Category Archives: Anatomy

Tacking the Mesh: It’s the Anatomy That Matters! – Newswise

Newswise A May 2022 study published in theDiseases of the Colon and Rectumzooms in on the importance of anatomy. Dr. Argeny and colleagues of the Medical University of Vienna, Austria, provide insight into the anatomical position of the mesh in relation to the sacrum during a laparoscopic procedure. The authors studied 18 fresh cadavers and performed laparoscopic sacral mesh fixation as surgeons would do during laparoscopic ventral mesh rectopexy.This study emphasizes the importance of cadaver studiesbefore implementing new surgical techniques in clinical practice.

Albert Wolthuis, MD, PhD, from the Department of Abdominal Surgery, University Hospital Leuven, Belgium, commented on the study in an accompanying editorial titled Tacking the Mesh on the Sacral Promontory in Laparoscopic Ventral Mesh Rectopexy: Its Anatomy That Matters! Dr. Wolthius stated that Surgical anatomy is the basis for our day-to-day practice. When nonresectional surgery is performed and anatomical deformities are corrected, proper knowledge of anatomical structures is necessary. A thorough anatomical knowledge by really zooming in on the correct anatomical structures is what matters most during surgical dissection. It is with such studies that we can discuss details of laparoscopic ventral mesh rectopexy so that we can teach students, surgical trainees, and even our colleagues.

The abstract of the study is translated into both Spanish and Chinese.

Citation for the study:Argeny, Stanislaus M.D.; Zaussinger, Maximillian M.D.; Maurer-Gesek, Barbara M.D.; Weninger, Wolfgang J. M.D.; Maier, Andrea G. M.D.; Reissig, Lukas F. M.D.; Umek, Wolfgang M.D.; Veit-Rubin, Nikolaus M.D., M.B.A.; Jones, Oliver M. D.M., F.R.C.S.; Stift, Anton M.D.; Riss, Stefan M.D., F.R.C.S.Laparoscopic Sacral Mesh Fixation for Ventral Rectopexy: Clinical Implications From a Cadaver Study, Diseases of the Colon & Rectum: May 2022 - Volume 65 - Issue 5 - p 750-757 doi: 10.1097/DCR.0000000000002133

Citation for the accompanying editorial: Wolthuis, Albert M. M.D., Ph.D. Tacking the Mesh on the Sacral Promontory in Laparoscopic Ventral Mesh Rectopexy: Its Anatomy That Matters!, Diseases of the Colon & Rectum: May 2022 - Volume 65 - Issue 5 - p 615-616

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Tacking the Mesh: It's the Anatomy That Matters! - Newswise

Anatomy of a Scandal to Roar: the seven best shows to stream this week – The Guardian

Pick of the weekAnatomy of a Scandal Rupert Friend in Anatomy of a Scandal. Photograph: Netflix

A sexual assault committed by an MP? Followed by an attempted cover-up? This probably sounded like a stark premise when first conceived now it just feels like another week in the life of the British government. Rupert Friend and Sienna Miller star as a rising Tory MP and his long-suffering wife who find themselves in the eye of a media, legal and political storm after Friends caddish James Whitehouse is revealed to have had an affair with aide Olivia Lytton (Naomi Scott). Despite Whitehouses assurances, it seems his crime might be much worse. Written and produced by David E Kelley and House of Cards showrunner Melissa James Gibson, this serial promises dark intrigue aplenty. Netflix, from Friday 15 April

Life without cameras, says the trailers voiceover, was a big change for us. Well the First Family of reality TV is back on familiar ground now, as they return for yet another season of less than stoically addressed Rich People Problems. This time, theyre on a new platform after a tearful farewell to E! in 2021. But the tone is more or less the same, even if the title has been tweaked. Expect Kourtney Kardashian and Travis Barkers engagement to feature prominently, along with the aftermath of the tragic events at Travis Scotts Astroworld festival and, on a happier note, Kylie Jenners pregnancy. Disney+, from Thursday 14 April

Catherine Tate returns to our screens with a documentary-style comedy, set in the fictional female prison of HMP Woldsley. Tate gets on the prosthetics to play multiple characters from the incongruously happy-clappy governor Laura Willis to Big Viv, an inevitably furious lifer as the inmates attempt to stage a musical with the idea of finding redemption via creativity. As is often the case with Tate, her undeniable talent and versatility as a performer is sometimes not quite enough to mask flaws in the writing, which can feel slightly one-note. Netflix, from Tuesday 12 April

A second series for this meta-sitcom (very much in the stylistic vein of Curb Your Enthusiasm and Louie) starring Argentinian comic and radio personality Sebastin Wainraich as, inevitably, Sebastin, a slightly grouchy and put-upon comic and radio personality. Again not unexpectedly, Sebastin has a complicated private life his ex-wife has upped sticks to Barcelona and taken their kids with her. In this series, Sebastin tries to reconnect with his family and gets slightly more than he bargained for. Gently amusing with an edge of mid-life melancholy. Netflix, from Wednesday 13 April

Barack Obama steps into the shoes of David Attenborough in this engaging and beautifully shot new series exploring the natural magnificence of the globes finest national parks. Travelling the world from Kenya to California and marvelling at beasts from sea turtles to sloths, Obama immerses himself in each parks unique ecosystem, and his sense of wonder not to mention his sonorous delivery is very infectious. We look forward to Donald Trumps inevitable documentary opus about the worlds great golf courses. Netflix, from Wednesday 13 April

The title of this Agatha Christie adaptation is the beginning of its mystery: the last words of a man who is found dying at the bottom of a cliff. The pair of amateur sleuths looking into the mystery of his tumble are Will Poulters gauche vicars son Bobby Jones and his glamorous socialite friend Frances Derwent (Lucy Boynton). Directed by Hugh Laurie, its solid albeit generic fare, enlivened by a certain wry humour but generally proceeding exactly as you might expect an Agatha Christie adaptation on BritBox to proceed. BritBox, from Thursday 14 April

An excitingly unpredictable anthology series of feminist fables from the team behind cult 80s-set wrestling hit Glow, Roar ranges far and wide in terms of styles and situations across its eight episodes. Theres realism and surrealism, comedy and horror. Theres a woman who compulsively eats photographs. A woman who returns her unsatisfactory husband like some shoddy consumer appliance. A woman whose husband has made a shelf on which to display her. The impressive cast includes Issa Rae, Alison Brie and Nicole Kidman. Apple TV+, from Friday 15 April

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Anatomy of a Scandal to Roar: the seven best shows to stream this week - The Guardian

ABC Dominates Thursday Ratings With Station 19, Greys Anatomy Tie; Law & Order Hits Season Low Viewership – Deadline

ABC and its Thursday drama slate were the primetime ratings winners on Thursday, with CBS in repeats.

Station 19 and Greys Anatomy were the top programs of the evening, tying with a 0.6 rating in the 18-49 demo, per fast affiliates. Typically a new episode of Young Sheldon would be in those ranks, but the network opted for reruns in the first three half-hour slots.

In the first hour, Station 19 (0.6, 4.39M), which ticked up from the previous week, also earned the nights highest viewer count. The ABC drama bested not only repeats of Young Sheldon and Ghosts, but also MasterChef Junior (0.3, 1.96M), Walker (0.1, 0.92M) and Law & Order (0.4, 3.78M). After two weeks of repeats, Law & Order returned with season lows in viewers.

Greys Anatomy (0.6, 4.07M) also rose slightly from the previous week to top its hour. Law & Order: SVU (0.5, 4.18M), Call Me Kat (0.3, 1.77M) and Legacies (0.1, 0.39M) all followed. Also in the hour were the sophomore episode of How We Roll (0.3, 2.91M) which fell from its premiere, and Welcome to Flatch (0.2, 0.94M.)

NBC was finally able to break through to a top spot at 10 p.m. Law & Order: Organized Crime (0.4, 2.88M) won in both measures, besting Big Sky (0.4, 2.56M) and Bull (0.2, 3.72M).

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ABC Dominates Thursday Ratings With Station 19, Greys Anatomy Tie; Law & Order Hits Season Low Viewership - Deadline

‘Grey’s Anatomy’ Promo: Addison Returns and Reunites With Meredith & Amelia (VIDEO) – Henry Herald

Kate Walsh returns as Dr. Addison Montgomery in the May 5 episode of Greys Anatomy, and its at a time that some major changes could be heading Grey Sloans way.

At the end of the April 7 episode, Dr. Meredith Grey (Ellen Pompeo) had seemingly made up her mind about the job offer from Dr. David Hamilton (Peter Gallagher) that would take her to Minnesota full time. She told Dr. Nick Marsh (Scott Speedman), Im ready to start over. Im definitely ready. Im gonna take that offer.

And now it seems that its time for Meredith to let her sisters know shes planning to leave. Dr. Maggie Pierce (Kelly McCreary) asks her in the promo, Are you still considering taking that offer? (Remember, Maggie learned about it from Chandra Wilsons Dr. Miranda Bailey, who found out from James Pickens Jr.s Dr. Richard Webber.) I made my decision, Meredith tells her. Fine, congratulations, her sister says before walking away.

Then Addison walks in, commenting, Well, well, how far the mighty have fallen, and Dr. Amelia Shepherd (Caterina Scorsone) hugs her. Addison could be referring to the problems the hospital is currently having with its residency program. As Bailey was told by members of the accreditation council at the end of the latest episode, the residency program was being put on probation, effective immediately. They dont have enough surgeons to maintain an effective teaching program, and they had a few weeks to make the necessary improvements or theyd be shut down.

Addison also comments on where Meredith seems to be at the moment with everyone after that job offer. Watch the promo below for more.

Greys Anatomy, Thursdays, 9/8c, ABC

Scenes from the Atlanta Braves' 7-6 win over the Cincinnati Reds on Friday, April 8, 2022 at Truist Park. Click for more.

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'Grey's Anatomy' Promo: Addison Returns and Reunites With Meredith & Amelia (VIDEO) - Henry Herald

Industry News: Grey’s Anatomy, The Emmy’s, Will Smith + More! – Vermilion County First

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BOB ODENKIRK BOOKS HIS NEXT SERIES: Bob Odenkirk is sticking with AMC following the conclusion of Better Call Saul. TVLine reports that his next series will be Straight Man, a dramedy that is in fast-tack development for the cable network. The show is a mid-life crisis tale based on the novel by Richard Russo.

THE ACADEMY MOVES UP WILL SMITH'S HEARING: The Academy of Motion Pictures Arts and Sciences announced Wednesday (April 6th) that they will be moving up their annual meeting by ten days to address sanctions for Will Smiths infamous Oscar slap. According to a letter from AMPAS president David Rubin to the Board of Governors that the originally scheduled April 18th meeting will now take place on the 8th.

EMMY AWARDS TO AIR ON SEPT. 12TH: The Emmys are set for 2022. The Television Academy and NBC said Wednesday (April 6th) that the 74th annual awards show will air live coast-to-coast on Monday, September 12th. Nominations for the 74th Emmy Awards will be announced July 12th.

KATE WALSH TO RETURN TO 'GREY'S ANATOMY': Grey's Anatomy announced Wednesday (April 6th) that Kate Walsh will return to the medical drama on May 5th. The Umbrella Academy actress confirmed the news by posting an Instagram video of her in costume, writing, I'm back in uniform and that can only mean one thing#GreysAnatomy Thursday, May 5th!

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Industry News: Grey's Anatomy, The Emmy's, Will Smith + More! - Vermilion County First

Heres What It Would Look Like if Humans Had Animal Anatomy (And Its Disturbing) – Nerdist

Fun fact or nightmare fuel, you decide. Artist Satoshi Kawasaki illustrated a book called Turtle Shells Have Ribs: A Picture Book of Animal Anatomy Represented by the Human Body. The art depicts what it would look like if humans would look like with animal anatomy. The drawings are educational, but also uncanny in a way you cant unsee. The titular fun fact that turtle shells are actually modified ribs comes with skeletal diagrams. But once Kawasaki adds skin to the illustration things get wild.

Last year, a turtle researcher shared Kawasakis artwork to highlight the fact that turtles are vertebrates. Her tweet went viral and even got picked up by the local news. Most other animals with shells are invertebrates, like crabs and snails. Another fun fact in the thread is that all tortoises are turtles, but not all turtles are tortoises.

The book includes illustrations of humans with the adaptations of many animals: the long neck of a giraffe, the pecs of a pigeon, a flamingos stance. The image below includes what the human arm would look like if designed for digging dirt versus scooping water. Bird wings look relatively normal but the modified hand of bat wings are another story.

Human legs would also look very different if we evolved like other animals. Dogs and cats walk on the pads of their feet while horses and cows walk on modified toes. The length of the different legs bones are wildly different depending on lifestyle. The picture below also shows a leg used for jumping and one for perching on branches.

Infographics are one of science communications best tools. A picture is worth a thousand words after all. And these pictures will certainly stay in your brain, whether you want them to or not.

Featured Image: Satoshi Kawasaki/SB Kurieitibu

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Heres What It Would Look Like if Humans Had Animal Anatomy (And Its Disturbing) - Nerdist

Station 19 Recreated An Important Grey’s Anatomy Scene, But With A Very Different Ending – CinemaBlend

Spoiler alert! This story contains spoilers for the Season 5 episode of Station 19, When the Partys Over.

Station 19 really knows how to raise viewers blood pressure! The latest episode, When the Partys Over, picked up right where last weeks episode left off, with Andy running away from her attacker Jeremy. As the firefighters tried to help Andy, Station 19 seemingly recreated a classic Greys Anatomy scene in which the show informed Andy and the viewers alike about what a rape kit entails and a victim's rights in reporting an assault. When the Partys Over had a starkly different ending than its Greys counterpart, however, as Andys troubles are far from over.

After Andy got away from Jeremy, she ran until she found Maya, Carina, and Jack (having a pretty important conversation of their own). Warren sat with Andy as her advocate as she gave her statement to the police, and she consented to a rape kit, since she had Jeremys DNA on her body. In a scene that was reminiscent of Greys Anatomys Season 15 episode Silent All These Years, the doctors of Grey Sloan Memorial walked Andy through the process of consenting to each step of the kit.

Carina performed the kit with the assistance of Taryn Helm (Jaicy Elliot) who made a guest appearance from Greys Anatomy. Back on Silent All These Years, it was Jo assisting Teddy with a sexual assault victim in one of the medical series best episodes. The explanation of a rape kit was something that creator Shonda Rhimes fought to keep in that episode, and I love that they brought it over to Station 19 to inform a new audience and hopefully help more people.

The end of the Greys Anatomy story featured one of the series most memorable scenes, with Jo forming a wall of women to protect the victim as she went into surgery. Station 19s story was anything but inspiring, as the events took a far more devastating turn. Despite the firefighters best efforts (and the efforts of the Grey Sloan doctors), Jeremy ended up dying from the injuries Andy had caused.

Even before that, though, the police had seemed determined to victim-blame (why are Station 19s police officers the actual worst?). They neglected to offer Andy access to an advocate or rape kit. Then, the officers questions to Andy about how much shed had to drink only became more enraging after Jeremy died, because the police started asking her things like why didnt she stop to help Jeremy when she realized he was hurt? Her pleas that she had been attacked and that she had acted in self-defense fell on deaf ears, and the episode ended with Andy being arrested.

This issue doesnt appear to be going away anytime soon, as evidenced by the preview for the next episode. Check it out for yourself:

Unfortunately well have to wait quite a while before we find out how the firefighters are going to help Andy through this. Station 19 will be on hiatus for a few weeks and will return at 8 p.m. ET on Thursday, May 5, on ABC. In the meantime, check out our 2022 TV schedule to see what new and returning shows are premiering soon.

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Station 19 Recreated An Important Grey's Anatomy Scene, But With A Very Different Ending - CinemaBlend

ABC Sets Season Finale Dates for Grey’s Anatomy (aka Episode 400!), The Conners, AMLT and 9 Others – TVLine

Following CBS and NBCs lead, ABC is the latest broadcast-TV network to detail its rollout of springtime season finales (though only for scripted shows) and it includes a final farewell and one major milestone.

To date, ABC has renewed for the 2022-23 TV season the following scripted shows: Abbott Elementary, The Good Doctor, Greys Anatomy, The Rookie and Station 19, while only black-ish has been announced as ending.

In the demo,Greys Anatomy which will celebrate Episode 400 with the back half of its two-hour season finale is currently ABCs top-rated entertainment program of the 2021-22 season (with Live+7 DVR playback factored in), followed by American Idoland The Bachelor (tie); Promised Land, which got shuttled off to Hulu after five outings, has been the networks lowest-rated scripted program of the season.

In total viewers,American Idol leads the ABC entertainment pack, followed by The Good Doctor (which enjoys a robust 90% DVR bump) and Greys Anatomy, while the freshman sudser Queensplaces last in that measure among the networks scripted fare.

Want scoop on any of these shows? EmailInsideLine@tvline.comand your question may be answered viaMatts Inside Line.

TUESDAY, APRIL 129 pm Abbott Elementary Season 1 finale

TUESDAY, APRIL 199 pm black-ish series finale

SUNDAY, MAY 1510 pm The Rookie Season 4 finale

MONDAY, MAY 1610 pm The Good Doctor Season 5 finale

WEDNESDAY, MAY 188 pm The Goldbergs Season 9 finale8:30 pm The Wonder Years Season 1 finale9 pm The Conners Season 4 finale9:30 pm Home Economics Season 2 finale10 pm A Million Little Things Season 4 finale

THURSDAY, MAY 198 pm Station 19 Season 5 finale10 pm Big Sky Season 2 finale

THURSDAY, MAY 268 pm Greys Anatomy Season 18 finale (two hours)

Want scoop on any of the above? EmailInsideLine@tvline.comand your question may be answered viaMatts Inside Line.

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ABC Sets Season Finale Dates for Grey's Anatomy (aka Episode 400!), The Conners, AMLT and 9 Others - TVLine

Anatomy of an Android Malware Dropper – EFF

Recently at EFFs Threat Lab, weve been focusing a lot on the Android malware ecosystem and providing tools for its analysis. Weve noticed lot of samples of Android malware in the tor-hydra family have surfaced, masquerading as banking apps to lure unsuspecting customers into installing them. In this post, we will take an example of one such sample and analyze it using open-source tools available to anyone.

The sample well be looking at was first seen on March 1st, 2022. This particular malware presents itself as the banking app for BAWAG, a prominent financial institution in Austria. Upon first run, the app prompts the user to give accessibility services permission to the app. The accessibility services permission grants an app broad access to read the screen and mimic user interaction. Upon granting the permission, the app backgrounds itself. Any attempt by the user to uninstall the app is prevented by the app interrupting and closing the uninstall dialogues. Attempting to open the app again also failsnothing happens.

The Android app manifest file contains a list of permissions, activities, and services that an app provides. If an activity is not listed in the app manifest, the app cant launch that activity. Using an Android static analysis tool like jadx or apktool we can take a look at the manifest XML. The malware apps manifest asks for a wide range of permissions, including the ability to read and send SMS messages (a common way for malware to propagate), request installation and deletion of packages, read contacts, initiate calls, and request the aforementioned accessibility service. In addition, a number of classes are referenced which are not defined anywhere in our jadx-reversed code:

The fact that the manifest references activities, services and receivers it wants to be run without defining them is the first indication that we are dealing with an Android dropper.

An Android dropper is malware which obfuscates its behavior by hiding its payload and only decoding and loading the code it needs at runtime. As Ahmet Bilal Can explains, this makes it harder for AV and security researchers to detect the malware by including reflection, obfuscation, code-flow flattening and trash codes to make [the] unpacking process stealthy. While stealthy, the steps the malware takes to hide itself can still be detected and subverted with a little help from the dynamic instrumentation toolkit Frida. Frida is able to inject itself into the control-flow of a running app, introducing its own code. This can be helpful to detect typical methods malware uses to disguise itself and load the underlying payload. In this case, we can use a short script to detect that Java classes are being loaded dynamically:

Running this code, we get

Our missing classes are indeed being loaded dynamically!

Previous iterations of tor-hydra malware dynamically loaded a dex file (an Android Dalvik executable file), which could be seen with adb logcat, and used the syscall unlink to delete that file, which would be seen in an strace call. For this app, we can use the command

to see the syscalls in real time. We did not observe unlink being used in this sample, so this iteration was doing something different. Java provides a method in java.io.File called delete, which will not trigger the unlink syscall. Using this script, we can detect when that method is used, alert us of the file it attempted to delete, and make it a non-operation:

The first few files deleted are of interest:

Once we issue an adb pull to download the base.apk.gjGyTF81.88g file from the device, we can use jadx again to determine that this includes the missing class definitions referenced in the manifest.

Looking into these files, there is a string obfuscation method that appears thousands of times throughout the code, unaltered from instance to instance:

Wherever we see a call which looks like $(166, 217, 28670) in the code, it refers to this function and uses the $ variable in the same scope to return a string. We can use a Java sandbox like this one to define the locally-scoped $ variable, the $ method, and print out the decoded string.

In sources/com/ombththz/ufqsuqx/bot/network/TorConnectionHelper.java we see a method which looks like a promising lead called loadAdminUrl. Decoding the $(556, 664, 4277) call, we get a base64-encoded onion address:

This address is available over the Tor network, and contains a base64-encoded URL which references the command and control (C&C) server, the server from which the malware operator issues commands. The author of this post reached out to the Tor Project on March 7th informing them of this C&C server. On app bootstrap, the Tor network is connected to by code lifted from Orbot in order to discover the C&C server, and then the Tor connection is promptly dropped. When first doing this investigation, the domain referenced yuuzzlllaa.xyz, but this has since changed to zhgggga.in. We can see a login page for the C&C server administrator when accessed:

One of the main features of the Tor network is censorship-resistance. If you can access the Tor network, you can access information and websites that cannot easily be taken down because of the way the network is architected. This is a good thing for dissidents in censorship regimes or whistleblowers trying to get privileged information to reporters: the services they rely on will be available even if their adversaries dont want them to be. This is a double-sided coin, thoughin this case malware is also able to direct victims devices to C&C servers in a way that cant be taken down. There is no way to have one without the other and keep the integrity of the network intact. In this case, the clearnet domain yuuzzlllaa.xyz was presumably taken down after being reported and then the malware operator spun up another domain at zhgggga.in without much interruption of the malware command and control. In these cases, reporting malicious C&C domains seems like a game of whack-a-mole: as soon as you take one down, the next pops up.

In the file com/ombththz/ufqsuqx/bot/DexTools.java we see an interesting method, run(), which loads a stage-2 payload from the admin C&C url path /payload. This is a dex file which can be decoded by jadx to an app ID of com.fbdevs.payload. Unfortunately for the sake of our analysis, this file contains mostly uninteresting and non-malicious code.

Looking at the om/ombththz/ufqsuqx/bot/components/ path, many of the components seem to be inherited directly from the Android BianLian malware, an excellent analysis of which can be found here. One of the components not included in this previous iteration is under the socks5 path, which opens a proxy server to a specified host in order to receive commands and launch attacks. All the components are activated and controlled by the C&C server through a Firebase Cloud Messaging (FCM) connection, allowing messages targeting specific devices.

Despite relatively state-of-the-art techniques employed to thwart analysis, a few powerful publicly accessible open-source tools were used to interrupt the control flow and reverse engineer this sample. More complex malware will detect hardware profiles and be able to determine that it is being run in an emulator, and change its behavior to further hide its core functionality. Still others will deploy malicious code in deeper stage payloads in an attempt to further bury its true behavior. However, this sample shows how a few simple steps can be taken to peel those layers back to eventually discover the control flow of a new class of malware. Moving forward, other samples in this class can be analyzed in much the same way to track changes in the ecosystem and how malware developers are responding to attempts to mitigate their effectiveness.

Analyzing malware and tracing its evolution is important for fighting back against it. Not only does it result in better signatures for anti-virus software to use and protect users, it helps us understand what protections are necessary on the operating-system level and guides platform security recommendations. Sometimes, it can lead to C&C servers being shut down and the targets of the botnets gaining some much-needed reprieve. And lastly, it gives users insight into what software is running on their devices so they can take control back.

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Anatomy of an Android Malware Dropper - EFF

‘Everything Everywhere All at Once’ | Anatomy of a Scene – WRAL News

Daniel Kwan and Daniel Scheinert narrate a sequence from their film starring Michelle Yeoh and Ke Huy Quan.

Hi, this is Daniel Kwan, this is Daniel Scheinert and we are the Daniels and we wrote and directed everything everywhere all at once your brother gets divorced now you think tv bosses? Okay. I don't think it's okay, so this movie is mostly about people thinking that they're in different movies and different genres and the kind of the confusion that can come from that. Yeah so specifically Michelle Yeoh's character. Evelyn has just punched her auditor in the face because she thought she is in an action movie. But uh and then she picked up some papers off the floor and discovered that her husband wants a divorce and suddenly the music switches and they're talking about divorce and you'll see we're going to switch genres a few more times as we go. Yeah so every good action movie has to have like a good kick off action sequence and we knew that we wanted to do something in the I. R. S. Building where Evelyn's character is kind of helplessly watching as the alpha Wayman's character, The character who has taken over her husband's body from another universe gets to really just show off what this movie is gonna be. Um But in a way that is mysterious in a way that hopefully causes you to ask a lot of questions and want to keep watching and so the Fannie pack fight. We just felt like it would be a really fun opportunity to do all those things and it was also just fun to you know as a chinese american who had a dad who carried around his Fannie pack everywhere. Um it was fun to take that a stereotype that kind of has become a source of derision and turn it into something kind of fun and magical and turn it on its head right from the very beginning of writing this movie, we had this idea that in order to get powers from another universe, you'd have to do something really weird. And so this is the first scene where we get to see someone do something as strange as eat your own chapstick. We had a couple of priorities when shooting the scene. We didn't want to shake the camera a lot and we also wanted the actors to do the action. We didn't want to have to like point away from their faces. So all of these security guards are played by actual stuntmen and women and ke quan does almost all his action in this scene. I think with these types of action sequences, you need two things. You need like these really beautiful wide shots where you really get to see what is happening and be really objective about it. But then the other thing is like a lot of these really specific intentional inserts and cutaways and close ups that sometimes they can build attention. It started with us writing out general beats and then our choreography team was this group of guys that called themselves the Martial club and the Martial club or like youtube, famous kung fu nerds from Orange County and they ran with it and made a much longer version of this fight. But then we worked with them to cut down to the right size. Then our stunt coordinator, Tim Ulich, brought together the actual Team and they learned it like one big dance.

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'Everything Everywhere All at Once' | Anatomy of a Scene - WRAL News