerous online outlets including Parade, Vulture, and Collider. She is also the author of the novel Ill Stop the World. Find her at her website, or on Instagram, Twitter, or Facebook.

For all the latest TV news, reviews, lists and features, follow @Paste_TV.

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It Still Stings: Grey's Anatomy Gave Alex Karev a Fate Worse Than ... - Paste Magazine

Grey’s Anatomy Fans Know Exactly What Makes S19 So Dull – Startefacts

Is there a way to save it, or is it time to let go?

Grey's Anatomy fans have always been happy to support the continuation of the show.

Despite the fact that the show is rapidly approaching its 20th anniversary, the audience is not tired of the story and is willing to watch it until it loses its color.

With the news of the 19th season renewal, there was a lot of hope that the show would be able to breathe new life into existing storylines with new interns around.

Now, however, fans are beginning to fear that their favorite show may end sooner than they would like. And the newcomers are not to blame for that.

"At this point, many of the older characters are running on empty on interesting storylines. Owen, Teddy, Jo, Link, Schmidt ... they've all gotten stale and I think they should be written out and the show should go all in on the interns and give them storylines that really test them both professionally and personally," Redditor xdoolbuf said, implying that new interns did not even get a chance to shine yet.

Instead, the writers try a little too hard to split the time between them and the older characters, which makes them all lack personality in the end.

This is a fair complaint, considering that the main character of the past, Meredith Grey herself, has left the show. So why shouldn't the showrunners do the same with the others?

Another problem fans seem to have with the show now is that it tackles too many social issues at once, to the point where the story gets lost behind them.

It doesn't have much to do with "wokeness," because Grey's Anatomy has always been a progressive show, and the audience has had a special appreciation for that.

With season 19, it just feels like there's not much to talk about, so the writers are trying to fill in the blanks with another social issue.

As another Redditor concluded on the topic, the entire show feels like a PSA now, and there's nothing worse than having to watch 40 minutes of it weekly.

Hopefully, Grey's Anatomy will have a chance to redeem itself by focusing more on the intern's storylines, and a bit less on social justice.

Tune in on ABC on Thursdays to find out for yourself.

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Grey's Anatomy Fans Know Exactly What Makes S19 So Dull - Startefacts

Grey’s Anatomy Fans Are Finally Ready To Admit Their Hate For … – Startefacts

He gets much better after season 5, but there's a catch.

There is a reason why many Grey's Anatomy fans fondly remember the previous seasons of the show.

Not only were viewers introduced to a whole new story of Seattle Grace Mercy West Hospital and its staff, but they were also introduced to a group of new interns whose dynamic would make the series a truly great story.

Although the cool name of the group gave it extra points, the beauty of MAGIC was how well the 5 flawed characters worked together.

Their conflicts, friendships and romances were incredibly interesting to watch and kept viewers glued to their screens.

Meredith Grey, Alex Karev, George O'Malley, Izzie Stevens, and Cristina Yang all made an impression on viewers that no future intern group could ever match.

However, as with any group, some characters stood out to fans a bit more than others, and some would get less recognition.

In MAGIC, George O'Malley always felt more like a supporting character than someone with an important storyline.

He was soft-hearted and generally nice, but despite his all-around positive qualities, he never got that many fans among the audience.

Only after rewatching the series many years later, viewers can finally understand why they never really liked George in the first place.

Like many other things from the '00s, his character aged like milk.

"I find the character George O'Malley to be insufferable, much worse than the on-the-surface-jacka** Alex. And Alex has turned a leaf later in season one and George ... Hasn't. George is whiny, insecure and he masks his insecurities by being misogynistic?? What the hell!" First-time-watcher CurrentPossession said on Reddit.

His whining, horrible attitude towards women, creepy remarks, and general behavior would make him completely unattractive to any audience today, which is probably why he doesn't get much praise from the fanbase anymore.

His story ends in a tragic accident in season 5, and to this day his death is often the only thing anyone remembers about his personality.

If you're up for a trip down memory lane, you can rewatch past seasons of Grey'a Anatomy on Disney Plus, ESPN Plus, and Hulu.

Or tune in to ABC on Thursdays to catch up on new episodes.

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Grey's Anatomy Fans Are Finally Ready To Admit Their Hate For ... - Startefacts

Two Episodes of Grey’s Anatomy Air Tonight – KSiteTV

ABC is airing two back-to-back episodes of Greys Anatomy tonight (April 13). The episodes are called Shadow of Your Love and Mama Who Bore Me, and in them, its Maggies last day. Amelias relationship with Kai is tested, and Ben worries as Baileys doxing intensifies. With Levis help, a patient celebrates a milestone.

Additionally, Jo processes a difficult diagnosis, and Maggie and Winston decide their future. You can see photos from both of the episodes below; the action starts at 9PM ET/PT.

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GREYS ANATOMY - Shadow of Your Love/Mama Who Bore Me - Its Maggies last day. Amelias relationship with Kai is tested, and Ben worries as Baileys doxing intensifies. With Levis help, a patient celebrates a milestone. Jo processes a difficult diagnosis, and Maggie and Winston decide their future. THURSDAY, APRIL 13 (9:00-11:00 p.m. EDT), on ABC. (ABC/Raymond Liu)ANTHONY HILL

Recipient of the 2007 Golden Globe Award for Best Drama Television Series and nominated for multiple Emmys, including Outstanding Drama Series, Greys Anatomy is considered one of the great television shows of our time. The high-intensity medical drama, now in its 19th season, follows Meredith Grey and the team of doctors at Grey Sloan Memorial who are faced with life-or-death decisions daily. They seek comfort from one another, and, at times, more than just friendship. Together they discover that neither medicine nor relationships can be defined in black and white.

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Two Episodes of Grey's Anatomy Air Tonight - KSiteTV