Category Archives: Anatomy

‘Grey’s Anatomy’ star joins rally for LGBTQ equality at Texas Capitol – KEYE TV

Former "Grey's Anatomy" star Sara Ramirez spoke out for LGBTQ equality in Texas at the Capitol on Monday. (Photo: CBS Austin)

Actress Sara Ramirez, star of ABC's "Grey's Anatomy," joined groups rallying for pro-LGBT equality at the Texas Capitol on Monday.

Ramirez was joined by members of the Texas LGBTQ and faith communities, along with representatives from the ACLU of Texas, Equality Texas, Human Rights Campaign, Texas Freedom Network, and Transgender Education Network of Texas.

In a speech, Ramirez took aim SB 6, Texas' so-called "bathroom bill," calling it "a solution in search of a problem."

Demonstrators gathered to advocate for policies that would "improve the lives of LGBTQ Texans and to speak out against legislative proposals that would amount to state-sanctioned discrimination."

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'Grey's Anatomy' star joins rally for LGBTQ equality at Texas Capitol - KEYE TV

Anatomy Of A Decision, Part 1: The C-Suite – Benzinga

Professional networking leader GLG has produced a new series of videos focused on decision making in the business world. As part of the series, GLG has interviewed a number of business leaders to ask about what considerations go into making important decisions.

In the first installment, GLG speaks with former Pfizer Inc. (NYSE: PFE) CEO Jeff Kindler.

Kindler said a key ingredient in his meteoric rise was an open mind.

I started saying I should be open to whatever comes along, Kindler said. And that led me down all kinds of different paths I never would have predicted.

Kindler joined Pfizer as the pharma giants general council, but he admits that he had always had ambitions to be CEO. Once he assumed the role, he was presented with an opportunity to work with former President Barack Obama on the Affordable Care Act (ACA).

Kindler said many of the provision being discussed at the time were politically polarizing but would have been universally bad for the pharmaceutical industry. Rather than fight the change, Kindler and a handful of other pharma CEOs decided to take a more constructive approach.

We formed a small group of five of us who were CEOs of different companies in pharmaceuticals with different interests and a different focus, and we decided that within the right boundaries, if we could achieve acceptable policy solutions, we would support the bill, Kindler recalled.

To this day, there are people who dont like what we did, even within the pharmaceutical industry. But my view is I got attacked by both the Wall Street Journal and the New York Times editorial page, and I think when that happens you know youre in the sweet spot.

Kindler sees his participation in the process as a valuable lesson in the power of compromise. While the pharmaceutical industry made a number of financial sacrifices as part of the process, he and his colleagues were also able help shape the bill to maximize potential industry benefits.

Kindler said the success of Obamacare to this day depends on perspective. In terms of increasing health insurance coverage, the program was a complete success. In terms of fixing the underlying problems of rising healthcare costs, Kindler believes Obamacare hasnt delivered.

He closed the interview by discussing one key regret he has about his time as CEO.

I think I fell prey to something thats in human nature, which is I didnt block enough time for personal development. I think a lot of [people] that are Type A personalities end up in big jobs, and theyre so focused on both the fact that they have achieved that and the things that they need to do on it that they just dont pay attention enough to the things that are of long-term importance.

Kindler said time management, prioritization and mentorship were three of the biggest challenges of such an important professional role.

Related Link:

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2017 Benzinga.com. Benzinga does not provide investment advice. All rights reserved.

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Anatomy Of A Decision, Part 1: The C-Suite - Benzinga

Grey’s Anatomy: Caterina Scorsone Is Just as Frustrated with Amelia as Fans Are – TV Guide (blog)

Now Playing Grey's Anatomy: Caterina Scorsone Wants Fans to Keep Rooting for Amelia and Owen

For Grey's Anatomy fans who have been frustrated by Amelia (Caterina Scorsone) essentially going into hiding after suddenly leaving her husband Owen (Kevin McKidd) with a Dear John letter earlier this season, you're not alone.

"I feel you. I feel you," Scorsone empathized, when TVGuide.com caught up with her at the PaleyFest Grey's Anatomy panel this past weekend. "There are so many layers to her, and I think Owen is maybe not the easiest person to talk to all the time."

The tension between Amelia and Owen will come to a rather unpleasant head on this week's episode, when they're forced to work together on a medical case. But the nail might not be in the coffin of their relationship just yet, and Scorsone is hoping that fans haven't given up on the relationship -- because she hasn't.

Grey's Anatomy: Justin Chambers weighs in on the Jo vs. Meredith debate

"I'm rooting for you guys to keep rooting for us," she tells us.

Check out the interview to see what else Scorsone says we can expect from Amelia and Owen this season.

Grey's Anatomy airs Thursdays at 8/7c on ABC.

(Reporting by Megan Vick)

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Grey's Anatomy: Caterina Scorsone Is Just as Frustrated with Amelia as Fans Are - TV Guide (blog)

Where the Dead ‘Grey’s Anatomy’ Docs Would Be Now If They Were Alive – Wetpaint

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Where the Dead 'Grey's Anatomy' Docs Would Be Now If They Were Alive - Wetpaint

‘Grey’s Anatomy’s Jesse Williams & Sarah Drew on That Japril … – Entertainment Tonight

There might be hope for Jackson Avery (Jesse Williams) and April Kepner (Sarah Drew) after all!

Last week's episode of Grey's Anatomy saw the divorced pair open the door for a rekindled romance with a sexy hookup while in Montana on a case -- where they also met Jackson's estranged father (Eric Roberts). While the couple's future is still uncertain, Drew assured fans at PaleyFest on Sunday that Japril will always be together -- whether romantically or otherwise.

RELATED: 'Grey's Anatomy': Jackson Meets His Father and Reunites With April -- Are They Back Together?

"I think the main takeaway from that experience in Montana is that these two people... there's so much love there, there's so much respect there. They know each other so well," Drew said during the Grey's Anatomy panel. "Whether it continues and moves towards romance or stays platonic, we know for sure that these two are going to be okay, and that they're always going to depend on one another, and they will always be one another's person."

"At the end of the day, who knows [what will happen]?" she added.

Williams also commented on the pair's connection, calling April Jackson's "best friend."

"He has a great support system and an absolute failure in the same experience," he shared of the tense scene when Jackson comes face-to-face with his father. "He's doing it with the full support of his person, his best friend, April Kepner."

EXCLUSIVE: Sarah Drew on Juggling Greys Anatomy With Motherhood, Her TV Twins & Future of 'Japril'

"I was excited [for the scene]. It's been a big cloud over the character for his entire life, and my entire career playing him," Williams confessed. "It's been like, a big gaping hole, so being able to fill that in with a human being, with a person you can make eye contact with and ask all these questions... was a very exciting process."

"I really prepared myself by making sure I went over and understood my timeline, and what this character has been through, but also I was just really laid the table to be able to listen and be honest in the moment," he added.

Williams and Drew shot the episode on location in Montana, with Kevin McKidd (Owen Hunt) directing.

"We went off with Kevin to shoot episode 16 while all the rest of these guys were shooting episode 10 or 11, so we were shooting with the Scandal crew. We were working with a completely different crew, in a completely different set, on location. We were in the mountains," Drew revealed. "It really did feel like we were shooting a movie. It was really neat to get the chance to kind of get out of the hospital and follow just one specific story all the way through to the end, because we got the opportunity to really take time to listen."

"So much happened in the silence in that episode, which we just don't have the luxury for when we're servicing so many different storylines," she said. "So it was really amazing."

Photo: Getty Images

RELATED: Jesse Williams Slams Hollywood Whitewashing: 'The More Diverse a Movie Is, the More Money It Makes'

"I was so proud of Jesse and Sarah, and everyone... the work that we did," McKidd offered. "When I read that script, I wanted it to feel like an independent movie -- a really high end, quality independent movie. That was my approach."

"I really encouraged the actors to just breathe," he added, "and I think it turned into something beautiful."

While Jackson and his father hashed it out on Thursday's episode, there's clearly much more to the pair's story -- which Williams said he "would love" to explore.

"I really hope so, not just selfishly, for being able to work with such an incredibly talented actor [in Roberts]," he said. "I would love to. I think there's a lot left to do there."

RELATED: 'Grey's Anatomy,' 'Scandal' Picked Up for New Seasons

"We've planted a lot of seeds this season -- and that's one of them -- that resonate in a lot of ways," added Debbie Allen, who executive produces the series in addition to starring as Jackson's mother, Catherine Avery. "But there's more coming."

As for Williams and Drew's relationship in real life, the 35-year-old actor said it's "much more stable" -- though Ellen Pompeo and Justin Chambers arguably had the most chemistry on stage, as Chambers sweetly gave up his coat for his shivering co-star.

"We don't fight, and it's really helpful. I think that generally, it's a really lighthearted set. We crack a lot of jokes and have a lot of fun and try to save the drama for what's on screen," Williams admitted. "We're carrying that with us for weeks at a time to deliver, to serve it up to you, so it's a lot of heavy weight, a lot of drama, and drama that we're trying to figure out how to articulate for you. So we try to keep it light."

EXCLUSIVE: 'Grey's Anatomy' Stars Jesse Williams and Sarah Drew Say Jackson and April Will Find 'Happiness'

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'Grey's Anatomy's Jesse Williams & Sarah Drew on That Japril ... - Entertainment Tonight

Anatomy of a crisis – The Times of Israel

Barely two years after Prime Minister Benjamin Netanyahus government was formed, all the papers can talk about on Sunday morning is its apparently imminent demise. A coalition crisis is in full swing, sending Israels preeminent pundits scrambling to find people to blame and issues to make the center of the agenda. With all the attention going to the possibility of fresh elections, relatively little attention is given to the Israeli airstrike on Syria early Friday morning and the rocket fire rupturing southern Israels weekend calm.

To virtually nobodys surprise, the free daily Israel Hayom is sympathetic to Netanyahu, explaining his position on its front page that the existing public broadcaster would cost less than the proposed new one set to be rolled out. What do we need it for? Netanyahu is quoted in the papers headline, setting the tone of the rest of the article. It quotes senior Likud official Yariv Levin saying that with 30 seats, the ruling party can stick to its guns despite pressure from its coalition allies.

The paper exhibits the most balanced manner of reporting by quoting Likud ministers throughout the first five paragraphs of its main report, only getting around to the Kulanu partys counterpoint in paragraph six.

What others perceive as the premiers paranoia is what Mati Tuchfeld calls political sensors on maximum sensitivity, and when Netanyahu detects sparks of non-compliance by one of the coalition partners, he projects [the message] that the master of the house is willing to go all-in, come what may.

Its not just the broadcaster and its not just Kahlon, he writes, arguing that this whole crisis was a brilliant masterstroke by Netanyahu to keep his coalition partners in line. Its also [Jewish Home party leader] Naftali Bennett, who just a couple of days ago said that Netanyahu has neglected religious Zionism. Its also Liberman, who though he appears Netanyahus most trusted partner, nonetheless his comments about closing the yeshiva in [the West Bank settlement of] Eli sent the prime minister down a dead end.

If Israel Hayom takes the defensive stance in Netanyahus favor, Yedioth Ahronoth comes out swinging against the prime minister. It dispenses with any semblance of reportage in the opening pages, leading instead with that fearsome duo of twin op-eds by mainstay pundits Nahum Barnea and Sima Kadmon.

Like Margaret Thatcher and Tony Blair, Netanyahu has solidified his grip on his party in his fourth term in office but is cursed to self-destruct, Barnea expounds. The economy is strong, the country is secure, Likud is joined by right wing parties in ruling the country, and hes welcomed in Moscow, Beijing and Washington with open arms, Barnea says.

Crises like thse are born on WhatsApp and die on WhatsApp, he says. All it needs is intervention by the prime minister. Netanyahus sudden interest in the fates of Israel Broadcasting Authority workers is the most baseless crisis, Barnea says.

Netanyahu was the one who passed the bill through the Knesset to disband the corrupt, bloated and unnecessary IBA that had been under his wing for years. Kahlon stands against him not because the public broadcaster is dear to his heart or pocket, but because theres a limit to his willingness to be a mop.

Kadmon likewise calls out Netanyahu for flipflopping on the public broadcasting corporation issue, but says that the broadcaster isnt the real issue at hand at all. She charges that its his wife, Sara Netanyahu, calling the shots because of a personal dislike of certain journalists hired by the new broadcaster. Its clear to everyone close to the prime minister that something is going on when Netanyahu is susceptible to the influence of his relatives.

Ladies and gentlemen, wake up. This is your prime minister. The man making a list of critical decisions, like which response we should take against Gaza, or what to do about Irans power in Syria. Is this the man you would let make fateful decisions? Wait, would you buy a car from this man?

Haaretzs Chemi Shalev compares Netanyahu to Titus. For destroying Jerusalem? No, because Netanyahu also has a mosquito buzzing in his head driving him crazy in the form of the media, he writes. Netanyahu will found and ruin coalitions until he silences the irritating journalists, he charges.

Some analysts connect the flipflop that Netanyahu did over the weekend to his relatives waverings, he writes. Others are certain that its an initiative aimed at somehow saving him from an approaching indictment. There are still others who say that Netanyahu is simply puffing out his chest with Moshe Kahlon specifically, and his coalition partners in general, to bring them back into line, with no real intention to go to the polls.

All these things are right, he says, but they miss the point: Netanyahus treatment of the press is irrational and its eating him up inside.

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Anatomy of a crisis - The Times of Israel

Grey’s Anatomy’s Sarah Drew Breaks Down the Moment Every Japril … – E! Online

And just like that, it looks like Japril is back on.

All it took was Jackson (Jesse Williams) and April's (Sarah Drew) trip to Montana on tonight's new episode of Grey's Anatomy to get the co-parents and former spouses back between the sheets. Well, that and a run-in with Jackson's long-lost pophey, Eric Roberts!of course. But with the status of their relationship left rather ambiguous by the episode's end, not to mention that pesky Grey Sloan Memorial civil war they've got to return home to, where will the docs go from here?

For some clarity on the subject, E! News got Drew on the phone for her thoughts. What follows is our unedited Q&A, covering the thrilling fling, what it meant for April to be present during Jackson's major life moment, and how she's readying herself for the onslaughtof tweets from Japril fans that she'scertainly about to receive.

ABC

We've got to start right away with the moment that every Japril fan is going to be tweeting about. How are you preparing your Twitter feed for the deluge of tweets coming your way? [Laughs] Oh my gosh, I don't know. I'm actually going to be on set all day tomorrow, so I'm going to have to be just popping back and forth between shots to talk to people, to talk to the fans and stuff. I've got a lot of behind the scenes photos which are kind of fun that I'm going to be posting. But, yeah, I know so many fans have been waiting for this moment and I think it's going to be pretty satisfying for them.

In all seriousness, what do you think this means for them? Is this like a "What happens in Montana, stays in Montana" situation or could this be the beginning of a true reunion for these two? I think it could go in a couple different directions. It could either lead to total confusion about what their status isthey're still living together. They're still roommates and they've got this baby that they love and adore and have made together, you know? So it could either lead to confusion or it could be a solidification of their best friendship, just a reminder that they really have always been each other's person since their time over at Mercy West and it could be very platonic moving forward. Or it could be a total rekindling of their romance. And you'll just have to wait and keep watching to see what happens. But I think any of those is totally justifiable and makes total sense to me. I don't think it's a thing that happened that is never thought about again or discussed again. I think it meant something important, but what exactly that leads to, you'll just have to wait and see.

The episode also holds such huge moments for Jackson Oh my gosh, he's so amazing! Jesse is brilliant. He's absolutely brilliant. It's such beautiful work. it's really exciting to see him just shine in this way. it's really cool.

What do you think it meant to April to be the one there to help him work through this as he confronts his father? You know, what I love the most about our dynamic in this episode is that so often in our history on the show together, April's been the one that's been spinning out of control and Jackson's the one that has to center her and ground her and show up for her. And that has been a pattern over and over and over again. She's the one that runs away and he has to get her back. She's the one that freaks out and he then has to show up for her. In this episode, she is rock solid for him. She shows up for him in a way that he didn't even know he needed or could articulate that he needed. He never thought that he would want to have her there for this. I think he discovers by the end of the episode that she was exactly the only right person to be there with him as he went through this. I love it.

I love that we get to see her be really strong for him and not need anything from him. That's the thing that I love the most about it. There was no moment of neediness for her. She didn't need him to be nicer to her, she didn't need him to get his act together. She knew what he needed, and then she provided that for him.

It was kept under wraps that Eric Roberts was cast as his father. What was it like getting to work with him? He's so great. He's so amazing, so enthusiastic, so talented. Really fun to work with. it was a ball working with Eric Roberts. he was so awesomeand felt so right for this role. He's so charming and likable, but yet at the same time, you're like, "How could someone so charming and likable have completely abandoned all of his responsibilities and his own child?" It's hard. You want to hate him, but then you can't. It's an interesting line he has to walk to play this character and he does it brilliantly.

Aside from the big moment between the sheets, the fans overall have just been thrilled to get a Japril sequel after last season's episode. What did it mean for you and Jesse to get to have this one-off adventure again? We felt a great sense of responsibility. We felt like Shonda [Rhimes] had trusted us with something huge. We felt that way last year, too. When she gave us that episode later year, it was an honor. It was really humbling to have her basically say I believe that these two characters will capture the attention of our Grey's Anatomy audience for an entire episode, you know? That felt very big and meaningful. And to get to do it again, it was even more of an honor.

And Jesse and I have always worked really well together. We've always been really passionate about the material, have always been super invested in our characters' journey and the relationship between April and Jackson. So, for us, this was just such a ball. We had so much fun working on the script and taking it to pieces and really finding and mining all of the inner workings and all the layers that were happening. And we were shooting on location and we were nowhere near the hospital, so it really felt like we ran off to do a little move together. And with Kevin [McKidd,] who we love and is one of out absolute favorite directors and people. So to have him at the helm for this episode was also such a tremendous gift. He's amazing.

What can you tease about what they return to at Grey Sloan next week with this civil war that's still waging on? We pick up back at the hospital right where we left off before running over to Montana. And at this point, really the main focus is what's going on with Bailey, Arizona and Richard because there's a lot of feeling of betrayal and hurt and loyalty questions and all that stuff, so that stuffthere's a lot of be ironed out and healed and sorted through when we get back to the hospital. That's really the focus when we get back.

Before they left, Jackson and April were really on opposing sides in this whole situation. With the trip to Montana and all that they go through, does it sort of heal them or have they come to a different understanding? Or does it affect their positioning at all when they come back? I think that basically what happens in Montana makes everything else feel pretty small and unimportant. This is a pretty big deal, him finding his father, looking for his father, conquering a huge fear that he had about whether he would be a good father or not. And April showing up for him through all of that and assuring him of what a tremendous dad he is, I think that ends up pretty much erasing the tension over hospital politics. So, yeah, I think there's enough that happens in Montana that really does a profound job of healing the two of them.

Grey's Anatomy airs Thursdays at 8 p.m. on ABC.

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The Anatomy of Rachel Maddow’s Rollout of Trump’s Tax Returns – MediaFile

On Tuesday, March 14 at 7:36 p.m., MSNBC political analyst Rachel Maddow tweeted that she had received Trump tax returns and would discuss them on her show at 9 p.m.

What followed was a series of events that left many viewers and pundits debating if Maddow had overhyped her scoop or not. Either way, the delivery of this breaking news became the story more so than the news of Trumps leaked 2005 tax return itself.

Two questions percolated as the evening played out: Was what Maddow had in her possession important enough to warrant this much excitement? And, as many first-time Maddow viewers wondered, why was she taking so long to get to the meat of the story?

Maddow herself cast doubt over the revelatory nature of the documents when she tweeted at 8:24 p.m. that she only had access to President Trumps 1040 form from 2005, which limited the chances of providing mind-blowing information.

Washington Examiner finance reporter Joseph Lawler told MediaFile he wouldnt have expected any damning news coming from those documents, which only show Trumps bottom-line numbers.

What we really wouldve been interested in were disclosures of all his income, he said.

By the time Maddows report aired at 9 p.m., the White House had released a statement that claimed in 2005, Trump paid $38 million in taxes on $150 million in income exactly what Maddows documents showed. The Daily Beast also beat her to the air with a story on the tax return documents.

Maddow began her show by explaining the documents were originally given to her by Pulitzer Prize-winning journalist David Cay Johnston, who had published the two-page tax return on his website, DCReports.org, as her report was airing.

She then proceeded to spend a half hour providing background on what the tax returns could say, before finally diving into the heart of the story that anyone with a Twitter feed could have accessed almost an hour earlier.

Many viewers and journalists were irked by Maddow sticking so vehemently to her shows format, which is designed to provide context before diving into the news itself.

Politico senior media writer Jack Shafer wrote that Maddow whipped up a cumulus-sized head of froth placed atop a one-ounce scoop. Washington Post media columnist Margaret Sullivan called the show a master class in burying the lede.

When you see Rachel Maddow saying, We have Donald Trumps tax returns, watch at 9, and you have to wait an hour and a half to see those, a lot of people, particularly reporters, were disappointed, Politico media reporter Kelsey Sutton told MediaFile.

Maddows rollout of Trumps tax returns even got the Stephen Colbert treatment in a sketch where Colbert pulls a Rachel Maddow, by taking a long time to tell a joke that he facetiously claims irked Trump.

Lawler thinks there was legitimate news to come out of Maddows scoop, mainly that Donald Trump did pay federal income taxes in 2005. He said it had been speculated that he might not have paid taxes after the New York Times released his 1995 returns, which showed massive losses, in October 2016.

Even though Maddow didnt have the smoking gun to end Trumps presidency, I think this was a legitimate scoop, he said.

Shafer referred to Maddow whipping up a froth about the tax returns, but recognized that the hotdogging fell in line with a long-standing tactic: add a dash of sensationalism, attract eyes and your audience. Sutton did not take any issue with Maddow keeping to her shows format, but agreed that because the news she had wasnt game-changing, Maddow was probably trying to milk it for all it was worth.

It wasnt decades of tax returns, which I think is what is implied when someone says tax returns, plural, Sutton said. I think this is a prime example of prime-time television and its sensationalist style. What else should we have expected from Rachel Maddow at 9 p.m. on MSNBC?

One thing Sutton and Lawler both believe Maddow definitively proved: There is an insatiable public appetite to see full copies of Trumps most recent tax returns.

The public is going to want to see his full tax returns to see who hes doing business with, where he earns his money and what taxes he pays, Lawler said.

Sutton called Maddow and Johnstons work a drip drip in the quest to either expose or force Trump to release his tax returns.

If somebody has access to those and wants to leak it, this has proved there is a massive audience for that sort of information, she said. So I dont think its over.

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The Anatomy of Rachel Maddow's Rollout of Trump's Tax Returns - MediaFile

The anatomy of a comeback: How Central’s chaotic, wacky second-half surge sparked a DI title win (photos) – MassLive.com

SPRINGFIELD Sharaya Haines caught fire.

And then the MassMutual Center nearly did too.

Central girls basketballs 61-45 Division I state championship win over Braintree its first state title since 2010 was sparked by a chaotic, dramatic and occasionally perplexing second-half surge. The Golden Eagles erased a 10-point deficit, overcame injuries to two separate guards, endured a stop-and-go third quarter devoid of flow due to a barrage of fouls and whistles by the referees.

They then waited for seven minutes early in the fourth quarter while the fire alarm yes, the fire alarm went off inside the MassMutual Center, halting play.

At the center of all of the chaos was Haines, who scored all of her game-high 17 points in the second half, pouring in four 3-pointers.

She was a tremendous help, fellow senior Ishanna Brown said. I think her shooting threes sparked some energy and our success tonight. It was really big. She stepped up.

But before Haines could play the hero role, propelling Central to a win in front of its hometown crowd, it needed to break out of its malaise.

The early comeback

Central trailed 30-20 at halftime and was fortunate the deficit wasnt larger.

It scored just eight points over the games first 15 minutes before finding life at the end of the first half. Coach Erik Maurer said his team wasnt rotating defensively like hes accustomed to and was taken aback by Braintrees early run. It was addressed in the locker room at halftime.

The Golden Eagles quickly made up ground.

They opened the second half on an 8-0 run, cutting the deficit, before Braintrees Mackenzie Moore drilled a 3-pointer. Phyness Baldwin and Haines answered with back-to-back 3s, and suddenly, Central had a one-point lead, finally awakening a dormant pro-Central crowd.

Brown also played a significant role in keying the run, pulling down two rebounds and firing outlet passes that led to scores, and forcing two steals within the first 1:40 of the second half.

Central also had to deal with key injuries to Makayla Thompson and Jaliena Sanchez. Thompson dislocated her right shoulder at the beginning of the third quarter, missing over four minutes of game time. An MIAA doctor popped it back in and Thompson, who has dislocated the shoulder before, said she was ready to return to the game.

She was needed.

Midway through the quarter, Sanchez was fouled on a fast-break layup, crashing to the floor on her right hip. She writhed in pain and could not put weight on it, requiring two assistants to carry her off the floor. Alayah Sweeney took Sanchezs free throws officially ending the sophomore guards day and Sanchez was later wheeled out of the arena on a stretcher.

It made us angry, Haines said, but we still stayed focused. We played the rest of the game for her.

Haines lights it up

Haines embodied that focus as well as any player on the roster, shaking off a scoreless first half to score 11 points in the third quarter, including the teams final seven points of the quarter. Central took a 38-36 lead into the fourth quarter.

Then Brown scored three points to open the quarter. Haines followed, sandwiching two 3-pointers around a Makayla Rudder put-back layup, and suddenly Central had a 49-41 lead with 4:47 left.

Then the wonkiness.

The fire alarm went off.

Emergency lights flashed throughout the arena as an automated voice recording alerted fans to an emergency situation. The majority of the fans in the MassMutual Center remained in their seats, and the players stayed at their benches, more perplexed than anything.

The Central girls handled the situation well. After all, at that point, they were used to stoppages, as officials frustratingly halted play several times in the third quarter to confer at the scoring table.

It was really tough, there was just so much built up inside, Brown said. We werent getting calls we wanted, we had to fight through it all. Those bad calls, it brought something out of us, and made us come to the realization that we needed to step up because we werent going to get any calls

Maurer thought his team relaxed as the game became more chaotic.

I thought that we loosened up a little bit when everything started to happen the way that it did, he said. We started to joke on the bench. The girls were kind of laughing about things. Even with a couple of the injuries we had. It allowed the girls to take a little bit of a breath.

After a seven-minute delay, the alarm was turned off and play resumed. Central promptly went on a 7-1 run, and the game was theirs.

We knew the first half, it wasnt our best half, Thompson said. Over in the locker room, we talked about everything to improve, weve got each others back, believe in each other, keep shooting shots. Got back out there second half, trust each other and we got it. We came back and we won.

For Haines, who has withstood shooting slumps before, it was a rewarding stretch. Maurer regularly chides Haines to shoot more often if her shot becomes available. By the fourth quarter of Saturdays win, Haines was stepped into 3-pointers off the dribble, looking as comfortable as ever behind the arc.

He joked with her to only stop shooting if she missed three 3-pointers in a row.

I was feeling pretty confident, Haines said, so sometimes I feel like they are all going to go in.

It felt like, at least in the second half, they did.

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The anatomy of a comeback: How Central's chaotic, wacky second-half surge sparked a DI title win (photos) - MassLive.com

Anatomy of a felony – Norman Transcript

Editors Note: The purpose of this story is to explain the criminal process for individuals who have been arrested on suspicion of committing a felony. In addition, Cleveland County court officials and attorneys comments in this story were not made in reference to any specific case.

Like a living organism, the criminal justice system has an anatomy an anatomy that is well studied and well known to its juris doctors, yet complex.

The process for a person who has been arrested in connection with committing a felony starts with rights outlined in the U.S. Constitution meant to protect people both foreign and domestic.

Our rights are so valuable because of the price that has been paid for them, Norman attorney David Smith. If we dont take care of these rights, then those veterans died for nothing.

According to the U.S. Constitution, in all criminal prosecutions, the accused shall enjoy the right to a speedy and public trial, by an impartial jury of the State and district wherein the crime shall have been committed, which district shall have been previously ascertained by law, and to be informed of the nature and cause of the accusation; to be confronted with the witnesses against him; to have compulsory process for obtaining witnesses in his favor, and to have the Assistance of Counsel for his defence. (U.S. Constitution, Amendment VI)

Following an arrest, a person is booked into a county jail on recommended charges from the arresting agency. The accused is held on a jail bond until a district court judge issues bail in relation to charges the district attorneys office decides to file. Jail bonds are a set amount decided by county and court officials.

According to a 2007 Cleveland County general order, persons in jail for charges that include traffic violations, alcohol, drugs and larceny can be released on their own recognizance. For violent offenses, such as assault and murder, jail bonds can range between $1,000 and no bond, meaning the person is held without bond until they appear before a judge for their first court appearance.

The initial appearance is where the accused is advised of charges they are facing, their rights, issued a bail or released on their own recognizance and given another court date.

The law is clear in what a judge has to take into account when setting bail, Cleveland County Special Judge Steve Stice said. This can include looking at the nature of the crime, employment history, any priors for failing to appear, has the person hired counsel, and do they have members of the community who will vouch for them. Bail is only to ensure the person will come back to court; its not meant for punishment.

The next step is a preliminary hearing conference, where the defense and prosecution meet andthe district attorney can offeran initial plea deal. If the deal is accepted, a disposition or sentencing date is set. If not, a preliminary or probable cause hearing is set.

A preliminary hearing is the first time evidence is heard in court.

The state has to provide enough evidence to convince a judge that there is probable cause for the case to move forward and go to trial, Stice said. Again, its not enough evidence to convict, only enough to where the judge believes a jury should hear it.

In addition, a preliminary hearing is also the first time where the burden of proof is a factor a burden that is always on the prosecution in criminal cases. There are two levels in felony cases. They are probable cause, which is the lowest burden, and beyond a reasonable doubt, which is the highest burden.

A judge makes sure that the state has enough evidence to proceed with the charge theyve chosen to go on, Stice said.

If a judge finds probable cause, the accused is bound over and will be formally arraigned. Formal arraignment is the first time the accused enters a plea of guilty or not guilty.

Pre-trial or status conferences are then set to ensure whether the case needs to go to trial. Cleveland County District Judge Thad Balkman said this is the time both parties are expected to cooperate in the exchange of evidence, called discovery.

The idea behind discovery is to avoid surprises at trial to avoid trial by ambush, Balkman said.

There are two different types of criminal trials in Oklahoma: jury and non-jury. Verdicts in jury trials are decided by a 12-person jury selected from within the county. In a non-jury trial, a district judge decides the verdict.

At trial, the burden switches from probable cause to beyond reasonable doubt. Its a burden Cleveland County District Attorney Greg Mashburn said he gladly accepts.

The burden should be on the state. Its absolutely the best thing, Mashburn said. When dealing with someones liberty possibly being taken, the burden should be on the group that is wanting to take it away.

Balkman said neither the state nor defense can define what beyond a reasonable doubt means. Each juror has a responsibility to decide for themselves.

Thats the beauty of the jury trial system, Balkman said.

Smith said the jury represents the people.

They are the voice of the community, he said. There are only a few places in the world where that is the case. The government (prosecution) cant do anything unless the people say they can.

If a jury finds the defendant guilty, a formal sentencing date will be setlaterfollowing the verdict.

In Oklahoma, those convicted have 10 days from formal sentencing to file an intent to appeal. The appeal then goes to the Oklahoma Court of Criminal Appeals, and possibly the state Supreme Court.

Jacob McGuire

366-3540

jmcguire@normantranscript.com

Follow me @jmcguireNT

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Anatomy of a felony - Norman Transcript