Physiology

ESAFE – Postdoctoral Position in Molecular Plant Physiology job with MOHAMMED VI POLYTECHNIC UNIVERSITY … – Times Higher Education

Understanding the molecular mechanisms that control the mineral homeostasis/status of plants and their responses to major abiotic constraints.

About UM6P:

Mohammed VI Polytechnic University is an institution dedicated to research and innovation in Africa and aims to position itself among world-renowned universities in its fields The University is engaged in economic and human development and puts research and innovation at the forefront of African development. A mechanism that enables it to consolidate Moroccos frontline position in these fields, in a unique partnership-based approach and boosting skills training relevant for the future of Africa. Located in the municipality of Benguerir, in the very heart of the Green City, Mohammed VI Polytechnic University aspires to leave its mark nationally, continentally, and globally.

Job Summary:

The postdoc will conduct research, prepare proposals, write reports and scientific papers to address how plants react and adapt to water, salt, nutrient and metal stresses which alter the acquisition and usage of water and mineral nutrients (potassium, nitrogen, phosphorus, micronutrients) and which can affect crop productivity. The candidate will conduct research activities tacklingthe mechanisms that allow plants to perceive abiotic environmental constraints (such as water/ nutrient availability) and therefore modulate their development or their physiology (photosynthesis, root uptake, utilization, and storage of water/nutrients). The candidate will conduct research activities tackling all aspects related to crop production testing and developing solutions and best practices to improve agricultural productivity under marginal and arid conditions.

The candidate should have a PhD in Plant Biology, preferentially with a focus on bio-chemical methods and molecular biology. The ideal candidate should have a strong motivation and passion to science, a fundamental knowledge in plant molecular physiology/ cell biology. The candidate should have extensive laboratory experience with bio-chemical methods and plant molecular physiology/ cell biology. The ability to be independent as well as cooperate in a team, are required.

The application should contain:

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ESAFE - Postdoctoral Position in Molecular Plant Physiology job with MOHAMMED VI POLYTECHNIC UNIVERSITY ... - Times Higher Education

Physiology

Lecturer in Clinical Exercise Physiology (Teaching Level A/B) job with UNIVERSITY OF SOUTH AUSTRALIA | 372763 – Times Higher Education

About the Role

This position is primarily focussed on the delivery of teaching and associated administrative duties within the Academic Units undergraduate and/or postgraduate program and the facilitation of student learning in a clinical setting. It will work with guidance and direction from other academic staff and undertake duties with increasing autonomy as the staff member gains skills and experience.

The Lecturer in Clinical Exercise Physiology utilises contemporary professional/discipline-related knowledge in their teaching practice and carries out activities to develop scholarly expertise.

About UniSA

TheUniversity of South Australiais Australias University of Enterprise. Our culture of innovation is anchored around global and national links to academic, research and industry partners. Our graduates are the new urban professionals, global citizens at ease with the world and ready to create and respond to change. Our research is inventive and adventurous and we create new knowledge that is central to global economic and social prosperity.

TheUniSA Allied Health and Human Performance AcademicUnit offers a wide range of degrees and conducts research in the fields of physiotherapy, occupational therapy, podiatry, medical radiation sciences, medical sonography, speech pathology, clinical exercise physiology, exercise and nutrition, health sciences, public health, exercise and sport science, and human movement.

Our degrees meet the evolving needs of the health industry, with our graduates actively contributing to the future health workforce in areas such as medical imaging, rehabilitation and wellness, disability, health promotion, chronic disease, pain management, wellbeing and high-performance sport.

In addition to industry-linked careers, UniSA Allied Health and Human Performance research strengths continue to influence and positively contribute to the health industry and broader community. Our main areas of research include pain sciences, evidence translation, rehabilitation, high performance in sport, nutrition, genetic epidemiology and cancer. UniSA Allied Health and Human Performance is also home to UniSA research concentration: Innovation, Implementation & Clinical Translation in Health (iIMPACT) which focusing particularly on persistent pain and breathlessness, rural health and stroke recovery and UniSA research centre Alliance for Research in Exercise, Nutrition and Activity (ARENA), which investigates the role of exercise, nutrition and other lifestyle activities in improving clinical and health outcomes.

Core Responsibilities

Essential Skills and Experience

Benefits

Getting a great job working with the best is just the start. UniSA rewards its staff with a wide variety of benefits such as:

Culture

As a University of Enterprise, we offer a dynamic and agile workplace culture, one that embraces challenges and thrives on breaking new ground. Our staff are creative and innovative thinkers, communicating with clarity, conviction and enthusiasm. We embrace diversity and inclusion in a vibrant, engaging environment. Our people are authentic, resilient, and influential, and we deliver results.

Start Your Unstoppable Career!

For a copy of the position description and to apply, please visitWorking at UniSA. The online application form will list the specific selection criteria that you need to address.

Please address your cover letter toEmma Kelvin, Consultant: Recruitment Central. For further information about the position or the recruitment process, please contact UniSA Recruitment Central on +61 8 8302 1700 or via email atrecruitment@unisa.edu.auusing job reference number6102.

Applications close: 11:30 pm Wednesday 29 May 2024

Applications welcomed from Australian or NZ citizens, Australian permanent residents and those who have the legal right to work in Australia for the term of appointment.

Pursuant to the Child Safety (Prohibited Persons) Act 2016 (the Act) and the Child Safety (Prohibited Persons) Regulations 2019 (the Regulations), this position has been deemed prescribed. This role will require the successful candidate to hold a current Working with Children Check.

CLICK HERE to access a copy of the Position DescriptionOpens in new window

How to apply:

Applications must be lodged online, please note UniSA does not accept applications via email.

UniSA is committed to developing a diverse workforce and a constructive enterprising culture in which everyone can thrive.

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Lecturer in Clinical Exercise Physiology (Teaching Level A/B) job with UNIVERSITY OF SOUTH AUSTRALIA | 372763 - Times Higher Education

Physiology

Why psychology is as important as physiology for plastic surgery – The Times

Most of us have a hard enough time trying to understand how cosmetic surgery works so the question of why people do it can be even more baffling. Aesthetic tweakments are more popular than ever, but many question the necessity of them.

What isnt widely understood is that turning to the needle or knife is often less about vanity and more about identity.

In fact, the man credited with inventing cosmetic surgery did so with psychology in mind. The surgeon Sir Harold Gillies developed his methods of facial reconstruction during the First World War when dealing with soldiers life-changing injuries. He focused not only on repairing the functionality of the face but on the aesthetic details too, believing that the psychological impact of how they would look could be as affecting as the physical injuries. Ida Banek, a trained psychologist and the founder of Ouronyx, an aesthetic clinic in London that focuses on facial procedures, believes that understanding this link is a key component of treating clients.

As part of her consultation process, patients have to have a strong and deep conversation about their personality type, to clarify their objectives, how they see themselves and how they wish to see themselves. The vast majority, she says, have goals that are based on confidence and emotions, rather than looking different or younger.

Turning to aesthetic treatments or surgery can be a way to restore confidence, although the link between the procedure and the emotional result isnt always linear, says the psychotherapist Emma Reed Turrell. Confidence is less about appearance and more about self-consciousness, she says. We know that there is strong correlation between self-consciousness and unhappiness: its not so much about how we look, its how we feel about the way we look. Rather cruelly, though, negative feelings about our looks cant always be attributed only to low self-esteem they can be psychologically hard-wired.

Our brain leads us to see ourselves differently from how we see others, and analyses our own image in high-definition detail, says Rajiv Grover, a consultant plastic surgeon and former president of the British Association of Aesthetic Plastic Surgeons. But our perception of others is similar to that of an impressionist artist [appreciating the form as a whole]. This means we look at ourselves with a more critical eye.

However, out of about 1,000 clients questioned at Ouronyx, 95 per cent in all but one age group said they wanted to look fresher and well rested. It was only among the under-30s that clients wanted to look more striking, feminine or masculine. They want to change their appearance rather than optimise it, Banek says, which is one of the reasons were very cautious with that particular group. Three quarters of those in their twenties have been turned away, she adds; what the clinic doesnt want to promote is a fast-beauty culture, which has the potential to encourage young people [to have] premature and possibly unnecessary cosmetic interventions.

Sadly not all clinics adhere to these principles, and regulation within the industry is weak. Im clearly biased, but I would love everyone to have access to a therapist or psychologist whenever they are making major decisions in life, such as cosmetic surgery, Reed Turrell says. Although, of course, its difficult to draw a line: would a millilitre or two of filler be considered a major life decision? It cant hurt to understand your motivations more clearly, she says, so you can feel grounded and confident, however you choose to move forwards.

Though its now widely accepted that the aesthetics route is one people should be able to take freely and safely, there is often the risk of someone altering their appearance beyond what would be considered natural-looking, or becoming addicted to procedures. Sometimes this is because of body dysmorphia, a diagnosable medical condition that requires treatment outside an aesthetic clinic. In other cases, Banek says, its simply human nature. We tend to forget the past relatively fast and focus on what we see in the mirror in the moment. You forget what the starting point was.

Before-and-after photos can help to remind patients of their journey, as well as to manage their expectations so they dont face disappointment or try something else. Ive worked with people who find themselves disillusioned and sometimes physically and financially damaged by procedures that could never fix the problem, Reed Turrell says, because it wasnt simply one of appearance, it was one of self-worth.

This is why industry leaders including Banek and Grover are passionate about making sure that patients seriously contemplate the risks and consider psychological guidance. In the meantime, Banek says, the best we can do is to ensure regulation becomes stronger. Education around the psychological reasons for and impact of aesthetic decisions, especially for younger people, is paramount.

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Why psychology is as important as physiology for plastic surgery - The Times

Anatomy

Video: ‘Kingdom of the Planet of the Apes’ | Anatomy of a Scene – The New York Times

Im Wes Ball, director of Kingdom of the Planet of the Apes. This is a little sequence in the very beginning of the movie after our trio of apes here, Noa, Soona and Anaya, have just had a little adventure and theyre on their way back to their village, where we get to meet the life of Eagle Clan and where Noa and his family reside, this little isolated existence. And we get to see the way the apes live in this world with their eagles. And and how this ritual of collecting their egg, which theyre going to raise as companions, which is part of the way the Eagle Clan kind of works in their culture. And the goal was really just to set up a world that was wonderful, that was ultimately going to be forever changed when the course of events leads to Noas village being attacked for the most part, everything you see here was actually shot with the actors. We shoot it twice, we shoot it once with the actors and all of their little performance things and the camera movement and everything. So we are shooting a regular movie. It just happens to be that these guys are wearing these kind of strange suits along with the cameras and the dots on their face that captures all the performance. And then I have to go in and then re- duplicate those shots without the apes, which is where I choose. Whatever performance I choose now gets dropped into the scene itself. So this isnt something where we just kind of animate the characters after the fact. Were actually on location and theyre there in their digital costumes, essentially, acting out everything you see on camera, with the exception of, say, background action, theres a group of apes in the background playing what we called monkey ball, and just we did that all on stage. So thats kind of the beauty of the power of this process, is that we can populate this whole scene with hundreds of apes. But we only needed a handful of apes on set. This is Dar, Noas mother, whos a fantastic character, played by Sara Wiseman, who did a great job. I knew you would climb well. He waits. And this character of Noa here, you kind start to see this relationship that he has with his father, which is an interesting kind of relationship that I imagine a lot of people could relate to. They dont know quite how to communicate with each other, but theres obviously still love there. Its an interesting process where I can take all these different little elements and layer them all together and stack them into this what you see is the end result here, this little idyllic community.

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Video: 'Kingdom of the Planet of the Apes' | Anatomy of a Scene - The New York Times

Anatomy

Grey’s Anatomy: Shondaland EP Wants Pitches for Next Spin-Off – TheWrap

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Betsy Beers knows not to doubt the power of Greys Anatomy after 20 seasons.

The Shondaland executive producer, whos worked on the Shonda Rhimes-created medical drama from day one, reflected on the shows ability to stand up strong through many changes in its history. By the end of its landmark 20th season later this month, Greys will become the longest-running drama series in ABC history. With spin-off series Station 19 ending this spring, Greys will return for Season 21 as the sole Shondaland-produced series on the broadcast network the first time it stands alone since the premiere of Private Practice in 2007.

When asked about the possibility of more Greys spin-offs, Beers admitted the short answer is who the hell knows? She added that the Ellen Pompeo-led drama series benefits from an endless stream of medical stories and a beloved cast of characters that audiences love to watch grow while growing with them.

But come back and tell me, what do you think we should do as a spin-off? Beers asked during an interview with TheWrap as she celebrated Greys Anatomy at SeriesFest this past weekend (That offer will be taken up when we have more than 10 minutes to chat).

Regardless, the show hardly struggles with holding audience interest on its own. The Season 20 premiere garnered 10 million viewers across platforms within 35 days of release, according to data provided by ABC. Greys also frequently lands in Nielsens Top 10 report of viewership across streaming, as its multigenerational fanbase flocks to Hulu and Netflix to watch episodes again and again.

Beyond the Greys Anatomy universe, Beers has had a hand on every television series produced by Shondaland from watercooler ABC dramas Scandal and How to Get Away With Murder, to Netflix hits like Bridgerton and Inventing Anna, created under Shondalands headline-making overall deal at the streamer. At SeriesFest, Beers was honored with the Impact in Television Award, alongside Shondaland and its flagship series, for trailblazing storytelling that changed what audiences expect from programming across broadcast and streaming.

Beers spoke with TheWrap about the legacy and longevity of Greys Anatomy, the end of Station 19, collaborating with Netflix and how Shondaland has raised a new generation of Hollywood creatives.

TheWrap: How does it feel to look back on 20 years of revolutionary television?

Beers: I cant believe 20 years have gone by I am incredibly lucky because I am able to only work on things that I absolutely love. Im proud that weve been able to accomplish all that we have accomplished, the way that the companys been growing and the different forms of storytelling that are now available to us.

Every once in a while Ill look back and think about, What is the best way to put your story out there in terms of promotion? And I think about Scandal and live tweeting, what a big deal that was when Twitter was all there was. Look at how the worlds changed and the climate has changed. But theres also this consistent narrative for me, which is that we have been lucky enough to continue to figure out ways of telling stories that we love.

More than an industry-changing show, Greys and Shondaland have grown into a remarkable talent incubator for people to develop skills as actors, directors, producers and more. How did mentorship become such a big pillar in the companys mission?

It was always in the DNA. Both Shonda and I look at it as common sense. The best thing you can do in the world is to find people who love what you do, and with whom you can share the information you have, so that they can grow and rise up. Weve been lucky enough to mentor so many people whove decided to stay in the company that weve ended up benefiting from the time that we all spent together as they were moving up.

It just makes everything better when you give people opportunities, particularly people who might not have had opportunities otherwise There are so many benefits to watching people then go off in the world and create their own shows and do their own work.

So much of leadership is about creating an environment where people can learn, where theyre not scared to say how they feel, where they feel supported and protected. Thats something as a producer I feel incredibly proud of, and I think its incredibly important. Its one of the things I always try to pass on.

Netflix has been an exceptional home for Shondaland so far, producing hit after hit. As Hollywood faces this moment of contraction and frugality, have you noticed any change in the way the streamer responds to the projects youre developing?

We all have to be aware that there is a shift. Obviously, there was a lot of contraction last year. Its up to us as good producers to be mindful of that I always want to make sure that the money we spend is well spent. But I think the main thing is just to stay conscious and focused, and we have a great partnership with Netflix, where they want to continue to tell the stories that we want to tell. And I think its up to us to make sure that we are able to tell stories in a way that I feel is responsible in the climate that demands it.

One of the biggest products of that partnership is Bridgerton, which is now a worldwide phenomenon. Both you and Shonda have said that the plan is to cover all eight books in the series. With Season 3 set to release soon, is there a plan to get all eight installments done at a reasonable time?

Ill quote one of my favorite lines from Anna Delvey and say, It takes as long as it takes. It takes a different amount of time for different stories to be told, and that can be for a number of different reasons external obstacles like weather, strike or COVID. Seasons were delayed because of this horrible world event, and it also can just be about getting the story right.

When we want something to come out in the world, we want to make sure that its exactly what we believe will delight and please the audience. Sometimes that happens fast and sometimes slowly the great thing about Bridgerton is that every single book is a different child and its different. Its a different journey about how one navigates their own sense of self. Theres a happy ending, and then you kick off another season with your favorite characters, but it feels fresh as a daisy.

This year, we say goodbye to Station 19, a decision that came from ABC. Fans have been campaigning hard to try to save the show. Has moving to either a streamer like Hulu or Netflix been in discussion at all, or do you also see this as the end for the series?

People will see that the writers figured out a great way to end the show very elegantly and happily, and I think the fans will be hopefully pleased with that. But I know its rough to watch.

Greys is renewed for Season 21 and remains a key asset for ABC, though now on its own without a spin-off partner once again. What does the future of the Greys universe look like from here?

Its going to look like Greys. The thing about the show is that Greys has always continued to be Greys. But it also constantly transforms itself with characters that come and go, and with the new kinds of stories that can be told. Weve continued to re-energize and repopulate with different characters over the years, which is part of it, but theres also an endless stream of medical stories as medicine in the world changes.

Greys is going to continue to stand up strong.

Greys Anatomy and Station 19 air Thursdays on ABC. Episodes are available to stream the day after premiere on Hulu. Bridgerton Season 3, Part 1 premieres Thursday, May 13, on Netflix.

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Grey's Anatomy: Shondaland EP Wants Pitches for Next Spin-Off - TheWrap

Anatomy

Grey’s Anatomy Delivered the Greatest Star Wars Reference of All-Time – CBR

Summary

Nearly 50 years into its existence, Star Wars is deeply embedded into pop culture around the world. Popular movies and TV shows have parodied and referenced it over and over for decades now. Surprisingly, the long-running ABC medical drama Grey's Anatomy once included an entire monologue referencing a galaxy far, far away so specifically that it may have gone completely over casual fans' heads. It's such a deep cut that only someone familiar with the Star Wars Expanded Universe (now called Legends) could have written it. Does this mean it remains one of the greatest pop culture references of all time?

Many pop culture fans will know the most commonly referenced lines and events from Star Wars over the years. The iconic "I am your father" moment was parodied by Disney long before the company owned the Star Wars franchise. Star Wars books are a more niche offshoot of the fandom, however. While there are hundreds of novels and far more comic book issues, the vast majority of those familiar with Star Wars have not read them. This is what makes Grey's Anatomy's Season 4 reference even more impressive -- whoever wrote the monologue had to have been a huge fan of the franchise.

The show referenced dozens of Star Wars books, actually, if you count how many books the Solo children appear in. A long time ago, in a galaxy not so far away, a 2008 Grety's Anatomy episode featured a Star Wars-specific monologue that got more niche as it progressed. In Season 4, Episode 16, "Freedom, Part 1," an emergency situation arises when a teenager is brought in encased in concrete. "I'm like Han Solo. In Star Wars?" the patient, Andrew, tells Dr. Miranda Bailey as a surgical team slowly removes concrete pieces and begins treating burns on his skin. As he becomes more embarrassed about jumping into cement to impress a girl, his heart rate shoots up, which is dangerous in his situation. Bailey, therefore, tries to calm him down by talking to him, remembering his mention of Han Solo, and attempting to reassure him that he's not a loser just because he made one dumb mistake. Han Solo freezing in carbonite, she says, is not the end for him. The following monologue ensues:

"Uh, Andrew! Andrew, hey! Hey! Listen to me. HAN SOLO IS NOT A LOSER. Han Solo got encased in carbonite, and that was a big mess, but thats not what hes remembered for. Hes remembered as the guy who made the Kessel run in less than 12 parsecs and who braved the sub-zero temperatures of the ice planet Hoth in order to save someone he cared about from the big ugly Wampa. Hes remembered as the guy who swooped down at the last minute, blasted Darth Vader out of the sky so that Luke could use the Force andand destroy the damn Death Star! Ok? Princess Leia saved him from the carbonite and they fell in love, and they saved the universe and had twin Jedi babies that went on to save the universe again. Right? Now thats the whole picture. The carbonite was just a piece. Ok?"

Several members of the surgical team pause to look at Bailey questioningly when Andrew's heart rate slows to normal and her monologue finishes, as if surprised that a medical doctor would know anything about Wampas and the Kessel run from Solo: A Star Wars Story. She replies defensively to the room: "What? I like science fiction!" So does the writer responsible for the above monologue, apparently -- and they must like Star Wars specifically in order to have referenced Han and Leia's twins, who only ever appeared in books and never on-screen. Thankfully, when writers write TV episodes, they get credited for those episodes so that anyone who might want to dig deeper into their science fiction interests could theoretically do so.

The episode's writer is none other than Grey's Anatomycreator Shonda Rhimes, which raises an important question: Is Rhimes a Star Wars fan? She's actually a "huge" fan, according to a 2015 post on X (formerly Twitter) promoting a special look at Star Wars Episode VII: The Force Awakens on ABC. Whether or not Rhimes has read a plethora of Star Wars Legends books remains a mystery. However, Bailey's deep-cut monologue had to have at least been fact-checked or filled out by someone in that writer's room, whether Rhimes originally included the Legends reference or not. It just goes to show that when a Star Wars fan becomes a highly successful individual in their industry, they not only have the opportunity to weave references to their favorite franchise into their work -- they'll do it, too.

In fact, there are a number of Star Wars references throughout the series, such as Season 5, Episode 18, "Stand By Me," when Derek Shepard tells Meredith Grey he loves her, and she replies, "I know." Keeping with continuity, having established Bailey as a fan of Star Wars early on in the series, most of the references come from her character throughout the seasons. Unfortunately, as Rhimes became less directly involved with the series in later seasons, the frequency of Star Wars references has also significantly decreased. It is possible that Krista Vernoff, who ran the show until Season 20, wasn't as big of a science fiction fan as Rhimes. With a new showrunner steering the ship, more Star Wars references could make a grand return to the show.

It's not at all uncommon for movies and TV shows to reference Star Wars directly or indirectly in their scripts. Characters might make lightsaber noises, quote famous lines, or dress up in costume as characters for Halloween or other occasions. It's not as common for a medical drama, for example, to reference even such a well-known fictional universe, especially one set in the real world decades after the movie that started it all was released. It is much more feasible now, however, as fans who grew up with Star Wars are getting older, becoming more successful, and finding ways to incorporate their fandom -- in big ways and small -- into their work seen by audiences of millions.

Han Solo is a well-known Star Wars character, whether you've seen all the movies or just snippets of the original trilogy. Grey's Anatomy's reference to the character is the best in pop culture history because of the book reference alone. If a viewer had only seen the movies and TV shows, they wouldn't have known about the Solo twins or their efforts to save the galaxy as Jedi. Thankfully, the person responsible for creating Grey's Anatomy just so happens to like Star Wars as well. Dr. Bailey was right, of course: Heroes are best remembered by their most impressive achievements, such as Rhimes sneaking a Star Wars book reference into a hugely popular primetime network television show.

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Grey's Anatomy Delivered the Greatest Star Wars Reference of All-Time - CBR

Anatomy

Of course, Grey’s Anatomy has the perfect formula to make viewers cry – The A.V. Club

Every frequent Greys Anatomy viewer remembers the first time the show made them cry. For legacy fans of 20 iconic seasons, including yours truly, the above image alone is quite triggering (RIP, MAGIC. If you know, you know).

Malcolm-Jamal Warner on "The Resident" and tricky medical lingo

Ive lost track of how many times Greys has left me weeping; an early season two episode featuring a train crash, a hospital shooting, numerous character deaths, and more recently, a season 20 installment in which two doctors treat a prisoner with cancer all come to mind. Its safe to say the whole team are experts at dialing up the misery by now, and its rarely by accident. Current series showrunner Meg Marinis confirms the writers have a specific approach to ensure the long-running ABC show maintains its emotional high after all this time.

The A.V. Club conducted a roundtable interview with Marinis and four cast membersJames Pickens Jr., Kevin McKidd, Kim Raver, and Camilla Luddingtonearlier this month at SeriesFest, an annual TV festival in Denver that celebrated its 10th anniversary in 2024. During the chat, I asked Marinis how Greys still manages to induce plenty of tears when you least expect it. The showrunner, who started as a writers PA in 2006 and has climbed the ladder since season two, immediately and proudly nodded. She says they have a three-step approach to their formula in the writers room. (Do you really? Luddington, who plays Jo Wilson, is shocked to hear it.)

Weve always said the perfect Greys Anatomy scene has medicine, obviously, it brings laughs, and theres a huge emotional component to it, Marinis says. When drafts are turned in, were all looking at them, and often, someone says that we need to keep twisting the knife somewhere because Im not crying yet.

That explains season 20's sixth episode (which aired on May 2) in which cardiac surgeon Dr. Teddy Altman (Raver) and intern Dr. Mika Yasuda (Midori Francis) get attached to a patient whose cancer diagnosis was delayed because he was behind bars. At this stage, they cant do anything for him, which is sad enough. Then, as hes being taken back to jail, Yasuda runs up to him and offers him a piece of cake from his high school cafeteria. Its the last thing he remembers eating and enjoying before he was sent away the last time. Cue the tears.

The arc is also reminiscent of the season five episode, Sympathy For The Devil, which aired all the way back in January 2009. In it, Meredith Grey (Ellen Pompeo) shows compassion for a serial killer on death row. Marinis agrees nostalgia is a handy Greys Anatomy tool, and the show keeps wielding it to make longtime fans cry on demand.

Im so glad were back to in-person table reads, too, because you cant capture the feeling on Zoom of two actors being able to turn in this emotional performance, she adds. I look around the room at the cast, the PAs, and others who are watching and notice if their mouths turn up or if theyre shocked and teary. The directors and actors elevate what we put in our script. We give them a blueprint, but they take it 10 steps ahead. And then, editorial and post-production work dials it up, too. McKidd, who has been playing Dr. Owen Hunt since season five and has directed 40 episodes, chimes in to add they do their part as best they can, but if it isnt on the page, it wont be on the stage.

Marinis also teases the upcoming finale, airing on May 30. I watched it last night in my hotel room and started weeping. And then I remember thinking, Oh, I never thought this is the scene that would cause this. So we have the formula but it also sneaks up on us, she says. Brace yourselves, Greys viewers; even in its whopping 20th (!) season, the show is ready to cause a breakdown.

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Of course, Grey's Anatomy has the perfect formula to make viewers cry - The A.V. Club

Anatomy

Anatomy professor receives NWC Teaching Excellence Award – Northwestern College

Jolene Harris, instructor of anatomy at Northwestern College, has been named the 2024 recipient of the Northwestern Teaching Excellence Award. She was honored during the colleges commencement ceremony on May 11.

The award honors full-time faculty who embody the colleges Vision for Learningin their classroom teaching. Recipients are those who have distinguished themselves in their ability to lead their students to trust, love and worship God; to engage ideas; to connect knowledge and experience; and to respond to Gods call.

Harris has taught anatomy for Northwesterns undergraduate biologydepartment and graduate physician assistant program since 2020.

She can effectively explain material to freshmen all the way up to graduate-level studentsthats a sign of a great teacher, wrotea student who nominated Harris for the award. Added another, Her ability to connect the course material with real-world examples facilitates learning and makes discussion more interesting.

Student nominators spoke of Harris care for both them and their learning. Jolene is the most dedicated professor I have ever had, said one. She truly cares that every student in her courses does well, and she puts in extra effort to achieve this. In addition, in her lab courses, she does an outstanding job outlining the incredible beauty of Gods human creation. Another wrote, She is so positive, kind and relatable. I looked forward to her class every day.

Harris earned a masters degree in clinical anatomy and a bachelors degree in biology from Creighton University. She previously lectured in anatomy for the Ross University School of Medicine in the Caribbean and the University of Illinois Medical School in Peoria, as well as for the undergraduate and graduate programs of the University of Nebraska Omaha and Creighton University, respectively.

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Anatomy professor receives NWC Teaching Excellence Award - Northwestern College

Anatomy

Grey’s Anatomy’s Alexis Floyd on Simone Hitting ‘Rock Bottom’ (Exclusive) – PEOPLE

Simone Griffin (Alexis Floyd) faced struggles at home and on the job on the latest episode of Grey's Anatomy.

The May 9 episode began with her disoriented grandmother Joyce Ward (Marla Gibbs) mistakenly thinking she was her deceased mother, who died during childbirth at Grey Sloan Memorial. When Simone arrived at the hospital, she treated a Black woman named Lauren, who they realized was in labor at 39 weeks.

However, her delivery did not go to plan. Lauren got a bloody nose, her blood pressure began to skyrocket and she suddenly had a seizure. The doctors then raced to do an emergency c-section to save both the mother and baby but she began hemorrhaging once the baby was removed. She then coded on the table and Miranda Bailey (Chandra Wilson) began CPR.

As they attempted to save Laurens life, Simone saw a flash of her own mother lying on the table, which forced her to step back from the operation. Simone later revealed to Bailey the reason for her reaction in the OR, telling her mother died at Grey Sloan while giving birth to me.

I dont know all the details but I know someone missed something. I always wondered who those doctors were, she added. Now, I know theyre me.

Look at me. Look at me. You did everything you were taught today. Everything that we were taught. This is why we need to be here, why patients like Lauren need surgeons like us to care for them, Bailey responded, referring to the need for Black people to be the medical profession. It is our job to make sure that no one falls through the cracks, to make sure that no one overlooks their pain.

Read on to hear Alexis Floyds take on Simone hitting rock bottom, her ongoing grieving process and where she stands with Lucas Adams (Niko Terho) in her conversation with PEOPLE.

Disney/Anne Marie Fox

PEOPLE: How do you think the mental toll of Simones mother's death and her experience in the OR will continue to affect her personally as well as professionally?

ALEXIS FLOYD: I think in that moment there's an awakening that happens where she realizes that she's not going to be able to practice medicine if she keeps running away from facing some of the grief she still needs to process. I think Simone is someone who moves through the world with a sense of professionalism and wants to be on task all the time.But something that she often hides from others or leaves out of the picture is that the reason she practices medicine is also highly emotional, personal, and I would say traumatic even.

And so what I hope to see from Simone moving forward is that she is a young professional woman who also makes intentional space and time to address this emotional, personal issue, not just because it affects her experience at work. I mean, that's an extremely personal moment to have at the operating table.

But on top of that, I think it will empower her as a doctor. I think it'll make her a more empathetic doctor. I think it'll make her a braver doctor who makes bold choices for her patients. I think it'll make her an activist in her place of work because she'll no longer be trying to hide the sort of emotional complexity of what it is to be not just a Black woman physician caring for Black female patients in an industry, in a healthcare system that exorbitantly neglects that class.

Disney/Anne Marie Fox

Why do you think it's important to shed light on these pregnancy-related complications in Black women?

Well, first and foremost, for Black women themselves, I think it's important that we are armed with as much education as possible when we go into this phase of life so that we can make informed and educated decisions. Something I ask myself a lot is I wonder if Simone's mother would have seeked midwifery care or if that was a more available opportunity for her, just in terms of knowing it exists, but also financially. That's a different commitment, that's a different practice, and it's not available to all families.

Actually in my research for this episode, I also came across this organization called the BirthFUND that I'd really love to highlight. It was founded by Elaine Welteroth, and one of the key founders was also Serena Williams. Her birth story, it was very close to tragic. I mean, she almost lost her life. And we're talking about one of the greatest athletes in the world. Her pain was ignored, her doctors downplayed the severity of her symptoms, and she almost lost her life.

That just really speaks volumes to the issue, the size of it and the sort of magnitude of it, and that it really is systemic. If it's happening to Serena Williams, if it's happening on that level, then we're talking about a systemic issue.

ABC/Anne Marie Fox

Now that Bailey knows about Simones mother's death, how will that impact their working relationship and what she's doing at the hospital?

It's a sort of beautiful and tricky nuance all at the same time, because I think you'll see even through the rest of this season and certainly going into next season, that Bailey and Simone have a different sense of trust between them, which is one of, again, the beautiful sort of bloomings that happen when two professionals can, in a safe way, share some of their personal stories about why they do what they do and why it matters to them.

Bailey is Bailey, so she's always going to maintain a sense of professionalism and authority that is necessary for everyone to do their jobs well and safely. But I think you'll see that the connection between them is stronger. Even in nonverbal senses, I think you'll just notice a tether between them. There's a couple moments, especially towards the finale, where you really see that in action.

But that nuance is tricky of 'I care for you in a specific way, I see you as a human being,' but also we are in this setting of work. Especially in a hospital, there is a sort of militant quality to the structure of the place, which again is for safety reasons above all. But I am excited that I think this moment, this turn impacts both of them in a way that reminds them that doctors are people too, and they're people who need care as well.

Disney/Anne Marie Fox

Simone has so much on her plate right now with the hospital and navigating her grandmother's condition. How will she continue to find the balance between her grandma, medicine, and maybe some semblance of a personal life?

I think the first step is just awareness, and that is something that she hasn't necessarily had to this extent yet. And sometimes it takes rock bottom for you to reach a place where you're ready to finally make the change. They say when you hit rock bottom, the only place to go from there is up. So I think she maybe has hit a low she wasn't expecting to, but I hope that it is a breakdown that leads to a breakthrough.

Switching gears, what can you tell me about Simone and Lucas future after their split earlier this season?

In my heart, their future, I think they belong together in some capacity. I actually do not know the details of that, but I think that the connection that they have is a pretty unique one. I think the things they have to teach each other are unique and specific to the two of them. So I'm excited for them to figure out how it works. And I imagine that they are not done facing obstacles towards their union, but I do believe on some level that they have a tremendous lot to give one another and to learn from one another. So my hopes for them are high.

Do you think they should be together now or down the road?

I think they still have a few things to learn before they're ready. It's that classic thing of you got to love yourself before you can love anybody else, and you have to take care of yourself before you can take care of anybody else. I don't think it's necessarily their fault, but just where they are in life, and again, the sort of transient moment of becoming the doctors they want to be, that's a priority for both of them.

I think it's a struggle in this moment to find the balance we were talking about earlier that allows for them necessarily to be who they want to be for each other. But I know that they're both surprised at how much that's suddenly become a priority in their lives, finding a way to each other. So I know they'll get there.

What was it like working with Marla Gibbs?

One of the most magical things about Marla Gibbs, which I mean everything about Marla Gibbs is magical, but she truly dismisses the idea of age in general. I think that this is a woman who wakes up every day, checks in with her body and her soul, and she does what she wants to do. And she also stays learning. Every time she comes to set, she is teaching me something about a food practice that she's integrating into her life or a workout routine that's been giving her a surprising amount of energy lately. She recently became vegan, and she's totally transformed her eating lifestyle. And she's constantly learning. She's constantly intaking new information, and she's always finding a way to laugh.

It is such a testament to what it is about her legacy that is so rich and just continues to grow. I think that she just doesn't let the stigmas of the industry tell her anything about who she is, the artist she is, and what she's capable of, and it makes her capable of anything. Besides the gift that it is to work with her as the legend that she is in the industry, the sort of person and spirit and powerhouse of a being that she is has been a very significant gift in my life.

This interview has been condensed for length and clarity.

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Grey's Anatomy airs Thursdays at 9 p.m. ET on ABC.

Excerpt from:
Grey's Anatomy's Alexis Floyd on Simone Hitting 'Rock Bottom' (Exclusive) - PEOPLE